Set in the Watts area of Los Angeles, a slaughterhouse worker must suspend his emotions to continue working at a job he finds repugnant, and then he finds he has little sensitivity for the family he works so hard to support.
An improvised late '60's short-subject student film, and debut movie of Director, Charles Burnett; done in the neo-realist, documentary film style. A day-in-the-life South Central L.A. tale... See full summary »
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In the coal mining region of Pennsylvania, Wanda Goronski is constantly drinking to shut out the problems in her life. Having deserted her husband and infant children, Wanda sleeps on her ... See full summary »
The second film in Terence Davies's autobiographical series ('Trilogy', 'The Long Day Closes') is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on ... See full summary »
Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against influences which would dishonor and endanger him and his family. Written by
Jim Beaver <firstname.lastname@example.org>
Burnett encountered actor Henry G. Sanders in the elevator of the building where he worked. He immediately asked him to do a screen test for the film, because he found he had an unusual face. See more »
After Stan and his friend load the engine block on the truck, they drive away and it falls out, and a car is then seen parked along the curb. The car was not there when they carried the engine out. See more »
[to his older son]
You let anyone jump on your brother again, and you just stand and watch - boy, I'll beat you to death! I don't care who started what, or whether he was winnin' or losin'; well, you get a thick oh-oh-oh-oh-oh, a goddam brick, get *anything*, and you knock the shit out of whoever fightin' your brother! 'Cause if anything was to happen to me or your mother, you ain't got nobody except your brother. And this goes for him, too - and he knows! You're the one that keep ...
[...] See more »
It's not about blacks, it's not even necessarily about the poor, it's a piece of humanity through the eyes of a sensitive filmmaker, and as such is a subtle and delicate thing. Unfortunately, all the 'hooplah' (Library of Congress, student film, etc.) about the movie I think basically buries the beauty of this movie for many viewers.
The beauty of this movie are in the subtle details that Burnett catches. The film has been described as being 'documentary' in style, but to call it that misses the deeper beauty of many of the scenes. To call it a 'slice of life' may be a bit more accurate, but even that doesn't sit well with me- it implies a sort of haphazard, random, cutesy story meant to seem ordinary but 'mean' more, or end up wrapping itself around a common Hollywood plot and message (love conquers all, try hard and don't give up, etc.) This movie is more like a wonderfully telling and sensitive and subtle piece of poetry. Without a significant plot line, all there may be are details, but the devil is in the details. Details captured from real life, not clumsy metaphors to assigned like a color-by-number picture.
I don't like giving ratings, especially too soon after I see a movie. But I'll rate it a 9 for now, and perhaps revise later (though I doubt I will ever lower my score.) A movie like this can be challenging to watch. There's no parts to piece together or 'figure out', there are no big character arcs or big dramatic moments. I'll leave it to each own's opinion whether this is a good or bad thing, but all the hyperbole aside, in my opinion this is a great movie.
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