From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
An elderly Jewish widow living in Atlanta can no longer drive. Her son insists she allow him to hire a driver, which in the 1950s meant a black man. She resists any change in her life but, Hoke, the driver is hired by her son. She refuses to allow him to drive her anywhere at first, but Hoke slowly wins her over with his native good graces. The movie is directly taken from a stage play and does show it. It covers over twenty years of the pair's life together as they slowly build a relationship that transcends their differences. Written by
John Vogel <firstname.lastname@example.org>
The Hans Zimmer score was done completely with synthesizers, all of which he played. No orchestras were used. See more »
In the very early scene where Miss Daisy is inside starting her car it is a 1949-1953 Chrysler. The car shown backing over the wall from the outside is a 1946-1948 Chrysler. See more »
Hoke, I want you to understand something. Now, you'd be working for me. She
[referring to Daisy]
can say anything she likes, but she can't fire you. You understand?
Yes, sir. Yes, sir, I sure do. And, don't you worry about a thing, Mr. Werthan! I'm gonna hold on no matter how she run me. You see, I used to rassle hogs down yonder in Macon, and, let me tell you, ain't no hog got away from me yet!
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Only those with dull minds would find this boring.
Only those with dull minds would find this boring. A truly perfect movie, in my opinion. I never saw the stage production, but I can't believe it could have been better. I believe the movie was perfectly cast, as well, even though I adore Dana Ivey, who originated the role of Daisy Werthan. By the way, I can see a day far in the future when Morgan Freeman will win an Oscar for a small supporting role in an otherwise forgettable movie. That Oscar will be the reward for movies like this one.
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