A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
In future Britain, Alex DeLarge, a charismatic and psycopath delinquent, who likes to practice crimes and ultra-violence with his gang, is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel. Written by
J. S. Golden
Anjelica Huston lived with Jack Nicholson during the time of the shooting. She recalled that, due to the long hours on the set and Stanley Kubrick's trademark style of repetitive takes, Nicholson would often return from a day's shooting, walk straight to the bed, collapse onto it and would immediately fall asleep. See more »
Twice, Jack asks Lloyd the Bartender for bourbon, and both times Lloyd pours from a bottle of Jack Daniels. Jack Daniels is not a bourbon...it's Tennessee Whisky and undergoes a different distillation process. As the barkeep in a ritzy hotel, Lloyd should have known the difference. Since it was still distilled during prohibition (for medicinal purposes), it's likely Lloyd would have turned to Old Forester. See more »
Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.
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The party music plays over the closing credits. After it ends, we hear the Overlook Hotel ghosts applaud. They then talk amongst themselves until their voices fade away. See more »
When this film first came out in 1980, I remember going to see it on opening night. The sheer terror that I experienced in viewing "The Shining" was enough to make me go to bed with the lights turned ON every night for an entire summer. This movie just scared the life out of me, which is what still happens every time I rent the video for a re-watch. I have seen The Shining at least six or seven times, and I still believe it to be simultaneously and paradoxically one of the most frightening and yet funniest films I've ever seen. Frightening because of the extraordinarily effective use of long shots to create feelings of isolation, convex lens shots to enhance surrealism, and meticulously scored music to bring tension levels to virtually unbearable levels. And "funny" because of Jack Nicholson's outrageous and in many cases ad-libbed onscreen antics. It never ceases to amaze me how The Shining is actually two films in one, both a comedy AND a horror flick. Ghostly apparitions of a strikingly menacing nature haunt much of the first half of the film, which gradually evolve into ever more serious physical threats as time progresses. Be that as it may, there is surprisingly little violence given the apparent intensity, but that is little comfort for the feint of heart as much of the terror is more implied than manifest. The Shining is a truly frightening movie that works symbolically on many levels, but is basically about human shortcomings and the way they can be exploited by unconscious forces combined with weakness of will. This film scares the most just by using suggestion to turn your own imagination against you. The Shining is a brilliant cinematic masterpiece, the likes of which have never been seen before or since. Highly, highly recommended. - Paul
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