A medieval reenactment troupe find it increasingly difficult to keep their family-like group together, with pressure from local law enforcement, interest from entertainment agents and a growing sense of delusion from their leader.
Two horror tales based on short stories by Edgar Allan Poe directed by two famous horror directors, George A. Romero and Dario Argento. A greedy wife kills her husband, but not completely. A sleazy reporter adopts a strange black cat.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these bloodthirsty, flesh-eating monsters.
George Romero does for vampires what he has already done to zombies - an intense and realistic treatment that follows the exploits of Martin, who claims to be 84 years old, and who certainly drinks human blood. The boy arrives in Pittsburg to stay with his uncle, who promises to save Martin's soul and destroy him once he is finished, but Martin's loneliness finds other means of release. Written by
David Carroll <email@example.com>
The film originally had an extensive voice-over narration by Martin, much like the trailer, but it was cut because the narrative was strong enough without voice-over. Much of the dialog can be read though in the film novelization. See more »
After the encounter in his bedroom with Martin, Tada Cuda is seen walking to his store with another man. In the next cut in front of the door the man is not there. See more »
Nosferatu. Vampire! First I will save your soul, then I will destroy you. I will show you your room.
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Over the years George A. Romero has created a number of landmark horror films for the genre. This modern 'vampire' flick ranks among his very best films!
Shy teenager, who believes himself to be a century old vampire, comes to live with his superstitious old cousin in Pittsburgh.
Romero's Martin is a truly unique, one of a kind psychological thriller. It is a memorable journey from its disturbing opening sequence to its chilling conclusion. Martin, like most of Romero's classics, is a film with plenty of social commentary and believable characters. The driving force behind the films premise is the question of whether or not our title character really is a vampire. Martin has no fangs, no fear of the sun, in fact he actually uses razors and syringes to seize his victims. Yet, Martin has memories of an attack that apparently he did ages ago and his elderly cousin fully believes his young relative to be an evil creature. Romero throws out all of the old fashion vampire conventions for this symbolic clashing of the ways. Romero's direction is, as always, very nicely done with plenty of suspense, atmosphere, and gruesome moments. Romero makes this drama stylishly operatic and adds an occasional moment of dark humor. The haunting music score also adds greatly to the atmosphere.
The cast is excellent, but it's star John Amplas who really drives this show. Attractive youth Amplas is a greatly sympathetic character, even as he is the films monster and hero all at once.
A film unlike any other of the horror genre, Martin remains a terrific low-budget masterpiece that is as hauntingly effective today as ever.
**** out of ****
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