| Photos (see all 48 | slideshow) | Videos (see all 2) |
| Jim Henson | ... | Jen, A Gelfling (performer) / High Priest (Ritual Master) (performer) / Podling (performer) / Additional Characters (uncredited) | |
| Kathryn Mullen | ... | Kira, A Gelfling (performer) / Jen, A Gelfling (assistant) / Additional Characters (uncredited) | |
| Frank Oz | ... | Aughra, A Keeper Of Secrets (performer) / Chamberlain (performer) / Podling (performer) / Additional Characters (uncredited) | |
| Dave Goelz | ... | Fizzgig, A Friendly Monster (performer) / General (Garthin Master) (performer) / Dying Emperor (performer) / Podling (performer) | |
| Steve Whitmire | ... | Scientist (performer and voice) / Kira, A Gelfling (assistant) (voice) | |
| Louise Gold | ... | Gourmand (performer) | |
| Brian Muehl | ... | Ornamentalist (performer and voice) / Urzah (performer) / Dying Master (performer and voice) (voice) | |
| Bob Payne | ... | Historian (Scrollkeeper) (performer) | |
| Mike Quinn | ... | Slave Master (performer) | |
| Tim Rose | ... | Treasurer (performer) | |
| Jean-Pierre Amiel | ... | Weaver (performer) (as Jean Pierre Amiel) | |
| Hugh Spight | ... | Cook / Landstrider (performer) | |
| Robbie Barnett | ... | Numerologist (performer) / Landstrider (performer) | |
| Swee Lim | ... | Hunter / Landstrider - Performer | |
| Simon Williamson | ... | Chanter (performer) | |
| Hus Levant | ... | Scribe (performer) | |
| Toby Philpott | ... | Alchemist (performer) | |
| David Greenaway | ... | Healer (performer) / Aughra, A Keeper Of Secrets (assistant) (as Dave Greenaway) | |
| Richard Slaughter | ... | Healer (performer) | |
| Kiran Shah | ... | Additional Performer / Jen (body) / Kira (body) (uncredited) / Aughra (body) (uncredited) | |
| Mike Edmonds | ... | Additional Performer | |
| Peter Burroughs | ... | Additional Performer | |
| Malcolm Dixon | ... | Additional Performer | |
| Sadie Corre | ... | Additional Performer | |
| Deep Roy | ... | Additional Performer | |
| Jack Purvis | ... | Additional Performer | |
| Gerald Staddon | ... | Additional Performer (as Gerald Stadden) | |
| Mike Cottrell | ... | Additional Performer | |
| John Ghavan | ... | Additional Performer | |
| Annie Jones | ... | Additional Performer (as Abbie Jones) | |
| Natasha Knight | ... | Additional Performer | |
| Lisa Esson | ... | Additional Performer | |
| Stephen Garlick | ... | Jen (voice) | |
| Lisa Maxwell | ... | Kira (voice) | |
| Billie Whitelaw | ... | Aughra (voice) | |
| Percy Edwards | ... | Fizzgig (voice) | |
| Barry Dennen | ... | Chamberlain / Podling (voice) | |
| Michael Kilgarriff | ... | General (voice) | |
| Jerry Nelson | ... | High Priest / Dying Emperor (voice) | |
| Thick Wilson | ... | Gourmand (voice) | |
| John Baddeley | ... | Historian (voice) | |
| David Buck | ... | Slave Master (voice) | |
| Charles Collingwood | ... | Treasurer (voice) | |
| Sean Barrett | ... | Urzah (voice) | |
| Mike Iveria | ... | Podling (voice) (as Miki Iveria) | |
| Patrick Monckton | ... | Podling (voice) | |
| Sue Westerby | ... | Podling (voice) | |
| Joseph O'Conor | ... | Narrator / Urskeks (voice) |
Regia di | |||
| Jim Henson | |||
| Frank Oz | |||
| Gary Kurtz | (uncredited) | ||
Scritto da | ||
| Jim Henson | (story) | |
| David Odell | (screenplay) | |
Prodotto da | |||
| Jim Henson | .... | producer | |
| Duncan Kenworthy | .... | associate producer | |
| Gary Kurtz | .... | producer | |
| David Lazer | .... | executive producer | |
| Bruce Sharman | .... | associate producer | |
Musiche originali di | |||
| Trevor Jones | |||
Fotografia di | |||
| Oswald Morris | |||
Montaggio di | |||
| Ralph Kemplen | |||
Scenografie di | |||
| Harry Lange | |||
Architetto-scenografo | |||
| Brian Ackland-Snow | |||
| Terry Ackland-Snow | |||
| Charles Bishop | |||
| Malcolm Stone | |||
Costumi di | |||
| Val Johnston | |||
| Leisja Limmer | |||
Direttore di produzione | |||
| Bill Benson | .... | production supervisor | |
| Philip Koehler | .... | production manager | |
Aiuto regista | |||
| Gary Kurtz | .... | second unit director | |
| Christopher Newman | .... | second assistant director (as Chris Newman) | |
| Dusty Simmonds | .... | assistant director | |
Art Department | |||
| George Ball | .... | property manager | |
| Frank Billington-Marks | .... | assistant property master | |
| Max Bowen | .... | construction manager | |
| Ron Burkett | .... | supervising painter | |
| Steve Court | .... | chargehand | |
| Brian Froud | .... | conceptual designer | |
| Richard Holland | .... | set designer | |
| Katharina Kubrick | .... | assistant art director | |
