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Nuovo cinema Paradiso (1988)
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Info generali
Voti degli utenti:
Data di uscita:
23 febbraio 1990 (USA) ancoraSlogan:
A celebration of youth, friendship, and the everlasting magic of the movies.Plot:
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist. full summary | full synopsisPremi:
Won Oscar. Another 19 wins & 12 nominations ancoraRecensioni degli utenti:
The Loves Of 'Toto' Beautifully Told ancoraCast
(Cast principale, solo i primi nomi)| Antonella Attili | ... | Maria Di Vita - Younger | |
| Enzo Cannavale | ... | Spaccafico | |
| Isa Danieli | ... | Anna | |
| Leo Gullotta | ... | Usher | |
| Marco Leonardi | ... | Salvatore 'Toto' Di Vita - Teenager | |
| Pupella Maggio | ... | Maria Di Vita - Older | |
| Agnese Nano | ... | Elena Mendola | |
| Leopoldo Trieste | ... | Father Adelfio | |
| Salvatore Cascio | ... | Salvatore 'Toto' Di Vita - Child | |
| Tano Cimarosa | ... | Blacksmith | |
| Nicola Di Pinto | ... | Village Idiot | |
| Roberta Lena | ... | Lia | |
| Nino Terzo | ... | Peppino's Father | |
| Jacques Perrin | ... | Salvatore 'Toto' Di Vita - Adult | |
| Philippe Noiret | ... | Alfredo |
Dettagli aggiuntivi
Alias:
Cinema Paradiso (Australia) (France) (UK) (USA)Cinéma Paradiso (France)
Cinema Paradiso: The New Version (USA) (director's cut)
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MPAA:
Rated R for some sexuality. (director's cut)Parents Guide:
Add content advisory for parentsDurata:
155 min | Italy:170 min (director's cut) | 124 min (International version)Colore:
ColoreAspect Ratio:
1.66 : 1 ancoraSonoro:
DolbyDivieti:
Iceland:L | South Korea:15 (director's cut) | Spain:T | South Korea:Tutti (original rating) | West Germany:12 (f) | Italy:T | Argentina:Atp | Australia:PG | Canada:G (Quebec) | Canada:PG | Chile:TE | Finland:S | France:U | Germany:12 | Hong Kong:IIB | Norway:10 | Peru:PT | Singapore:M18 (director's cut) | Singapore:PG | Sweden:11 | UK:15 (director's cut) | UK:PG | USA:PG (original rating) | USA:R (director's cut) (2002)Info divertenti
Curiosità:
Cameo del regista: [Giuseppe Tornatore]the person working the projection machine when Salvatore is watching the compilation of scenes that Alfredo made for him ancoraErrori:
Continuità: When Toto is young, the films that Alfredo gave him catch fire. They burn and ruin the only picture that his mother had of his father. When Toto is a grown up, this "burnt" picture is hanged on the wall totally unharmed. ancoraCitazioni:
Alfredo: [after informed about the arrival of the new non-combustible film] Progress always comes late. ancoraFAQ
Is this movie based on a novel?Why didn't Elena show up to meet Toto at the Paradiso at 5PM?
A Note Regarding Spoilers
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After seeing this special edition DVD which shows the entire 174-minute film (in addition to the 121-minute one that most of us had seen over the years,) my rating of this film was elevated. This review is of the longer "director's cut."
Most of the new footage involved the main's character's romance while he was a young man. The story then is continued years later when that character comes back to his hometown for a funeral and runs into the woman he was in love with but never was able to get for his own. It turns out to be a somewhat tragic love story.
The first part of the film, with Salvatore Cascio as "Toto" a young boy is a love story about two people sharing their love of movies: the kid and an adult "Alfredo" (Phillpe Noiret) who runs the local movie theater. Their love of film bonds them for life.
The word "love" is used repeatedly in this review because that's the dominant theme: the love people had for others and for the world of film, something all of us on this website share.
The second and third parts of the film are the above-mentioned love story of Toto (Marco Leonardi as an adolescent and then Jacques Perrin as an adult) and "Elena" (Agnese Nano/ Brigitte Fossey). The first third of this director;s cut edition is much livelier and interesting, frankly, than the last two-thirds. Although not boring, it does drag in a few spots but the longer version is better in the long run because it makes the whole story much more meaningful.
It's very nicely filmed and you get a real feel for the Italian people and their little town. The director of the movie, Giuseppe Tornatore, went on to make other great visual films, two of which I also like: Malena and The Star Maker.....but Cinema Paradiso, I believe, is considered his "masterpiece."