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The Shining (1980)

R | | Drama, Horror | 13 June 1980 (USA)
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.

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(novel), (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
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Philip Stone ...
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Doctor
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Durkin
Lia Beldam ...
Billie Gibson ...
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Watson
David Baxt ...
Forest Ranger 1
Manning Redwood ...
Forest Ranger 2
Lisa Burns ...
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Storyline

Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel. Written by J. S. Golden

Plot Summary | Plot Synopsis

Taglines:

Stanley Kubrick's epic nightmare of horror See more »

Genres:

Drama | Horror

Certificate:

R | See all certifications »

Parents Guide:

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Details

Official Sites:

Country:

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Release Date:

13 June 1980 (USA)  »

Also Known As:

Stanley Kubrick's 'The Shining'  »

Box Office

Budget:

$19,000,000 (estimated)
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Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

(cut) | (cut) (European) | (original) | (US dvd release: B002VWNIDG)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

There was no air conditioning on the sets, meaning it would often become very hot. The hedge maze set was stifling; actors and crew would often strip off as much of the heavy clothing they were wearing as quickly as they could once a shot was finished. See more »

Goofs

The amount of sandwich eaten by Danny at the beginning of the film. See more »

Quotes

[first lines]
Jack Torrance: Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.
See more »

Crazy Credits

The movie's opening titles are also the only instance in any Kubrick film where scrolling credits, rather than title cards, are used. See more »

Connections

Referenced in The Slumber Party Massacre (1982) See more »

Soundtracks

Music for strings, percussion and Celesta (Movement III)
Music by Béla Bartók
Conducted by Herbert von Karajan
Recorded by Deutsche Grammphon
Performed by Berliner Philharmoniker (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Amazing achievement in filmmaking and the art of terror.
24 July 2001 | by (Tennessee) – See all my reviews

Chilling, majestic piece of cinematic fright, this film combines all the great elements of an intellectual thriller, with the grand vision of a director who has the instinctual capacity to pace a moody horror flick within the realm of his filmmaking genius that includes an eye for the original shot, an ice-cold soundtrack and an overall sense of dehumanization. This movie cuts through all the typical horror movies like a red-poker through a human eye, as it allows the viewer to not only feel the violence and psychosis of its protagonist, but appreciate the seed from which the derangement stems. One of the scariest things for people to face is the unknown and this film presents its plotting with just that thought in mind. The setting is perfect, in a desolate winter hideaway. The quietness of the moment is a character in itself, as the fermenting aggressor in Jack Torrance's mind wallows in this idle time, and breeds the devil's new playground. I always felt like the presence of evil was dormant in all of our minds, with only the circumstances of the moment, and the reasons given therein, needed to wake its violent ass and pounce over its unsuspecting victims. This film is a perfect example of this very thought.

And it is within this film's subtle touches of the canvas, the clackity-clacks of the young boy's big wheel riding along the empty hallways of the hotel, the labyrinthian garden representing the mind's fine line between sane and insane, Kubrick's purposely transfixed editing inconsistencies, continuity errors and set mis-arrangements, that we discover a world guided by the righteous and tangible, but coaxed away by the powerful and unknown. I have never read the book upon which the film is based, but without that as a comparison point, I am proud to say that this is one of the most terrifying films that I have ever seen. I thought that the runtime of the film could've been cut by a little bit, but then again, I am not one of the most acclaimed directors in the history of film, so maybe I should keep my two-cent criticisms over a superb film, to myself. All in all, this movie captures your attention with its grand form and vision, ropes you in with some terror and eccentric direction, and ties you down and stabs you in the heart with its cold-eyed view of the man's mind gone overboard, creepy atmosphere and the loss of humanity.

Rating: 9/10


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