After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Luke Jackson is a cool, gutsy prisoner in a Southern chain gang, who, while refusing to buckle under to authority, keeps escaping and being recaptured. The prisoners admire Luke because, as Dragline explains it, "You're an original, that's what you are!" Nevertheless, the camp staff actively works to crush Luke until he finally breaks. Written by
During the Oscar nomination process, George Kennedy was worried about the box-office success of Camelot (1967) and Bonnie and Clyde (1967), so he invested $5,000 in trade advertising to promote himself. Kennedy later stated that thanks to the award his salary was "multiplied by ten the minute [he] won," also adding "the happiest part was that I didn't have to play only villains anymore." See more »
The police car shown in the opening scene and when Luke is shot is equipped with a Federal Beacon Ray Model 174. The movie is set in the late '40 and that beacon was available until 1958. See more »
[Why he was cutting the heads off parking meters]
Small town, not much to do in the evenin'.
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One of the reasons that the late 60s/early 70s was such a powerful era in filmmaking is the emergence of the anti-hero (defined as an individual with heroic qualities, but not in a position we would usually find a hero). This is symbolized greatly in `Cool Hand Luke'. We can identify with Luke because his crime is venial and his concerns over the great questions of life are ours. It is because of this and his persuasive charm that the other prisoners (played remarkably well by Kennedy and a host of others to include Wayne Rogers, Ralph Waite, Dennis Hopper and one of the actors who played a crewmember on `Alien') live vicariously through him.
Filled with memorable scenes (the boxing match, 50 eggs, the fealty of his fellow prisoners who help him finish his food after his stomach is shrunk in solitary confinement, `shakin' it here boss', the sneezing dogs, and of course the carwash part) and outstanding character development (created by what is said and what is not said, i.e. the visiting brother), one of screen history's most repeated lines and the great acting of Newman, this movie deserves to be called a classic. Released the same year as `Bonnie and Clyde', it makes one long for the days when you needed a real script to make a movie.
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