| Photos (see all 90 | slideshow) | Videos (see all 2) |
| Richard Dreyfuss | ... | Roy Neary | |
| François Truffaut | ... | Claude Lacombe | |
| Teri Garr | ... | Ronnie Neary | |
| Melinda Dillon | ... | Gillian Guiler | |
| Bob Balaban | ... | David Laughlin | |
| J. Patrick McNamara | ... | Project Leader | |
| Warren J. Kemmerling | ... | Wild Bill ('Major Walsh') (as Warren Kemmerling) | |
| Roberts Blossom | ... | Farmer | |
| Philip Dodds | ... | Jean Claude | |
| Cary Guffey | ... | Barry Guiler | |
| Shawn Bishop | ... | Brad Neary | |
| Adrienne Campbell | ... | Sylvia Neary | |
| Justin Dreyfuss | ... | Toby Neary | |
| Lance Henriksen | ... | Robert | |
| Merrill Connally | ... | Team Leader | |
| George DiCenzo | ... | Major Benchley | |
| Amy Douglass | ... | Implantee | |
| Alexander Lockwood | ... | Implantee | |
| Gene Dynarski | ... | Ike | |
| Mary Gafrey | ... | Mrs. Harris | |
| Norman Bartold | ... | Ohio Tollbooth Attendant | |
| Josef Sommer | ... | Larry Butler | |
| Rev. Michael J. Dyer | ... | Himself | |
| Roger Ernest | ... | Highway Patrolman | |
| Carl Weathers | ... | Military Policeman | |
| F.J. O'Neil | ... | ARP Project Member | |
| Phil Dodds | ... | ARP Musician | |
| Randy Hermann | ... | Frank Taylor (Returnee #1 Flt. 19) | |
| Hal Barwood | ... | Harry Wallclage (Returnee #2 Flt. 19) | |
| Matthew Robbins | ... | Matthew McMichaels (Returnee #3 Flt. 19) | |
| David Anderson | ... | Air Traffic Controller | |
| Richard L. Hawkins | ... | Air Traffic Controller | |
| Craig Shreeve | ... | Air Traffic Controller | |
| Bill Thurman | ... | Air Traffic Controller | |
| Roy E. Richards | ... | Air East Pilot | |
| Gene Rader | ... | Hawker | |
| Eumenio Blanco | ... | Federale | |
| Daniel Núñez | ... | Federale (as Daniel Nunez) | |
| Chuy Franco | ... | Federale | |
| Luis Contreras | ... | Federale | |
| James Keane | ... | Radio Telescope Team | |
| Dennis McMullen | ... | Radio Telescope Team | |
| Cy Young | ... | Radio Telescope Team | |
| Tom Howard | ... | Radio Telescope Team | |
| Richard Stuart | ... | Truck Dispatcher | |
| Bob Westmoreland | ... | Load Dispatcher | |
| Matt Emery | ... | Support Leader | |
| Galen Thompson | ... | Special Forces Trooper | |
| John Dennis Johnston | ... | Special Forces Trooper | |
| John Ewing | ... | Dirty Tricks #1 | |
| Keith Atkinson | ... | Dirty Tricks #2 | |
| Robert Broyles | ... | Dirty Tricks #3 | |
| Kirk Raymond | ... | Dirty Tricks #4 | |
| resto del cast in ordine alfabetico: | |||
| Basil Hoffman | ... | Longly (uncredited) | |
| J. Allen Hynek | ... | Himself - Smoking Pipe at Landing Site (uncredited) | |
| Monty Jordan | ... | Special Forces Commander / Helicopter Pilot (uncredited) | |
| Stephen Powers | ... | UN Observer (uncredited) | |
| Howard K. Smith | ... | Himself - TV News Anchor (uncredited) | |
Regia di | |||
| Steven Spielberg | |||
Scritto da | ||
| Steven Spielberg | (written by) | |
| Hal Barwood | uncredited and | |
| Jerry Belson | uncredited and | |
| John Hill | uncredited and | |
| Matthew Robbins | uncredited | |
Prodotto da | |||
| Clark L. Paylow | .... | associate producer (as Clark Paylow) | |
| Julia Phillips | .... | producer | |
| Michael Phillips | .... | producer | |
Musiche originali di | |||
| John Williams | |||
Fotografia di | |||
| Vilmos Zsigmond | (director of photography) | ||
Montaggio di | |||
| Michael Kahn | |||
Responsabile casting | |||
| Shari Rhodes | |||
| Juliet Taylor | (as Juliette Taylor) | ||
Scenografie di | |||
| Joe Alves | |||
Architetto-scenografo | |||
| Daniel A. Lomino | (as Dan Lomino) | ||
Arredatore | |||
| Phil Abramson | |||
Trucco | |||
| Edie Panda | .... | hair stylist | |
| Bob Westmoreland | .... | makeup supervisor | |
| Sharleen Rassi | .... | hair stylist (uncredited) | |
Direttore di produzione | |||
| Clark L. Paylow | .... | unit production manager (as Clark Paylow) | |
| Baba Shaik | .... | production manager: India | |
| John Veitch | .... | executive in charge of production (uncredited) | |
Aiuto regista | |||
| Jim Bloom | .... | second assistant director | |
| Charles Myers | .... | assistant director (as Chuck Myers) | |
| Eric Stacey | .... | key second assistant director (uncredited) | |
Art Department | |||
| Sam Gordon | .... | property master | |
| George Jensen | .... | production illustrator | |
| Michael McMillen | .... | model maker | |
| Bill Parks | .... | construction manager | |
| Ken Swenson | .... | model maker (as Kenneth Swenson) | |
