8.2/10
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279 user 100 critic

Cool Hand Luke (1967)

A laid back Southern man is sentenced to two years in a rural prison, but refuses to conform.

Director:

Writers:

(screenplay), (screenplay) (as Frank R. Pierson) | 1 more credit »
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Top Rated Movies #171 | Won 1 Oscar. Another 3 wins & 9 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Warren Finnerty ...
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Storyline

Luke Jackson is a cool, gutsy prisoner in a Southern chain gang, who, while refusing to buckle under to authority, keeps escaping and being recaptured. The prisoners admire Luke because, as Dragline explains it, "You're an original, that's what you are!" Nevertheless, the camp staff actively works to crush Luke until he finally breaks. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

No one can eat fifty eggs. See more »

Genres:

Crime | Drama

Certificate:

GP | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 November 1967 (USA)  »

Also Known As:

La leyenda del indomable  »

Filming Locations:

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Box Office

Budget:

$3,200,000 (estimated)

Cumulative Worldwide Gross:

$16,217,773
See more on IMDbPro »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The fight scene between Dragline and Luke took three days to shoot. George Kennedy said they were both completely worn out from fighting and, in Paul Newman's case, from falling onto hard ground for three full days. See more »

Goofs

In the provocative roadside "carwash" scene, the blonde washes the car by rubbing her chest against the car windows and subsequently arouses the onlooking road crew (chain gang). In actuality the view as seen by the crew is obscured by the car itself. See more »

Quotes

Luke: I can eat fifty eggs.
Dragline: Nobody can eat fifty eggs.
Society Red: You just said he could eat anything.
Dragline: Did you ever eat fifty eggs?
Luke: Nobody ever eat fifty eggs.
Prisoner: Hey, Babalugats. We got a bet here.
Dragline: My boy says he can eat fifty eggs, he can eat fifty eggs.
Loudmouth Steve: Yeah, but in how long?
Luke: A hour.
Society Red: Well, I believe I'll take part of that wager.
See more »

Connections

Spoofed in O Brother, Where Art Thou? (2000) See more »

Soundtracks

There Ain't No Grave Gonna Hold My Body Down
(uncredited)
Written by Claude Ely
Performed by Harry Dean Stanton
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

real cool
29 January 2001 | by See all my reviews

Now that it has become sort of fashionable to speak or write badly about the films of the 60s and 70s, saying that people stopped going to the movie theatres during that fruitful period (which is not true), we must -more than ever-rate a flick as "Cool Hand Luke" as it really deserves. The rebel spirit of the lead character (played to perfection by the excellent Paul Newman) against that brutal and -most of the times- unfair "establishment" represented by the prison guards is a subject that remains as topical as ever. If this picture had been made today, it could also probably be good, but it would undoubtedly be much more unpleasant and filled with four-letter words. Besides, who could match the performances of Newman, George Kennedy (the deservedly Oscar-winner who has kept on making a brilliant career -do you remember him as "The Blue Knight"?), Strother Martin, J.D.Cannon, etc.? Jo Van Fleet´s character as Luke´s mother seems a sort of slightly-aged version of her role as James Dean´s mum in "East Of Eden", and it is really worthwhile. The scene of the hard-boiled eggs is a classic and a gem, but my favourite scene in the movie is that of the car-washing girl so wonderfully played by Joy Harmon (who is really a Joy for any man´s eyes); that character truly says a lot of things without speaking -her gorgeous body speaks for her! I must say that it´s not only one of the sexiest scenes I´ve ever seen in a film but also a very significative one: there is an enormous contrast between the image of the lass moving and shaking in complete and absolute freedom (even in her way of dressing) and the imprisoned men-at-work who watch her as something extremely desirable but, alas, completely out of reach. (The viewer can really feel like a prisoner too!). All in all, this is a fine film of the 60s, but also of the 70s, the 80s, the 90s, the 21st century and whatever God wants it to come.


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