The aristocratic Tony moves to London and hires the servant Hugo Barrett for all services at home. Barrett seems to be a loyal and competent employee, but Tony's girlfriend Susan does not ... See full summary »
Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's now in an abusive relationship with a neighbor and suspected by the police in a series of ... See full summary »
Joaquin (Polo Ravales), an unassuming fisherman, is forced to confront his homosexuality when his sex-starved wife Cynthia (Althea Vega) returns from her overseas job eager to get pregnant.... See full summary »
Young girl spends her adolescence in an institution for minors, developing some masculine traits in her personality. In this hostile environment, she can only find some sympathy in a ... See full summary »
Ana Beatriz Nogueira,
A plea for reform of England's anti-sodomy statutes, this film pits Melville Farr, a married lawyer, against a blackmailer who has photos of Farr and a young gay man (who is being blackmailed and later commits suicide) in Farr's car. After the suicide, Farr tracks down other gay men being extorted for money by the same blackmailer. The well-educated police Detective Inspector Harris considers the sodomy law nothing more than an aid to blackmailers, and helps Farr in calling his blackmailer's bluff. The movie, far ahead of its time, ends with Farr and his wife coming to terms with his homosexuality after the public exposure he faces in the blackmailer's trial. Written by
Mike Mills <email@example.com>
Due to the film's subject matter the BBFC studied the script before official submission and several lines of anti-homosexual dialogue were removed. Eventually John Trevelyan agreed to pass the film after cuts to 4 lines of dialogue including Melville Farr's confession to his wife of his homosexual urges ("Because I wanted him. I WANTED him!"). Surprisingly 3 of these were rescinded upon appeal, including Farr's legendary admission, and the only cut made to the film was the removal of a line of dialogue referring to an adolescent boy 'making the wrong choice'. See more »
When the taxi leaves to take the blackmailer back to base to count the loot, the next shot shows the watching policemen about to give chase, with the same taxi parked on the street behind them. See more »
Well it used to be witches. At least they don't burn you.
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"Victim" is probably the first mainstream film on either side of the Atlantic to feature a gay hero. Granted, Dirk Bogarde plays a married closet case who hasn't actually engaged in a homosexual act in many years. Nonetheless, it's fairly amazing that, given what we know about attitudes toward gay people in the 1950's that a film this affirming of gay rights could have been made in 1961. It's a movie that's much more about "gay" as an identity than it is about sexuality; it centers on a blackmail ring that includes our closeted hero, a star of the London theatre, a lonely old barber, a Rolls-Royce salesman, and others. As a group, the gay men are intermittently desperate, proud, accepting, self-loathing, and scared -- which said more to me about 1961 than it said about gay men. The title is interesting to me; it seems that the journey of Bogarde's character seems to be the road out of victimization and toward (if this isn't too corny) self-actualization. It's a mildly entertaining movie, but a fascinating historical artifact.
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