| Jor Van Kline | .... | model maker | |
| Robert E. Worthington | .... | model maker (as Robert Worthington) | |
| Stan Cockerell | .... | set dresser (uncredited) | |
| David Coleman | .... | assistant property master (uncredited) | |
Sonoro | |||
| Neil Burrow | .... | sound effects editorial staff | |
| Gene S. Cantamessa | .... | production sound mixer (as Gene Cantamessa) | |
| Richard Friedman | .... | dialogue editorial staff (as Dick Friedman) | |
| Sam Gemette | .... | sound effects editorial staff | |
| Gary S. Gerlich | .... | sound effects editorial staff | |
| Robert Glass | .... | re-recording mixer | |
| David M. Horton | .... | sound effects editorial staff (as David Horton) | |
| Bill Jackson | .... | assistant dialogue staff | |
| Stephen Katz | .... | stereo sound supervisor: Dolby (as Steve Katz) | |
| Robert Knudson | .... | re-recording mixer (as Buzz Knudson) | |
| Don MacDougall | .... | re-recording mixer | |
| Richard Oswald | .... | sound effects editorial staff | |
| Robert A. Reich | .... | assistant dialogue staff | |
| Jack Schrader | .... | supervising dialogue editor | |
| Chester Slomka | .... | sound effects editorial staff (as Chet Slomka) | |
| Frank E. Warner | .... | supervising sound effects editor (as Frank Warner) | |
| Raul A. Bruce | .... | boom operator (uncredited) | |
| Ellis Burman | .... | sound restoration engineer (uncredited) | |
Effetti speciali | |||
| Roy Arbogast | .... | special mechanical effects | |
| George Polkinghorne | .... | mechanical special effects | |
| Douglas Trumbull | .... | special photographic effects supervisor | |
| Wayne Beauchamp | .... | special effects (uncredited) | |
| Kevin Pike | .... | special effects (uncredited) | |
Controfigure | |||
| Buddy Joe Hooker | .... | stunt coordinator | |
| Bobby Bass | .... | stunts (uncredited) | |
| Craig R. Baxley | .... | stunt driver (uncredited) | |
| Jerry Brutsche | .... | stunt driver (uncredited) | |
| Steven Burnett | .... | stunts (uncredited) | |
| Jeannie Epper | .... | stunts (uncredited) | |
| Buddy Joe Hooker | .... | stunts (uncredited) | |
| Monty Jordan | .... | utility stunts (uncredited) | |
| Stephen Powers | .... | stunts (uncredited) | |
Animation Department | |||
| Carol Boardman | .... | animation staff | |
| Eleanor Dahlen | .... | animation staff | |
| Cy Didjurgis | .... | animation staff | |
| Tom Koester | .... | animation staff | |
| Bill Millar | .... | animation staff | |
| Harry Moreau | .... | animator | |
| Connie Morgan | .... | animation staff | |
| Robert Swarthe | .... | animation supervisor | |
Casting Department | |||
| Sally Dennison | .... | additional casting | |
Costume and Wardrobe Department | |||
| James Linn | .... | wardrobe supervisor (as Jim Linn) | |
Editorial Department | |||
| Charles Bornstein | .... | assistant film editor | |
| Charles Hinkle | .... | laboratory expeditor | |
| Joseph A. Ippolito | .... | editorial assistant (as Joseph Ippolito) | |
| Bob McMillian | .... | color consultant (as Robert M. McMillian) | |
| Barbara Morrison | .... | effects negative cutter | |
| Geoffrey Rowland | .... | assistant film editor | |
Music Department | |||
| John Neal | .... | music score manager | |
| John Neal | .... | music scoring mixer | |
| Kenneth Wannberg | .... | music editor | |
| Tommy Johnson | .... | musician: tuba soloist (uncredited) | |
| Jim Self | .... | musician: tuba, voice of the mother ship (uncredited) | |
| Herbert W. Spencer | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Bill Bethea | .... | transportation | |
| Chris Haynes | .... | production driver (uncredited) | |
Altro personale | |||
| Larry Albright | .... | special consultant | |
| Peter Anderson | .... | special consultant | |
| Mona Thal Benefiel | .... | project coordinator: photographic effects | |
| Richard Bennett | .... | special consultant | |
| Judy Bornstein | .... | second assistant to producers | |
| Charlsie Bryant | .... | script supervisor | |
| Patrick Burns | .... | production staff (as Pat Burns) | |
| Colin Cantwell | .... | technical dialogue | |
| Kendall Cooper | .... | assistant to producers | |
| Don Dow | .... | laboratory technician | |
| Ken Ebert | .... | special consultant | |
| Al Ebner | .... | publicist | |
| Glenn Erickson | .... | project assistant | |
| Rick Fields | .... | assistant: Mr. Spielberg | |
| Joyce Goldberg | .... | production secretary | |
| Janet Healy | .... | production staff | |
