A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.
Robert De Niro,
Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating. Written by
Being the adventures of a young man ... who couldn't resist pretty girls ... or a bit of the old ultra-violence ... went to jail, was re-conditioned ... and came out a different young man ... or was he ? See more »
Both the "William Tell" overture and the "Ode to Joy" song heard on the soundtrack are from musical compositions based on the work of German poet/playwright Friedrich Schiller. Schiller's "Sturm und Drang" dramas attest to his fascination with young, violence-prone troublemakers like Alex, from Don Carlos to Joan of Arc, and the plot of his "William Tell" in particular, which centers on a band of rebels whose leader comes into conflict with their authoritarian government, has obvious parallels to Alex's story. During the opening reels meanwhile Alex reenacts, on his own thuggish terms, things the "Ode to Joy" describes. After getting "feuertrunken" off the drug-laced beverages at the Korova bar, he and his gang enter a kind of "Heiligtum" ("shrine") --- the theater which, though wrecked and decaying, still has vestiges of the classically-styled decorations intended to mark it as a temple of culture. "Ein holdes Weib" ("precious lady") is also "errungen" (literally, "conquered") by Alex, and when he calls the bound and gagged husband of his victim "brother" he is echoing the refrain (with its cry of "Brüder") from Schiller's poem. See more »
In the marina scene, George is seen wearing his hat as he gets up in the shot of Dim falling into the water. Moments later as Alex is cutting Dim's hand, George is doubled over in the background without his hat. As Dim falls backward in recoil from the cut, George is seen in the same position with his hat on. See more »
There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.
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There are no opening credits after the title, which is followed by the opening shot of Alex the Droog. Although it is now commonplace for major films to not have opening credits, in 1971 it was considered rather unusual and was considered a trademark of director Stanley Kubrick. See more »
A Clockwork Orange is the finest film that has ever been made, in my view. Stanley Kubrick has made so many masterpieces, and is by far the best director that ever graced our world. A Clockwork Orange is simply his finest hour!
The film grabs you and glues you to your seat from start to finish. Malcolm McDowell gives us a shining example of superior acting, and the movie is as perverted as any of Kubrick's masterpieces (and then some!). It contains horrifying violence, extreme emotions, perversity and weirdness at it's very worst. It all boils down to serve you a plethora of thoughts for you to take with you and contemplate, after the film ends.
However, with all the perversity bursting out of this film, you will probably NOT like this film the first time you see it. I know I didn't. Fortunately, I gave it a second chance, and thought: Hey, it was actually not bad at all. After the third time, I was lost for words.
After the fourth time, there was little doubt in my mind, that this was the finest film ever made, and regardless of how many great masterpieces I see, A Clockwork Orange still towers above them. I'm sure you'll agree, if you give it the chance it deserves, although it may require for you to see it more than once.
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