A century before Captain Kirk's five-year mission, Jonathan Archer captains the United Earth ship Enterprise during the early years of Starfleet, leading up to the Earth-Romulan War and the formation of the Federation.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Borg travel back in time intended on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
The adventures of the USS Enterprise, representing the United Federation of Planets on a five-year mission in outer space to explore new worlds, seek new life and new civilizations, and to boldly go where no one has gone before. The Enterprise is commanded by handsome and brash Captain James T. Kirk. His First Officer and best friend is Mr. Spock from the planet Vulcan, and Kirk's Medical Officer is Dr. Leonard "Bones" McCoy. With a crew of approximately 430, the Enterprise battles aliens, megalomaniacal computers, time paradoxes, psychotic murderers, and even Khan! Written by
Marty McKee <firstname.lastname@example.org>
The images displayed during the end credits of the show tended to follow a specific format. The first image was either an external shot of the Enterprise in space, or in orbit of a planet (seasons one and two) or a shot of the Melkotian head from Star Trek: Spectre of the Gun (1968) (season three). The second image was often a specific scene from that particular episode aired, while the rest of the images up until the final one were various images from random episodes, and finally, the final image at the end of the credits would be either a shot of the Orion slave girl (from Star Trek: The Cage (1986)) during season one, a shot of Big Balok (from Star Trek: The Corbomite Maneuver (1966)) during season two, and a simple space shot for season three. Also worth mentioning is that the opening and closing credits text for seasons one and two were yellow, while the text for season three was light blue. See more »
Actors in the process of beaming in, will sometimes move before fully materialized. By the rules of transporting in the Star Trek Universe a person must remain still during transport to ensure that all of their molecules reassemble in the correct place. If a person moves before fully materialized, it could kill them. See more »
A madman got us into this, and it's beginning to look like only a madman can get us out.
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Each season of this show has a different arrangement of the theme music over the closing credits, although not every episode uses the arrangement specific to its corresponding season. For example, "Whom Gods Destroy", a third-season episode, uses the second-season arrangement of the theme. As did all episodes produced after it. See more »
This has to be one of the greatest series in history. I really enjoy watching a lot of the episodes especially those from the second and third seasons when Chekov was on and the supporting cast really became complete. I especially loved the episodes that dealt with what happens when someone upsets the natural course that a planet goes on (eg. "A Piece of the Action"). In the case of those episodes, usually someone wants to help a planet achieve its destiny at a faster rate or leaves a form of literature or technology behind leading to disastrous results as was the case with the Ekosians who followed the Nazi model or the world that used the model of 1920's Chicago to base their societies on. This pretty much is a moral for any world including our own and how we should leave not only people follow their own path but let nature take it's own path.
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