A clairvoyant woman, inspired by a vision, smashes open a section of wall in her husband's home and finds a skeleton behind it. Along with her psychiatrist, she seeks to find the truth ... See full summary »
In London, the Italian gym teacher Enrico 'Henry' Rosseni is having a love affair with his eighteen year-old student Elizabeth Seccles, who is the daughter of the owner of the Catholic ... See full summary »
Beautiful young model Jennifer Lansbury and her goofy friend Marilyn Ricci move into a swanky high-rise apartment after the previous tenant gets brutally murdered. Pretty soon Jennifer is ... See full summary »
The Case of the Scorpion's Tail begins with the mysterious death of a millionaire and spirals into the murder of his suddenly rich wife, which draws the attention of a dogged investigator, who follows a trail of blood to the bitter end.
Alberto de Mendoza
Someone is strangling coeds in Perugia. The only clue is that the killer owns a red and black scarf, and police are stumped. American exchange student Jane and her friends decide to take a ... See full summary »
Florinda Bolkan plays the daughter of a prominant English politician who keeps having recurring "nightmares" in which she makes love to a bisexual nympho who lives downstairs and conducts all-night LSD orgies. When the nocturnal wet dreams become murderous, the neighbor turns up dead, and Florinda is the main suspect. Did she actually commit the murder she dreamt about? Is she being framed by her philandering husband? Did Florinda actually make nightly visits downstairs aside from borrowing the occasional cup of sugar? How DID Florinda's letter opener end up stuck in the dead neighbor's chest anyway? The complex plot unfolds amidst red herrings, outlandish dream sequences, lesbian hanky panky, and ominous close-ups of Florinda Bolkan's guilt-ridden facial expressions every time someone mentions the murder. All this takes place in swinging late-1960's London. Written by
Mike Justice <Fergus21@hotmail.com>
The scene in which Carol encounters the disemboweled dogs in the clinic became quite controversial because of the startlingly realistic (and graphic) appearance of the fake prop dogs. Director Lucio Fulci was nearly sent to prison because it was believed that the dogs were real and Fulci had allowed animal cruelty on the film. However crew members were able to testify in court that the "dogs" were indeed fake and no animals had ever been harmed. Special effects artist Carlo Rambaldi even presented the dog props in court to convince the jury. This was the first time that an effects artist had to testify in court that their work was fake. See more »
Guide wires clearly visible on all three of the knives Jenny throws. See more »
Although Lucio Fulci is most famous for the atmospheric and very gory series of zombie movies he made in the late 70's and early 80's, this early 70's giallo might very well be his best film. It has all the strengths of Fulci's best work--great cinematography, brilliant editing, and a powerful sense of atmosphere (although the decadent, garish portrait he creates here of "Swinging London" is quite distinct from oozing sense of dread he conjures up in the rural American settings of his zombie films). This movie, however, has two things his zombie films do not have: first, a script that is both genuinely suspenseful and that actually makes sense (rather than merely functioning as a means to tie various interesting scenes together), and, second, Florinda Balkan. It is hard to describe how good Balkan is here, but if you've seen her in "Flavia, the Heretic" or in the supporting role she plays in another excellent Fulci giallo "Don't Torture a Duckling" you'll know what I mean. There is some decent acting in many of the later Fulci movies, but nothing like Balkan's performance in this and in "Duckling".
And if you're the typical Fulci fan seeking a heavy dosage of blood and gore, you won't be disappointed. This movie offers a bat attack similar to the one he later did in "House by the Cemetery" which is less bloody, but much more realistic as it accomplished through clever editing rather than phony prosthetics. Then there is the scene with a half-dissected (but still living)dog which actually landed Fulci in court for animal cruelty! (Don't worry--it wasn't a real dog). Hopefully, when this movie comes out on (legitimate) DVD that scene will be restored to its full power, and this excellent movie will be appreciated for what it truly is--Fulci's best movie.
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