Harvard Law student Oliver Barrett IV and music student Jennifer Cavilleri share a chemistry they cannot deny - and a love they cannot ignore. Despite their opposite backgrounds, the young couple put their hearts on the line for each other. When they marry, Oliver's wealthy father threatens to disown him. Jenny tries to reconcile the Barrett men, but to no avail. Oliver and Jenny continue to build their life together. Relying only on each other, they believe love can fix anything. But fate has other plans. Soon, what began as a brutally honest friendship becomes the love story of their lives. Written by
John Wayne refused to believe that Love Story (1970) "sold because the girl went around saying 'shit' all the way through it." Instead he believed that "the American public wanted to see a little romantic story." See more »
During HarvardVDartmouth Oliver is seen wearing #7 jersey for Harvard. In the penalty box he tells Jenny that he is concentrating on how he is going to total the Dartmouth player who had him sent to the box. He points to the Dartmouth player who at this point has just taken down another Harvard player that is clearly wearing #7. See more »
Oliver Barrett IV:
What can you say about a twenty-five-year-old girl who died? That she was beautiful and brilliant? That she loved Mozart and Bach, the Beatles, and me?
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Unusually, for a movie released in the early 1970s, there were no opening credits after the title has been shown. See more »
I had been avoiding watching 'Love Story' because I thought it would be another one of those corny sugarcoated love story with excessive melodrama. After hearing a friend's recommendation, I decided to give it a chance and I was pleasantly surprised. It's a simple film in terms of everything: execution, performances, background score, direction, dialogues...The writing is incredibly great as the dialogues are creatively and amusingly witty. The movie stays focused on Jennifer's and Oliver's relationship that is portrayed with the utmost simplicity. A movie like 'Love Story' could have easily gone wrong but kudos to director Hiller for his fine execution and for pulling all the ingredients together so effectively with the help of whimsical cinematography, impressive soundtrack and fine actors. The chemistry between O'Neal and McGraw sizzles on screen. Both actors complement each other brilliantly and convincingly portray the 'opposites that attract'. Hiller has done a commendable job by bringing these two actors together and a strong rapport with them to enhance their work. Of the supporting cast John Marley and Ray Milland stand out by their strong presence. Overall, I liked the film a lot for its subtlety, ambiguity and simplicity that makes it feel more genuine. Clearly it stood the test of time as there are hardly any more movies being made these days that could reach anywhere near the level of this classic.
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