| Robert Hollister | .... | technician | |
| Thomas Hollister | .... | laboratory technician (as Tom Hollister) | |
| Paul Huston | .... | special consultant | |
| J. Allen Hynek | .... | technical advisor (as Dr. J. Allen Hynek) | |
| Jerry Jeffress | .... | electronics design (as Jerry L. Jeffress) | |
| David Jones | .... | special consultant (as David M. Jones) | |
| Kevin Kelly | .... | special consultant | |
| Jim Lutes | .... | special consultant | |
| Alvah J. Miller | .... | electronics design | |
| Dennis Muren | .... | mothership photography | |
| Joe O'Har | .... | location manager | |
| Dan Perri | .... | title designer | |
| Carlo Rambaldi | .... | realization of 'extraterrestrial' | |
| George Randle | .... | special consultant | |
| Peter Regla | .... | electronics design | |
| Peggy Rosson | .... | production accountant | |
| Jeff Shapiro | .... | special consultant | |
| Robert Shepherd | .... | project manager: effects unit | |
| Gail Siemers | .... | production secretary | |
| Dan Slater | .... | electronics design | |
| Steve Warner | .... | location auditor | |
| Murray Weissman | .... | publicist | |
| Seth Winston | .... | intern: AFI | |
| Hoyt Yeatman | .... | project assistant | |
| Larry Albright | .... | mothership neonlight effects designer (uncredited) | |
| Noreen Beasley | .... | dialogue translator: French for F. Truffaut (uncredited) | |
| Norman Brokaw | .... | production counsel (uncredited) | |
| Norman Garey | .... | production counsel (uncredited) | |
| Steve Hinton | .... | pilot (uncredited) | |
| Pat Kingsley | .... | publicist (uncredited) | |
| Ralph McQuarrie | .... | conceptual artwork (uncredited) | |
| Scott Squires | .... | developer: cloud tank (uncredited) | |
| Kevin Von Feldt | .... | assistant: Clark Paylow (uncredited) | |
Thanks | |||
| Johnny Mathis | .... | special thanks | |
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Close Encounters Of The Third Kind is a film about aliens landing on earth, but instead of descending into the usual laser-gun confrontations between humans and aliens, this one dares to remain "peaceful". It is a film about contact, not conflict. It is also a wonderfully thoughtful film and a prime example of compelling story-telling. If there is a weakness with Close Encounters Of The Third Kind, it is that the director Steven Spielberg occasionally allows sentimentality to enter into the proceedings, but in truth it is a very minor weakness and it doesn't significantly spoil this tremendous movie experience.
Several missing aircraft turn up over 30 years after they were reported lost. More baffling still is the fact that they vanished over Florida but have turned up, in pristine condition and without pilots, in the middle of Mexico. Other weird things happen: an aeroplane pilot reports a near collision with a brightly lit spacecraft; a Navy warship missing for decades is found in the desert; thousands of Indians report a light in the sky which "sang" to them; and across America there are scores of inexplicable UFO sightings. Electrician Roy Neary (Richard Dreyfuss) is a normal family man who sees one of the UFOs. Soon after, he is tormented by a vision apparently implanted in his mind by the aliens. His torment becomes obsession as he tries to figure out the meaning of a hill-like shape that has become embedded in his mind. As his marriage collapses, he desperately tries to find answers and is finally gratified when he discovers that the picture in his head is trying to tell him where to go in order to witness an extra terrestrial landing.
The fact that Roy Neary is just an everyday guy cast into the most incredible of circumstances gives this film a real human dimension. Roy could represent any one of us - you, me, your next door neighbour, your father, whoever. Spielberg tells his story very carefully, adding clues and more layers of mystery before actually revealing where the story is heading. It is probably the most controlled and skillfully paced of Spielberg's '70s films. The ending, featuring the alien arrival, is a technical tour-de-force, but it works well on an emotional level too because the viewer has grown to know Roy and has been drawn into his quest for answers. John Williams provides yet another legendary music score - including an iconic five-note tune which the aliens and humans use to communicate with each other. Close Encounters Of The Third Kind is a classic sci-fi film, as fresh and absorbing now as it was back in 1977.