A town marshal, despite the disagreements of his newlywed bride and the townspeople around him, must face a gang of deadly killers alone at high noon when the gang leader, an outlaw he sent up years ago, arrives on the noon train.
It's 1913, and the traditional American West is dying. Among the inhabitants of this dying time era are a outlaw gang called "The Wild Bunch". After a failed bank robbery, the gang head to Mexico to do one last job. Seeing their times and lives drifting away in the newly formed world of the 20th century, the gang take the job and end up in a brutally, violent last stand against their enemies who deemed to be corrupt in a small Mexican town, ruled by a ruthless general. Written by
"La Golondrina" (Spanish: "The Swallow") is sung by the Mexican villagers as the Wild Bunch leaves Angel's village. It was written in 1862 by Mexican physician Narcisco Serradell (1843-1910), who at the time was exiled to France due to the French intervention in Mexico. The Spanish lyrics use the image of a migrating swallow to evoke sentiments of longing for the homeland. It became the signature song of exiled Mexicans. However, more importantly, by the time of the Mexican Revolution "La Golondrina" (or, actually, its proper name, "Las Golondrinas") had become a song of farewell in northern Mexico and the borderlands of south Texas. It was at this time that it became a common funeral song, a tradition that continues until today. See more »
When the gang is crossing the desert and fall down the sand dune, the sun is behind them, casting shadows in front of them. During the close-ups (ostensibly shot on a stage) the shadows fall behind the actors as if the sun was in front of them. See more »
Do not drink wine or strong drink, thou, nor thy sons with thee, least ye shall die. Look not though upon the wine when it is red, and when it bringeth his color in the cup, when it moveth itself aright at the last, it biteth like a serpent and stingeth like an adder. Now folks, that's from the Good Book, but in this here town it's five cents a glass. Five cents a glass, now does anyone think that that is a price of a drink?
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Peckinpah's ode to the closing of the American west.
Probably one of the most controversial films ever made, the Wild Bunch was equally hated and admired upon it's release over 30 years ago. Even today, as proof of it's staying power, it is still widely debated if Sam Peckinpah made a masterpiece or a monstrosity. Personally, I'm of the firm belief that Peckinpah contributed one of the finest American films of the last century.
The chemistry that Peckinpah was able to put on celluloid for this film is brilliant. William Holden and Ernest Borgnine as the leaders of the Bunch, play their roles with conviction and tenacity. Robert Ryan, once an outlaw with Holden, and now forced to hunt him down, portrays the tortured individual caught between an old friendship and the threat of incarceration in a vicious prison. Ben Johnson and Warren Oates are solidly believable as real life brothers as they depict their roles as Tector and Lyle Gorch, and finally Jaime Sanchez rounds out the gang as the fiercely patriotic Mexican, Angel.
Also a Peckinpah movie wouldn't be complete without L.Q. Jones and Strother Martin portraying the cowardly, scheming, body robbing bounty hunters eager for the money on the heads of the Wild Bunch.
This is a film that you can re-visit time and time again and relish the depth of the characters and feel their desperation as the west that they once knew has now become a distant memory.
Apart from the great casting, the tight scripting , exciting stuntwork, wonderful cinematography, gripping dialogue, and first class editing of the gunfights, this movie will be continually looked upon as one of the most important films of American cinema.
See it, enjoy it and experience great movie making!!
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