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| Paul Newman | ... | Henry Gondorff | |
| Robert Redford | ... | Johnny Hooker | |
| Robert Shaw | ... | Doyle Lonnegan | |
| Charles Durning | ... | Lt. Wm. Snyder | |
| Ray Walston | ... | J.J. Singleton | |
| Eileen Brennan | ... | Billie | |
| Harold Gould | ... | Kid Twist | |
| John Heffernan | ... | Eddie Niles | |
| Dana Elcar | ... | F.B.I. Agent Polk | |
| Jack Kehoe | ... | Erie Kid | |
| Dimitra Arliss | ... | Loretta | |
| Robert Earl Jones | ... | Luther Coleman (as Robertearl Jones) | |
| James Sloyan | ... | Mottola (as James J. Sloyan) | |
| Charles Dierkop | ... | Floyd (Bodyguard) | |
| Lee Paul | ... | Bodyguard | |
| Sally Kirkland | ... | Crystal | |
| Avon Long | ... | Benny Garfield | |
| Arch Johnson | ... | Combs | |
| Ed Bakey | ... | Granger | |
| Brad Sullivan | ... | Cole | |
| John Quade | ... | Riley | |
| Larry D. Mann | ... | Train Conductor | |
| Leonard Barr | ... | Burlesque House Comedian | |
| Paulene Myers | ... | Alva Coleman | |
| Joe Tornatore | ... | Black Gloved Gunman | |
| Jack Collins | ... | Duke Boudreau | |
| Tom Spratley | ... | Curly Jackson | |
| Kenneth O'Brien | ... | Greer | |
| Ken Sansom | ... | Western Union Executive | |
| Ta-Tanisha | ... | Louise Coleman | |
| William 'Billy' Benedict | ... | Roulette Dealer (as William Benedict) | |
| resto del cast in ordine alfabetico: | |||
| Patricia Bratcher | ... | Manicurist (uncredited) | |
| Susan French | ... | Landlady (uncredited) | |
| Bruce Kimball | ... | Lacey - Speakeasy bouncer (uncredited) | |
| Chuck Morrell | ... | FBI Agent Chuck (uncredited) | |
| Guy Way | ... | Gambling den boss (uncredited) | |
Regia di | |||
| George Roy Hill | |||
Scritto da(WGA) | ||
| David S. Ward | (written by) | |
Prodotto da | |||
| Tony Bill | .... | producer | |
| Robert Crawford Jr. | .... | associate producer (as Robert L. Crawford) | |
| Julia Phillips | .... | producer | |
| Michael Phillips | .... | producer | |
Fotografia di | |||
| Robert Surtees | (director of photography) | ||
Montaggio di | |||
| William Reynolds | |||
Architetto-scenografo | |||
| Henry Bumstead | |||
Arredatore | |||
| James W. Payne | (as James Payne) | ||
Trucco | |||
| Jim Gillespie | .... | assistant makeup artist (uncredited) | |
Direttore di produzione | |||
| Ernest B. Wehmeyer | .... | production manager | |
Aiuto regista | |||
| Charles Dismukes | .... | second assistant director | |
| Ray Gosnell Jr. | .... | first assistant director (as Ray Gosnell) | |
| Sergio Emmanuele Anastasio | .... | trainee assistant director (uncredited) | |
| John Slosser | .... | dga trainee (uncredited) | |
Sonoro | |||
| Robert R. Bertrand | .... | sound (as Robert Bertrand) | |
| Ronald Pierce | .... | sound | |
| Michael Colomby | .... | sound re-recording mixer: restoration remix (uncredited) | |
Effetti speciali | |||
| Albert Whitlock | .... | special photographic effects | |
Controfigure | |||
| Steven Burnett | .... | stunts (uncredited) | |
| Mickey Gilbert | .... | stunts (uncredited) | |
| Scott Gourlay | .... | stunts (uncredited) | |
| John Moio | .... | stunts (uncredited) | |
| Dean Smith | .... | stunt double (uncredited) | |
Costume e guardaroba | |||
| Edith Head | .... | costumes | |
| Andrea E. Weaver | .... | costumer: women (uncredited) | |
Reparto musiche | |||
| Marvin Hamlisch | .... | music adaptor | |
| Scott Joplin | .... | composer: piano rags | |
| Billy Byers | .... | music arranger (uncredited) | |
Altro personale | |||
| Charlsie Bryant | .... | script supervisor | |
| Jaroslav Gebr | .... | title artwork | |
| John Scarne | .... | technical consultant | |
| John Longenecker | .... | intern: AFI (uncredited) | |
| Eileen Peterson | .... | unit publicist (uncredited) | |
| John Scarne | .... | card dealer double: Paul Newman's hands close-ups (uncredited) | |
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| The Godfather | Confidence | Cidade de Deus | Scarface | Goodfellas |
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| Cast e credit completi | Crediti compagnia | Recensioni esterne |
| IMDb Top 250 film | IMDb Commedia section | IMDb USA section |
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Small time conmen Johnny Hooker and Luther Coleman unwittingly scam a runner for Chicago main man Doyle Lonnegan. When Luther is murdered, Hooker goes on the run and seeks out Luther's old friend Henry Gondorff to help him put together a major sting to take revenge on Lonnegan. However with so much heat on Hooker and the stakes so high can they pull it off and get away clean?
Almost a follow up to Butch and Sundance, this film partners the stars of the day Newman and Redford to good effect. The story is a little less fun but still very enjoyable to watch as it builds to a great finale. The use of chapters ran the risk of fragmenting the film into bits but instead it really helps set it out and makes it more manageable. Although it is not as light hearted and jovial as the theme music suggests it still manages to flow nicely with the slightly darker drama not spoiling anything but only serving to make it feel more grown up.
The cast are all very good and make the film easy to watch. Redford comes off the best in terms of characters and his role really suits both his carefree attitude (the start of the film) but also his more serious side (the rest of the film). Newman has a lesser role that perhaps doesn't suit him quite as well, but he does have several really good scenes (the hustles) where he does very good work. Shaw's accent is a little heavy at first but I got used to it and it worked for me and he was a really good foil for Redford/Newman. The support cast including Durning, Walston, Gould, Jones and others all do good work.
The direction and use of music is really good and the sense of period is well crafted and doesn't just feel like it was painted on. I'm not sure if it deserved Best Picture or not because I don't know what the rest of the field was for that year but it is a really enjoyable film that is quite fun to watch several times even 30 years later and isn't that the main thing?