The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
College student Jeffrey Beaumont returns to his idyllic hometown of Lumberton to manage his father's hardware store while his father is hospitalized. Walking though a grassy meadow near the family home, Jeffrey finds a severed human ear. After an initial investigation, lead police Detective John Williams advises Jeffrey not to speak to anyone about the case as they investigate further. Detective Williams also tells Jeffrey that he cannot divulge any information about what the police know. Detective Williams' high school aged daughter, Sandy Williams, tells Jeffrey what she knows about the case from overhearing her father's private conversations on the matter: that it has to do with a nightclub singer named Dorothy Vallens, who lives in an older apartment building near the Beaumont home. His curiosity getting the better of him, Jeffrey, with Sandy's help, decides to find out more about the woman at the center of the case by breaking into Dorothy's apartment while he knows she's at work... Written by
Dean Stockwell held a worklight in the "In Dreams" sequence only after director David Lynch saw him holding one during a lighting session. He was originally supposed to hold a microphone. See more »
During the first time Sandy and Jeffery hear Dorothy sing, the dress she ends with on stage is different than the dress she started with. However, this could simply be the result of a costume change between the sets of her performance. See more »
It's a sunny, woodsy day in Lumberton, so get those chainsaws out. This is the mighty W.O.O.D., the musical voice of Lumberton. At the sound of the falling tree, it's 9:30. There's a whole lotta wood waitin' out there, so let's get goin'.
Mr. Beaumont? Your son Jeffrey's here to see you.
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There is far more to 'Blue Velvet' than meets the eye. You can't label this as drama, satire, or black comedy. It just doesn't work.
'Blue Velvet' is an example of our world's disarray. This film is VERY genius in its portrayal. We see a hokey, innocent town that yields a dark secret.
The symbolism is great. White picket fences, waving fireman, hokey acting, and a sunny day show the apparent innocence. But a stroke, black insects, a candle getting blown out, etc. show us something else.
I love how when we see the innocence, everything is hokey. The music, acting, dialogue... everything. But when the darkness appears, everything becomes serious. The script improves, the acting is better... everything. That's something that was missed by most viewers.
David Lynch is brilliant, but he also has a great sense of humor. Jokes aren't funny... absurdity is funny.
Lightness and darkness seemingly coexist in this lumber town... each in their own place. When a curious fellow returns home, he disrupts the balance and the two forces go to war. Yet, we don't really even know which side he's on. I love how Jeffrey always wears black and white. I love all the symbology of this film.
If you haven't seen this yet, break away from the Hollywood cookie cutter movies and prepare to have your mind challenged and entertained.
Makes a fun party movie, too. ;o)
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