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The Sound of Music (1965)

A woman leaves an Austrian convent to become a governess to the children of a Naval officer widower.

Director:

Writers:

(with the partial use of ideas by) (as Georg Hurdalek), (from the stage musical book by) | 2 more credits »
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Cast

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Louisa (as Heather Menzies)
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Storyline

In 1930's Austria, a young woman named Maria is failing miserably in her attempts to become a nun. When the Navy captain Georg Von Trapp writes to the convent asking for a governess that can handle his seven mischievous children, Maria is given the job. The Captain's wife is dead, and he is often away, and runs the household as strictly as he does the ships he sails on. The children are unhappy and resentful of the governesses that their father keeps hiring, and have managed to run each of them off one by one. When Maria arrives, she is initially met with the same hostility, but her kindness, understanding, and sense of fun soon draws them to her and brings some much-needed joy into all their lives -- including the Captain's. Eventually he and Maria find themselves falling in love, even though Georg is already engaged to a Baroness and Maria is still a postulant. The romance makes them both start questioning the decisions they have made. Their personal conflicts soon become ... Written by LOTUS73

Plot Summary | Plot Synopsis

Taglines:

With songs they have sung for a thousand years. See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

29 March 1965 (UK)  »

Also Known As:

Rodgers and Hammerstein's The Sound of Music  »

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Box Office

Budget:

$8,200,000 (estimated)

Gross USA:

$163,214,286

Cumulative Worldwide Gross:

$286,214,286
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

| (original German theatrical release)

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Along with The Bible: In the Beginning... (1966), this is one of the few Twentieth Century-Fox films in which no music at all is heard when the Twentieth Century-Fox logo appears on screen. See more »

Goofs

Immediately after 'Do-Re'Me' as the children finish their stair run, you will see Kurt trip slightly on the stair. As the camera fades away, the actor can clearly be seen looking at a crew member (possibly the director) and grinning sheepishly as if recognizing his mistake. See more »

Quotes

[first lines]
Maria: [singing] The hills are alive with the sound of music / With songs they have sung for a thousand years. / The hills fill my heart with the sound of music. / My heart wants to sing every song it hears.
See more »

Crazy Credits

Salzburg, Austria, in the last Golden Days of the Thirties See more »

Connections

Featured in The Ultimate Film (2004) See more »

Soundtracks

Something Good
(1965) (uncredited)
Music and Lyrics by Richard Rodgers
Sung by Julie Andrews and Christopher Plummer (dubbed by Bill Lee)
See more »

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User Reviews

 
It just gains more and more fans every year
2 February 2002 | by See all my reviews

"The Happiest sound in all the world"? Quite possibly and easily the most famous musical film in Hollywood history. Most of us grown-ups still love it but at the same time we're also tired of seeing it over and over again (maybe that's why it's not rerun on NBC every single year anymore). Julie Andrews takes her MARY POPPINS success and adds even more to it with her delightful rendition of the role that Mary Martin originated on the Broadway stage in 1959 and ran even farther with it than Martin ever could. In my opinion, and I don't think I'm alone here, Martin was too old for the part (she was in her mid to late 40s in the stage version and Andrews was 30 when the transition came to film came around--a perfect age). As for the rest of the cast, it is just as talented: Christopher Plummer in the role he will be forever remembered for (even though he hated the part) is an achingly true Cap. Von Trapp with those "hidden talents" making subtle appearances throughout the film until blatantly bursting out into the open in the film's closing scenes; Richard Haydn makes for a comical and yet sincere "Uncle" Max, Peggy Wood is a starchy yet compassionate Reverand Mother and Charmian Carr as Liesl stands out as our perrenial favorite of the seven children. The locales are breathtaking as well (esp. the opening scenes which is probably the most beautiful aerial shot in all of film history and the cunning floral designs of the public Austrian gardens during the DO-RE-MI sequence). So let's all keep watching this most cherished of all musical films each year and never forget it's universal sentiment: to 'climb ev'ry mountain, ford ev'ry stream, follow ev'ry rainbow till you find your dream'.


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