Chinatown (1974)

Regista:

Roman Polanski

Sceneggiatore:

Robert Towne (written by)

Data di uscita:

20 giugno 1974 (USA)

Genere:

Crime | Mystery | Thriller

Plot:

A private detective investigating an adultery case stumbles on to a scheme of murder that has something to do with water.

Plot Keywords:

Nose Bleed | Rape Victim | Water Engineer | One Word Title | Dysfunctional Family

Premi:

Won Oscar. Another 17 wins & 22 nominations

Recensioni degli utenti:

Marvelous

Cast

Jack Nicholson	...	J.J. 'Jake' Gittes
Faye Dunaway	...	Evelyn Cross Mulwray
John Huston	...	Noah Cross
Perry Lopez	...	Lieutenant Lou Escobar
John Hillerman	...	Russ Yelburton
Darrell Zwerling	...	Hollis I. Mulwray
Diane Ladd	...	Ida Sessions
Roy Jenson	...	Claude Mulvihill
Roman Polanski	...	Man with Knife
Richard Bakalyan	...	Detective Loach (as Dick Bakalyan)
Joe Mantell	...	Lawrence Walsh
Bruce Glover	...	Duffy
Nandu Hinds	...	Sophie
James O'Rear	...	Lawyer
James Hong	...	Kahn

Durata:

131 min

Nazionalità:

USA

Lingua:

Inglese

Colore:

Colore (Technicolor)

Aspect Ratio:

2.35 : 1

Sonoro:

Stereo

Divieti:

Iceland:16 | Singapore:NC-16 | Canada:A (Nova Scotia) | West Germany:16 (f) | Argentina:16 | Brazil:12 | UK:15 (video rating) | Australia:M | Canada:13+ (Quebec) | Canada:PG (Manitoba) | Canada:R (Ontario) | Finland:K-16 | Netherlands:16 | New Zealand:R16 | Norway:15 | Spain:18 | Sweden:15 | USA:R | UK:X (original rating)

Luoghi delle riprese:

1972 Canyon Drive, Hollywood, Los Angeles, California, USA

Company:

Long Road

Curiosità:

Because this film was the first of a planned trilogy, Jack Nicholson turned down all detective roles he was offered so that the only detective he played would be Jake Gittes.

Errori:

Anacronismi: When Jake gets home after following Mrs. Mulwray and his phone rings, it is clearly not the sound of a 1937 telephone. The sound of his placing the receiver on the cradle is authentic, but the ringer is no earlier than the sixties.

Citazioni:

[first lines]
Jake Gittes: All right, Curly. Enough's enough. You can't eat the Venetian blinds. I just had them installed on Wednesday.

Movie Connections:

Featured in Los Angeles Plays Itself (2003)

Colonna sonora:

The Way You Look Tonight

Marvelous

There is a word, impossible to spell, that describes the alignment of solar bodies like the planets when they all fall into place together. A similar word would describe this film. Everything about it is right. Polanski never directed a better movie. The performers, down to the lowest atmosphere person, are superb. The editing, the score, the sound, the decor, the dialogue, all are just about flawless. Polanski deserves much of the credit. When Gittes surprises Evelyn Mulwray in her car, after he follows her to her daughter's house, her face slumps forward and beeps the horn briefly. Then, so faintly, we hear a few dogs bark in the background. Not only is the scene itself exquisitely done but it prefigures the ending, as does Gittes' remark earlier to Evelyn that she has a flaw in her iris. The movie is too good to deserve much dissecting. It stands repeated watching. If there is anything wrong with it, it is the serious and tragic ending that Polanski always insists on tacking on. Robert Towne was right and Polanski wrong in this case. Everything came together on this film. It's not only the best detective movie ever made; it's one of the best movies ever made -- period. A marvelous job by everyone concerned.

I have to add (6/27/05) that the word I mentioned in the first sentence is spelled "syzygy." Man, did I get enlightening email on that. I might as well add two other impressive features of this movie. (1) Polanksi takes his time. Example: Gittes sneaks into Hollis Mulwray's office and begins to go through the drawers of his old-fashioned wooden desk. As he slides each drawer out, Polanksi gives us a shot of their humdrum contents (checkbooks, magnifying glass, and so forth) and we can almost smell the heat and the odor of shellac and sawdust emanating from the wooden containers. The contents reveal nothing of importance in this case. But (2) sometimes irrelevant information crops up that resonates later in the film with its own echo. The detail might be just a word ("applecore") or an ordinary object (a pair of spectacles found in a pond, immediately after Gittes imitates the Japanese gardener's remark that the water is bad for the "glass.") Some of the references may be so consistent as to constitute a theme (water). None of this hits you over the head with its significance. It's all very neatly stitched together.