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Aliens (1986)

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57 years later, Ellen Ripley is rescued by a deep salvage team during her hypersleep. The moon from the original movie has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?

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Top Rated Movies #65 | Won 2 Oscars. Another 18 wins & 22 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Corporal Dietrich (as Cynthia Scott)
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Storyline

57 years after Ellen Ripley had a close encounter with the reptilian alien creature from the first movie, she is called back, this time, to help a group of highly trained colonial marines fight off against the slimy extraterrestrials. But this time, the aliens have taken over a space colony on the moon LV-426. When the colonial marines are called upon to search the deserted space colony, they later find out that they are up against more than what they bargained for. Using specially modified machine guns and enough firepower, it's either fight or die as the space marines battle against the aliens. As the Marines do their best to defend themselves, Ripley must attempt to defend a young girl who is the sole survivor of the decimated space colony. Written by blazesnakes9

Plot Summary | Plot Synopsis

Taglines:

This time it's war See more »


Motion Picture Rating (MPAA)

Rated R for monster violence, and for language | See all certifications »

Parents Guide:

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Details

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Release Date:

18 July 1986 (USA)  »

Also Known As:

Alien 2  »

Box Office

Budget:

$18,500,000 (estimated)

Opening Weekend:

$10,052,042 (USA) (20 July 1986)

Gross:

$85,160,248 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (special edition)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Eastman Kodak)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Some of the sound effects for this film were created with help from the Fairlight, an early Australian-made digital sampler. Though the machine sampled at a now-laughable 8 bit resolution, the Fairlight then cost an astounding 30 thousand dollars (USD) and was state-of-the-art. Musicians such as Jan Hammer, Kate Bush, and Prince have used it extensively throughout their respective careers. See more »

Goofs

(at around 3 mins) In the very beginning of the movie when the salvage crew is cutting into the lifeboat, in the close-up shot the plasma cutter makes a cut at a right angle but in the long shot when the door falls, there are no right angles on the door they cut. So the shape of the door being cut does not match between the close-up and long shots. See more »

Quotes

[first lines]
Salvage Team Leader: Bio-readouts are all in the green, looks like she's alive. Well, there goes our salvage, guys.
See more »

Crazy Credits

The ALIENS title forms slowly during the opening credits. The full title isn't seen until the opening credits are finished, and the "I" illuminates brightly. See more »

Connections

Featured in The 100 Scariest Movie Moments (2004) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Compelling, far superior sequel to sci-fi classic (8/10)
17 February 2001 | by (Edinburgh, Scotland) – See all my reviews

Seven years after barely surviving events on board the Nostromo in Ridley Scott's classic sci-fi horror ALIEN, Sigourney Weaver reprised her role as Warrant Officer Ripley for one of the most compelling and critically-acclaimed sequels of all time. Canadian director James Cameron had already struck gold with the Arnold Schwarzenegger starring vehicle THE TERMINATOR (1984), after his somewhat inauspicious feature film directorial debut with the long-forgotten, Dutch-backed PIRANHA II: THE SPAWNING 3 years earlier. ALIENS would further cement Cameron's growing reputation as a first-rate director of high-tech, fast-paced, adrenaline-pumping action thrillers, from which there would normally be no let-up once they got going.

When Ripley is rescued from drifting aimlessly through deep space, she is horrified to learn that not only has she been asleep for 57 years, but the planet on which she had encountered the original alien all that time ago has since been colonized. At first no-one will heed her warnings or completely believe the story she gives at an official enquiry as to what happened to her and her fellow Nostromo crew members. But then contact is lost with LV-426, and despite initially throwing Ripley "to the wolves" (as she herself puts in), The Company, through representative Carter J. Burke (Paul Reiser), suddenly finds itself in a position of having to ask Ripley for help, finally persuading her to return to the planet that still consumes her every nightmare, as an advisor to a motley group of very tough colonial marines expecting this to be just another run-of-the-mill "bug-hunt". But how wrong that assumption turns out to be!

I would argue that ALIENS far surpasses its celebrated predecessor in almost every aspect. Obviously the sheer spectacle of what is basically a Vietnam war movie in space is particularly awe-inspiring - the impressive sets, the many excitingly-staged combat sequences, the aliens themselves (interestingly enough, although through fast cutting and appropriate camera placement it seems as though there are hundreds of aliens being blasted to kingdom come - or else picking off the gung-ho marines one by one - in reality no more than 6 aliens are ever seen in any one shot). But the human drama element of this sequel is also greatly heightened, primarily by the introduction of "Newt" (wonderful little Carrie Henn, in her only film role), who turns out to be the sole survivor of recent events on LV-426, becoming a kind-of surrogate daughter to Ripley, which leads to several touching moments and gives the story a surprisingly effective emotional core in the midst of all the otherwise pre-eminent carnage.

Amongst the talented supporting players are Cameron regulars Michael Biehn (THE TERMINATOR, THE ABYSS) and Bill Paxton (bit part in THE TERMINATOR, TRUE LIES, TITANIC), and Cameron's punchy dialogue includes such suitably macho wisecracks as - Hudson (Paxton): "Hey Vasquez, have you ever been mistaken for a man?" Vasquez (a pumped-up Jenette Goldstein): "No, have you?" Nominated for 7 Oscars, including Weaver as Best Actress (again this confirms the general class on display, as it is fairly rare for the Academy to recognize the acting qualities inherent in this type of predominantly action-driven movie), the film went on to win for Best Visual Effects and Best Sound Effects Editing. Further, almost inevitable sequels followed in 1992 and 1997, but I prefer to think of the terrifying perils of Ellen Ripley as ending on this high note.


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