Overview
Data di uscita:
31 ottobre 1962 (USA)
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Slogan:
Sister, sister, oh so fair, why is there blood all over your hair?
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Plot:
In a decaying Hollywood mansion, Jane Hudson, a former child star, and her sister Blanche, a movie queen forced into retirement after a crippling accident, live in virtual isolation.
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Premi:
Won Oscar.
Another 2 wins
&
10 nominations
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Recensioni degli utenti:
One of the great movies about the movies
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Crew believed to be complete
Additional Details
Alias:
Che fine ha fatto Baby Jane? (Italy) [it]
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Durata:
134 min | Argentina:135 min
Sonoro:
Mono (RCA Sound Recording)
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Info divertenti
Curiosità:
The wig
Bette Davis wears throughout the film had, unbeknownst to both leads, been worn by
Joan Crawford in an earlier MGM movie. Because it had been re-groomed, Crawford didn't recognize it.
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Errori:
Continuity: In the first scene featuring nextdoor neighbor Mrs. Bates, she places the telephone on the coffee table twice.
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Citazioni:
Dr. Shelby:
I don't quite understand. Is this some kind of emotional disturbance you're talking about?
Blanche:
Yes, she's emotionally disturbed. She's unbalanced!
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Colonna sonora:
Whatever Happened to Baby Jane?
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One of the great movies about the movies, (and great movies about the movies aren't reverential, they bite the hand that feeds them), and the best of Aldrich's 'women's pictures'. Detractors see it as a misogynist load of horse manure about a couple of self-loathing sisters hauled up together in a decaying Hollywood mansion, a too-close-to-home study of the real life rivalry between stars Bette Davis and Joan Crawford or even as a veiled study of homosexual self-depreciation with the sisters as ageing drag queens. But these are the very things that make the picture great. It is precisely because it can be read in this way that makes it such a perversely enjoyable, subversive piece of work.
As the sisters, Davis and Crawford pull all the stops out and then some. What makes Crawford's performance great is that she is never sympathetic even when Davis is feeding her dead rat or quite literally kicking her when she's down, while Davis is simply astonishing. With her face painted like a hideous Kabuki mask and dressed up like a doll that's filled with maggots it's an unashamedly naked piece of acting, as revealing as her work in "All About Eve" and almost as good. Unfortunately the film's commercial success lead both actresses into a downward spiral of not dissimilar but considerably lack-lustre material. But this bitch-fest is the real McCoy.