A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
A supposedly idyllic week-end trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse ... See full summary »
Paul is young, just demobbed from national service in the French Army, and dishillusioned with civilian life. As his girlfriend builds herself a career as a pop singer, Paul becomes more ... See full summary »
During the Algerian war for independence from France, a young Frenchman living in Geneva who belongs to a right-wing terrorist group and a young woman who belongs to a left-wing terrorist ... See full summary »
Paul Javal is a writer who is hired to make a script for a new movie about Ulysses more commercial, which is to be directed by Fritz Lang and produced by Jeremy Prokosch. But because he let his wife Camille drive with Prokosch and he is late, she believes, he uses her as a sort of present for Prokosch to get get a better payment. So the relationship ends. Written by
Stephan Eichenberg <firstname.lastname@example.org>
It is possible that all "mistakes" in the film that involve visible equipment are intentional, or at least intentionally uncorrected: the film, after all, is about the artificiality of making a film, and the initial credit sequence shows filmmakers shooting the film itself. See more »
I'm the same as always. You're the one who's changed. Ever since you've been with movie people. You used to write crime novels. We didn't have much money, but everything was fine.
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The opening cast credits are read, without titles See more »
The whole movie can be captured in one moment. That one fleeting second when the absurd irony and futility of 'everything' will dawn upon you. Either that or you will merely take it for what it is. A masterpiece.
So obviously chained by the wrath of Gods, the movie on the whole has too much to offer. Whether it is the parallels between the existing world and the world of homer, the constant struggle with commercialism or the perusal of a writer's integrity... you will keep on jumping between realism and.... romanticism? Throughout the movie, a haunting melancholic theme continues to play magic on nerves. Amongst countless striking scenes lies a splendidly performed sequence made on a shoestring budget in the apartment that captures the unsettling confessions of the pair. Definitely worth seeing/experiencing!
As much as you will fall under the spell of Godard and feel for the likes of Lang, you can't help being amused by the almost comical character of Palance. Very comical, Very contemptuous.
But at the end its Lang that captures attention on the whole. A lone figure standing amidst harmonious chaos, staring silently at everyone and no one, while life effortlessly moves around him. He makes perfect sense.
Contempt. The whole thing takes place within a system that seems to be contemptuous of itself. So much so that it even ends up holding a mocking mirror, capturing an ultimate contempt for the audience.
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