In future Britain, Alex DeLarge, a charismatic and psycopath delinquent, who likes to practice crimes and ultra-violence with his gang, is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, while attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating. Written by
Being the adventures of a young man ... who couldn't resist pretty girls ... or a bit of the old ultra-violence ... went to jail, was re-conditioned ... and came out a different young man ... or was he ? See more »
The sandal of Billy Boy's hostage, that laces up her leg to the knee, changes position for right leg, to left leg and back to right again as she runs off after Alex and his gang disturb the rape attempt. See more »
There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.
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There are no opening credits after the title, which is followed by the opening shot of Alex the Droog. Although it is now commonplace for major films to not have opening credits, in 1971 it was considered rather unusual and was considered a trademark of director Stanley Kubrick. See more »
People say that this film is somehow amazing. To me it is far more about image and very light on any content. I am all for the freedom to depict unpleasant acts where appropriate and where it has some purpose to it, but I don't see any point to the vast majority of this film. The whole thing seems to be designed to appeal to base instincts through violence and sex without ever making any valid or thought provoking points about either these or any other issue. I realise it is in the top 250 list but personally I feel this film owes more to its notoriety (people thinking it was banned despite the fact it was actually willingly withdrawn by Kubrick in certain countries) than to any real merit in the film. The characters seem to me to have very little real depth and the film is just a series of scenes designed to shock and court controversy. This probably won't be a popular review but I just don't see that this film in itself justifies its position in the polls.
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