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Lawrence of Arabia (1962)

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The story of T.E. Lawrence, the English officer who successfully united and led the diverse, often warring, Arab tribes during World War I in order to fight the Turks.

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(writings), (screenplay) | 1 more credit »
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1,226 ( 304)
Top Rated Movies #84 | Won 7 Oscars. Another 23 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Turkish Bey (as Jose Ferrer)
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John Dimech ...
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Storyline

Due to his knowledge of the native Bedouin tribes, British Lieutenant T.E. Lawrence is sent to Arabia to find Prince Faisal and serve as a liaison between the Arabs and the British in their fight against the Turks. With the aid of native Sherif Ali, Lawrence rebels against the orders of his superior officer and strikes out on a daring camel journey across the harsh desert to attack a well-guarded Turkish port. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

A mighty spectacle of action and adventure! (Australia) See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Language:

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Release Date:

11 December 1962 (UK)  »

Also Known As:

Lawrence de Arabia  »

Filming Locations:

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

$32,930 (USA) (4 October 2002)

Gross:

$44,824,144 (USA)
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Company Credits

Production Co:

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Show detailed on  »

Technical Specs

Runtime:

| (director's cut) | (1970 re-release) | (original) | (premiere) | (restored roadshow)

Sound Mix:

(RCA Sound Recording) (70 mm prints)| (35 mm prints) (original version)| (magnetic prints) (35 mm) (original version)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
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Did You Know?

Trivia

In the opening fatal motorcycle crash scene of the 1962 Lawrence of Arabia movie, the registration of the motorcycle laying at rest after the accident can be seen as UL 656, the registration of the actual motorcycle involved in the fatal crash was GW 2275. The registration UL 656 in fact is that of another Brough Superior motorcycle T. E. Lawrence owned. See more »

Goofs

During the opening credits, the shadows fall well to the right of the motorcycle. Right after the credits, when the angle changes, the shadows fall directly beneath the motorcycle. See more »

Quotes

[first lines]
Colonel Brighton: He was the most extraordinary man I ever knew.
Vicar at St. Paul's: Did you know him well?
Colonel Brighton: I knew him.
Vicar at St. Paul's: Well nil nisi bonum. But did he really deserve a place here?
See more »

Crazy Credits

The opening credits read: Introducing Peter O'Toole as T.E. Lawrence. However, O'Toole had already played very noticeable roles in two feature-length films, the Disney 1960 version of Kidnapped (1960), and The Day They Robbed the Bank of England (1960). See more »

Connections

Referenced in Buster (1988) See more »

Soundtracks

That Is The Desert
Music by Maurice Jarre
Performed by London Philharmonic Orchestra
Conducted by Maurice Jarre
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
a memento from the days when they made real movies
15 June 1999 | by See all my reviews

It is, in a way, depressing to watch this movie today. One winds up contrasting it with the sort of technologically slick and aesthetically shallow spectacles, like "Titanic", that garner the sort of adulation that a truly great movie like "Lawrence" received in its day, and one realizes how far we have fallen.

Ignore David Lean's painterly technique, the way he fills the screen like a canvas. Ignore Freddie Young's stunning cinematography in fulfillment of Lean's vision. Ignore the fabulous score by Maurice Jarre. Ignore the stupendous cast. Ignore the topnotch script.

What we have, beyond all this, is an absolutely gripping and psychologically perplexing character study of a uniquely enigmatic individual that keeps us on the edge of our seats for the full length of the movie. "Lawrence", at over 200 minutes, goes by faster than many a movie of half its length, due to Lean's brilliant pacing and direction, and superb acting all around. To make a comparison in the world of music, this movie, like Mahler's 8th symphony, is a universe contained within itself.

Of course, it is an exercise in self-denial and philistinism to watch this movie in anything other than the wide-screen - or "letterbox" - format, due to Lean's complete use of every inch of the wide screen. To watch it otherwise is to miss half of Lean's intention.

To use a hackneyed phrase, they simply don't make 'em like this anymore.


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