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Beneath the Planet of the Apes
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Beneath the Planet of the Apes (1970) More at IMDb Pro »

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Overview

Voti degli utenti:
6.0/10   7,204 votes
Regista:
Ted Post
Writers:
Pierre Boulle (characters)
Paul Dehn (story) ...
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Data di uscita:
26 maggio 1970 (USA) ancora
Genere:
Sci-Fi | Action | Drama ancora
Slogan:
The bizarre world you met in 'Planet of the Apes' was only the beginning... What lies beneath may be the end! ancora
Plot:
Astronaut Brent is sent to rescue Taylor but crash lands on the Planet of the Apes, just like Taylor did in the original film... ancora | add synopsis
Recensioni degli utenti:
"We were following Taylor's trajectory, so whatever happened to us must have happened to him." ancora

Cast

 (Cast overview, first billed only)
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Additional Details

Alias:
Planet of the Apes Revisited (USA) (working title)
Planet of the Men (USA) (working title)
Altra faccia del pianeta delle scimmie, L' (Italy) [it]
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Durata:
95 min
Nazionalità:
USA
Lingua:
Inglese
Colore:
Colore
Aspect Ratio:
2.35 : 1 ancora
Sonoro:
Mono (Westrex Recording System)
Divieti:
Australia:M | Finland:K-15 (DVD rating) | Finland:K-16 (original rating) | Germany:12 (DVD rating) | Norway:16 (1970) | Singapore:PG | UK:15 (video rating) | UK:A (original rating) (cut) | USA:G | West Germany:16 | Iceland:L
MOVIEmeter: ?
V 11% since last week why?

Info divertenti

Curiosità:
Roddy McDowall was unable to appear in this film because he was committed to another project. He can, however, be spotted briefly in the opening prologue, even though another actor plays the role later in the film. ancora
Errori:
Revealing mistakes: During Ursus' speech to the Ape Council James Gregory is very animated. So animated in fact that when at one point near the end of the speech he turns and lifts his head and in doing this you can see his throat and Adam's apple. ancora
Citazioni:
Ursus: The only thing that counts in the end is POWER! Naked merciless FORCE! ancora
Movie Connections:
Citato in "Mystery Science Theater 3000: Cave Dwellers (#4.1)" (1991) ancora

FAQ

A NOTE REGARDING SPOILERS
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31 out of 36 people found the following comment useful:-
"We were following Taylor's trajectory, so whatever happened to us must have happened to him.", 21 April 2001
6/10
Author: The_Movie_Cat da England

Beneath was the best Planet of the Apes film bar none. Everything was bigger and better this time around: bigger sets, more gorillas, the whole of New York instead of a mere Statue of Liberty, and, best of all, faceless, telepathic mutants than can kill with the mind. Yes, I was once ten years old.

Watched again with many years of hindsight, it's clear that, while entertaining, Beneath was produced without anything approaching artistry. The ultimate in sequels, it tries to tell the same story twice as big, but with only half the success. Until Battle came along and picked the flesh off Apes' rotting carcass this was the worst sequel because it did nothing new with the format. Even the working title - Planet of the Apes Revisited - betrays the lack of thought and the desire for finance that went into this one.

A virtually identical plotline rattles along at a fair pace, meaning all subtlety is jettisoned. The allegories are also confused by not really being allegories at all. Look at the metaphor for anti-war protestors by casting chimps as ... er, anti-war protestors. A look at how man often judges another man on the colour of his skin is alluded to ... er, by having an ape judging a man on the colour of his skin. (On this note, perversely for a film that purports liberal satire, the only one of the mutants to demonstrate real cruelty was Don Pedro Colley, the sole black character in the film. And despite its worthiness, I don't think I've ever seen another film where a man's credit is given as "Negro"). However, I did have to smile at the chimp that punningly complains about "gorilla brutality".

The decreased budget (a sensible studio idea to cut the finance of the sequels to a hit movie) shows with some of the ape extras having decidedly ropy masks in the crowd scenes. The opening of the picture also recaps the first, cannily highlighting the glaring difference between Roddy McDowall's and David Watson's performances as Cornelius. Watson, standing in for an absent McDowall, does reasonably well but really doesn't look anything like him, even under latex. Note too how all the ape masks give the actors lisps, something I never noticed before. Never mind apes, anyone would think James Franciscus had landed on the planet of the Pertwees. There's also some abysmal back projection work when Franciscus is wrestling on top of the horsedrawn carriage. The mutants are pretty good, though their prayers to "The Holy Fallout" are a little silly. Why do they wear human masks anyway? Where do they make them? I dunno, I don't make the rules up, do I?

Of course, the main problem is the pointless game of one-upmanship it plays with its source. There's no longer any element of surprise that this is Earth, so the ruined monuments, nice as they are, no longer have any great effect. It misses the point, also: the Statue of Liberty is not just a relic, but a symbol. New York Subway is just where people caught trains. And as impressive as the effects are, if not directed well – which they aren't, particularly – then it becomes fatuous.

It's weird how all four sequels were made within a year of each other, yet at least two of them tried something new. Beneath came two years after the original yet has a rehashed "in it for the money" feel all the way through, right down to its abrupt, slightly unsatisfactory climax. Yet despite the many, many faults I've levelled at it, Beneath the Planet of the Apes is still a very enjoyable film. Not in the sense of the first, which genuinely had something to say, but in the guise of pulp SF then this sequel is well worth seeing. In fact, despite the slating I've given it, I still awarded it 6/10.

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