The aristocratic Tony moves to London and hires the servant Hugo Barrett for all services at home. Barrett seems to be a loyal and competent employee, but Tony's girlfriend Susan does not ... See full summary »
Paris, 1942. Robert Klein cannot find any fault with the state of affairs in German-occupied France. He has a well-furnished flat, a mistress, and business is booming. Jews facing ... See full summary »
What is real and what is fiction? Faced with writer's block with his novel, Lewis Fielding turns to a film script about a woman finding herself after his wife Elizabeth returns from Baden ... See full summary »
Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom ... See full summary »
Summer 1900: Queen Victoria's last and the summer Leo turns 13. He's the guest of Marcus, a wealthy classmate, at a grand home in rural Norfolk. Leo is befriended by Marian, Marcus's twenty-something sister, a beauty about to be engaged to Hugh, a viscount and good fellow. Marian buys Leo a forest-green suit, takes him on walks, and asks him to carry messages to and from their neighbor, Ted Burgess, a bit of a rake. Leo is soon dissembling, realizes he's betraying Hugh, but continues as the go-between nonetheless, asking adults naive questions about the attractions of men and women. Can an affair between neighbors stay secret for long? And how does innocence end? Written by
After one of Marian's rendezvous with Burgess in the shrubbery, she emerges hurriedly when she is called. Her modern-day brassiere is clearly visible through her thin blouse as she hustles out of the bushes. Though women were beginning to experiment with such "radical" garments in 1900, it is doubtful that a young, marriageable woman would have known of such things. See more »
Easily one of the best acted, best directed and most intellectually intriguing films I have ever seen. Julie Christie is so lovely that you will never forget her. The screenplay by Pinter is impeccable, building a rhythmic alternation of times and places, an alternation that ultimately crashes together. I have seen this movie several times - like Casablanca, it just keeps getting better - and have taught it to inner-city pre-freshmen - they loved it. They were not at all used to films that try to be artistic creations, and the slowness of the pace at first threw them off. However, once we explored the multiple levels of meaning and revelation in each of the initial scenes, they became drawn into the film, caught up in its mystery and romance and fascinated by the vision of a totally alien, yet oddly familiar, world. Losey at his best is on a par with Renoir. Why isn't this film on DVD? Even the background music is really good.
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