7.2/10
44,757
223 user 92 critic

Chariots of Fire (1981)

Two British track athletes, one a determined Jew, and the other a devout Christian, compete in the 1924 Olympics.

Director:

Writer:

(original screenplay)
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2,232 ( 2,545)

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Won 4 Oscars. Another 14 wins & 19 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Master of Trinity (as Sir John Gielgud)
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Jennie Liddell
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Charles Paddock
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Jackson Scholz
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Storyline

It's the post-WWI era. Britons Harold Abrahams and Eric Liddell are both naturally gifted fast sprinters, but approach running and how it fits into their respective lives differently. The son of a Lithuanian-Jew, Harold, who lives a somewhat privileged life as a student at Cambridge, uses being the fastest to overcome what he sees as the obstacles he faces in life as a Jew despite that privilege. In his words to paraphrase an old adage, he is often invited to the trough, but isn't allowed to drink. His running prowess does earn him the respect of his classmates, especially his running teammates, and to some extent the school administration, if only he maintains what they consider proper gentlemanly decorum, which isn't always the case in their minds. Born in China the son of Christian missionaries, Eric, a Scot, is a devout member of the Church of Scotland who eventually wants to return to that missionary work. He sees running as a win-win in that the notoriety of being fast gives him... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

This is the story of two men who run...not to run...but to prove something to the world. They will sacrifice anything to achieve their goals...Except their honor. See more »

Genres:

Biography | Drama | Sport

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

9 April 1982 (USA)  »

Also Known As:

Carros de fuego  »

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Box Office

Budget:

$5,500,000 (estimated)

Opening Weekend USA:

$68,907, 27 September 1981, Limited Release

Gross USA:

$58,972,904
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Sean Connery was offered a cameo role. He had to turn it down when filming on Outland (1981) overran. See more »

Goofs

When Eric Liddell is in the locker room getting ready, before going over to wish Abrahams luck, the camera is in a close up on him. He walks past a row of showers and the man in the final stall is seen facing the camera and holding a towel. The angle then switches to a far away shot and the man is now naked, showering with his back to the camera. See more »

Quotes

[first lines]
Lord Andrew Lindsay: Let us praise famous men and our fathers that begat us. All these men were honoured in their generations and were a glory in their days. We are here today to give thanks for the life of Harold Abrahams. To honour the legend. Now there are just two of us - young Aubrey Montague and myself - who can close our eyes and remember those few young men with hope in our hearts and wings on our heels.
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Soundtracks

Miserere Mei, Deus
by Gregorio Allegri
Choir Of New College Oxford
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User Reviews

 
Truly an outstanding film.
26 January 2003 | by See all my reviews

I beg to differ with several previous reviewers. This film is neither bland nor is it solely about professionalism vs. amateurism.

This film is about what drives people to do what they do. Eric Liddell (Ian Charleson) runs for the glory of God, whereas Harold Abrahams (Ben Cross) runs to prove his worth to a society that was anti-Semitic. Even though they run for different reasons, their drive and determination spur them on. They stand up for what they believe in and refuse to sacrifice their principles because it is the easy way out.

The supporting cast is also extraordinary, with Nigel Havers, Nicholas Farrell, Ian Holm and Sir John Gielgud all making important contributions to the final product.

There is absolutely nothing unnecessary in this film. The writing, the direction, the acting, the dialogue are all outstanding. And then there's that haunting score.

Once again, this is truly an outstanding film. One with universal themes that transcend time and place.


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