7.4/10
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Almost Human (1974)

Milano odia: la polizia non può sparare (original title)
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A small-time homicidal maniac kidnaps the daughter of a rich man, prompting a hardened detective to work outside the law to pursue him.

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Cast

Cast overview, first billed only:
...
Giulio Sacchi
...
Commissario Walter Grandi
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Marilù Porrino
Gino Santercole ...
Vittorio
Mario Piave ...
Grandi's Assistant
Luciano Catenacci ...
Ugo Majone
Pippo Starnazza ...
Papà
Lorenzo Piani ...
Gianni - Marilù's Boyfriend
Joris Muzio ...
Giulio's Lawyer (as Muzio Joris)
Rosita Torosh ...
Marta
Franco Ferrari ...
Brambilla
Francesco D'Adda ...
Romano
Annie Carol Edel ...
Marta's friend (as Annie Edel)
...
Police Inspector with glasses
Tom Felleghy ...
Judge Rossi
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Storyline

Guilio Sacchi, an underworld leader in crime, is about to rise above the rank of mafia hit-man to the most savage killer in Milan. He kidnaps the daughter of a wealthy business man, planning to live a life of luxury with the ransom he collects. In the course of obtaining the money, Guilio finds it necessary to mercilessly slaughter anyone who gets in his way as the city's death toll increases by the minute. Walter Grandi is a frustrated police chief who's seen too many innocent people die by Guilio's hands. Determined to exterminate Guilio and his men, Grandi attempts to convict the vicious criminal only to realize he can never obtain the necessary proof. Finally, Grandi must transgress the rules of his profession to stop Sacchi's ruthless reign of terror. Written by Prism Entertainment

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There is a reason for every living creature ...with one exception. See more »

Genres:

Action | Crime | Thriller

Certificate:

R | See all certifications »
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Release Date:

14 November 1975 (USA)  »

Also Known As:

Almost Human  »

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(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Marc Porel was originally offered the role of Giulio Sacchi. Director Umberto Lenzi had a meeting with him and found him to be "unreliable from both a human and professional point of view." Lenzi told the producer "It's him or me." The producer asked Lenzi if Tomas Milian was OK. Milian's conditions were reasonable so he got the part. See more »

Connections

Featured in The Journey of Tomas Milian (2017) See more »

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User Reviews

 
Almost Perfect
5 March 2013 | by (United Kingdom) – See all my reviews

Yet another winner from Umberto Lenzi, one of the masters of the Italian Crime movie (and there are many). For this one, he focuses mainly on the exploits of Guilio (Tomas Milian), a psychopath out for that one big score, who struggles to keep his insanity in check.

Julio's just botched a bank job by getting a bit paranoid and killing a traffic cop, and after receiving a well-deserved kicking from some gangsters, he heads off to his girlfriend's house to mooch some cash. When not getting a kicking or mooching, Guilio hangs around with his petty thief mates, preaching about a big score. After killing yet another cop while being caught stealing from a cigarette machine, Julio stumbles upon his plan – to kidnap the daughter of a wealthy businessman and hold her for ransom. He's got two problems with this plan. The first problem is that Cop Henry Silva is on his trail ever since the murder of the cop at the cigarette machine. The second problem is that Guilio is a complete psycho and kills without thought, leaving a trail of bodies for Silva to find. Silva himself has a problem – he's a victim of the apathy and red tape of the Italian crime system and his fury grows every time he's held back from stomping all over Guilio's head. Although Almost Human is violent and sleazy, it's not as over the top as Violent Naples or The Rat, The Cynic, The Fist. Those two films had a larger cast, more car chases, and more characters to be killed off in various ways. Almost Human on the other hand is Milian's show all the way. Despite, according to the interview on my DVD, Milian being a bit full of himself, he really can act and here he displays every side of a sociopath, from a screaming murderer to a grief stricken boyfriend, to a begging, pathetic weasel (the switches in personality are really impressive). As the film concentrates almost exclusively on Milian, it's slower paced but not without it's set pieces, from Milian and his gang crashing a party, to Milian's drive with girlfriend Anita Strinberg out into the country. I'd say the title doesn't just refer to Milian, but also to Silva, who displays little emotion throughout the film, save his rage against Milian. I recommend this and all the other Lenzi crime movies I've seen: Violent Naples, The Rat, the Cynic, The Fist, and Syndicated Sadists. It's a pity he got bogged down trying to outdo Ruggero Deodato with those vile cannibal flicks, because it's with the crime genre he excelled at.


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