| Peter Mann | .... | constructor | |
| Roy Shave | .... | set master | |
| Keith Short | .... | sculptor | |
| Adrian Start | .... | chargehand painter | |
| Peter Young | .... | set designer | |
| Andy Aitken | .... | scenic plasterer/mould maker (uncredited) | |
| Dennis Murray | .... | plasterer (uncredited) | |
| Philip Sharpe | .... | set constructor (uncredited) | |
| John Stevenson | .... | visual development (uncredited) | |
Sonoro | |||
| Ben Burtt | .... | sound designer | |
| Ben Burtt | .... | special sound effects | |
| Brian Mann | .... | dialogue editor | |
| Bill Rowe | .... | sound re-recording mixer | |
| Nicholas Stevenson | .... | sound editor | |
| Peter Sutton | .... | production sound | |
| Don Wortham | .... | boom operator | |
Effetti speciali | |||
| Bob Baldwin | .... | special effects | |
| Bob Baldwin | .... | special mechanical design | |
| Valerie Charlton | .... | creature costumes project leader | |
| John Coppinger | .... | puppet designer | |
| Leigh Donaldson | .... | special mechanical design | |
| Nick Dudman | .... | foam latex technician | |
| Tony Dunsterville | .... | special effects | |
| Roy Field | .... | special effects supervisor | |
| Robert Harman | .... | wire effects: production effects unit | |
| Michael McCormick | .... | creature fabricator: 'Skeksis' unit | |
| Brian Smith | .... | miniature effects supervisor | |
| John Stephenson | .... | special mechanical design (as John Stevenson) | |
| Paul Wilson | .... | photography: miniature effects | |
| Ian Wingrove | .... | mechanical effects supervisor | |
| Tad Krzanowski | .... | special mechanical effects & model effects: Henson Entertainment (uncredited) | |
Visual Effects | |||
| Craig Barron | .... | matte camera assistant | |
| Martin Body | .... | matte camera operator | |
| Christopher Evans | .... | matte paintings | |
| Roy Field | .... | special visual effects | |
| Neil Krepela | .... | matte department supervisor | |
| Jim Miller | .... | other effects supervisor | |
| Michael Pangrazio | .... | matte paintings | |
| Brian Smithies | .... | special visual effects | |
| Jon Sorensen | .... | visual effects | |
| Jonathan Taylor | .... | visual effects: first assistant camera | |
| Janice Body | .... | matte art assistant (uncredited) | |
Controfigure | |||
| Kiran Shah | .... | stunts | |
Camera and Electrical Department | |||
| Neil Binney | .... | camera operator: second unit | |
| Derek Bowrie | .... | camera operator | |
| David Browne | .... | camera operator | |
| Derek V. Browne | .... | camera operator | |
| Murray Close | .... | still photographer | |
| Gary Cross | .... | electrician | |
| Tim Dodd | .... | clapper loader | |
| Ian Kelly | .... | video engineering supervisor | |
| Steve Kitchen | .... | electrician | |
| Jason Lehel | .... | camera trainee | |
| John Leman | .... | gaffer | |
| Vince Goddard | .... | electrician (uncredited) | |
| Edward Summer | .... | stereoscopic still photographer (uncredited) | |
Animation Department | |||
| Debbie the Roboteer | .... | consultant: sculpture, animation and robotics | |
Costume and Wardrobe Department | |||
| Betty Adamson | .... | wardrobe supervisor | |
| Sarah Bradpiece | .... | associate costume designer: "Skeksis" | |
| Barbara S. Davis | .... | associate costume designer: "Gelflings/Podlings" (as Barbara Davis) | |
| Shirley Denny | .... | associate costume designer: "Mystics" | |
| Ellis Duncan | .... | associate costume designer: "Gelflings/Podlings" | |
| Steven Gregory | .... | associate costume designer: "Skeksis" | |
| Diana Moseley | .... | associate costume designer: "Mystics" | |
| Patty Smith | .... | associate costume designer: "Gelflings/Podlings" | |
Editorial Department | |||
| Marcel Durham | .... | assembly editor | |
Music Department | |||
| Michael Clifford | .... | music editor | |
| John A. Coleman | .... | orchestrator (as John Coleman) | |
| Marcus Dods | .... | conductor | |
| Dina Eaton | .... | music editor | |
| Peter Knight | .... | orchestrator | |
| John Richards | .... | music recordist | |
| Eric Tomlinson | .... | music recordist | |
| Graham Walker | .... | music supervisor | |
Altro personale | |||
| Bunny Alsup | .... | assistant: Mr. Kurtz | |
| Jean-Pierre Amiel | .... | choreographer | |
| Jean-Pierre Amiel | .... | mime coach | |
| Jerry Andrews | .... | creature fabricator: "Mystic" unit | |
| Martin G. Baker | .... | assistant: Mr. Lazer | |
| David Alan Barclay | .... | puppet builder | |
| Sidney Barnsley | .... | unit accountant | |
| Jill Bennett | .... | assistant accountant | |
| Penny Campbell | .... | assistant: Mr. Henson | |
| Valerie Charlton | .... | landstrider effects supervisor (as Val Charlton) | |
| Tim Clarke | .... | mystic effects supervisor | |
| Jill Colley | .... | assistant: Mr. Oz | |
| Richard Dimbleby | .... | creature crew | |
| Harry Franchetti | .... | creature fabricator: "Mystic" unit | |
| Brian Froud | .... | creature design | |
| Lew Grade | .... | presenter (as Lord Grade) | |
| Rollin Krewson | .... | fizzgig effects supervisor | |
| Cheryl Leigh | .... | script supervisor | |
| Pamela Mann | .... | continuity: second unit | |
| Michael McCormick | .... | creature fabricator: "Skeksis" unit | |
| Gates McFadden | .... | choreographer | |
| Tom McLaughlin | .... | latex foam lab supervisor | |
| Wendy Midener | .... | gelfling effects supervisor | |
| Fred Nihda | .... | garthim effects supervisor | |
| Brian Smithies | .... | special creature effects supervisor | |
| Ann Tasker | .... | unit publicist | |
| William Webb | .... | optical editorial coordinator | |
| Paul Wilson | .... | creature crew | |
| Ian Wingrove | .... | creature crew | |
| Craig Miller | .... | marketing consultant (uncredited) | |
| Bernard Rose | .... | production assistant (uncredited) | |
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| The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | Star Wars | Star Wars: Episode I - The Phantom Menace | The Black Cauldron | Star Wars: Episode VI - Return of the Jedi |
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It took an infinity of imagination to make The Dark Crystal, a film so overflowing with invention that you literally have to watch it about 100 times just to take it all in. Everyone involved, from the director to the best boy gave the film such loving affection and made it the best it could possibly be. Kid's movies (if you want to call it that) these days simply are not what they used to be and probably never will be again. This is yet another thing that makes The Dark Crystal so damn precious.
The film is set in another world, in another time in an age of wonder. It has been 999 years and 1 year since the powerful, life-giving crystal cracked and stopping shining. Since then the land has become barren and the Urskeks (a race of God-like beings) have split into two separate races, the peaceful Uru 'Mystics' and the evil Skeksis-a horrific cross between bird and reptile. The three suns that shine upon the land are about to line up in a great conjunction that only happens once every 1000 years. If the crystal is not repaired before then the cruel Skeksis will rule the land forever.
Jen is a Gelfling (a sort of fairy creature), believed to be the last of his race. A prophecy tells of a single Gelfling defeating the Skeksis and restoring peace to the land. Raised by the Uru, Jen begins a journey to repair the crystal when the Skeksis Emperor dies (in a truly disturbing scene). On his way he meets Aughra, a sort of witch creature and Kira, another Gelfling and her race of Podling people (sort of like Fraggles). Though there is no specific love scene between them, there is a very nice romance developing through-out the story.
Filmed in gorgeous locations across England and Scotland (with the use of a lot of matte paintings of course) the film really, really does take you to another world. There's not a single human in sight (a perfect world or what) and, with exception to the awful Skeksis, almost every creature is cute and fluffy (such as Kira's Fizzgig). The production design, in particular the genius contributions by Brian Froud, is so immense and impressive that you wish you could jump through the screen and actually be there in order to appreciate it more.
Trevor Jones' breathtaking, beautiful score is among his best work (tying with Merlin in 1998) and is surely some of the best film music you are ever likely to hear. Ever! There was a limited edition of the score put on CD a few years ago but only 5000 were ever printed. It's sure to be quite expensive now but it's so goddamn worth it! Henson, Oz and Froud teamed up again a few years later to make Labyrinth which seems to be more fondly remembered as it's not as sinister as The Dark Crystal and has human actors in it to make it more accessible to those with narrower minds. I prefer this one though (no fruity songs, no David Bowie!) as it has a certain edge to it that Labyrinth lacks.
An epic. A masterpiece. An unforgettable classic. The Dark Crystal is magical, mystical timeless classic. I can't recommend it enough. If only we still had movies like this. I'll take risk-taking The Dark Crystal over PC drek like The Shaggy Dog any day.