A prominent lawyer goes after a blackmailer who threatens gay men with exposure (homosexual acts still being illegal). But he's gay himself...

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Nominated for 2 BAFTA Film Awards. Another 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
Melville Farr
...
Laura
...
Calloway
...
Lord Fullbrook
...
Paul Mandrake
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Harold Doe
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Barrett
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Eddy
...
Sandy Youth
...
Det.Inspector Harris
John Cairney ...
Bridie
Alan MacNaughtan ...
Scott Hankin
...
Phip
Frank Pettitt ...
Barman (as Frank Pettit)
Mavis Villiers ...
Madge
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Storyline

A plea for reform of England's anti-sodomy statutes, this film pits Melville Farr, a married lawyer, against a blackmailer who has photos of Farr and a young gay man (who is being blackmailed and later commits suicide) in Farr's car. After the suicide, Farr tracks down other gay men being extorted for money by the same blackmailer. The well-educated police Detective Inspector Harris considers the sodomy law nothing more than an aid to blackmailers, and helps Farr in calling his blackmailer's bluff. The movie, far ahead of its time, ends with Farr and his wife coming to terms with his homosexuality after the public exposure he faces in the blackmailer's trial. Written by Mike Mills <mills@colorado.edu>

Plot Summary | Add Synopsis

Taglines:

A Daring Picture About the World's Most Un-talked About Subject.

Genres:

Crime | Drama | Thriller

Certificate:

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Details

Country:

Language:

Release Date:

11 October 1961 (Denmark)  »

Also Known As:

Teufelskreis  »

Box Office

Budget:

£153,756 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

| (pre-censored) | (video)

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The famous scene where Melville Farr (having been confronted by his wife about Barrett) finally admits to her that he "wanted him", was added at Dirk Bogarde's request and was partially written by him. Bogarde states in his autobiography that he felt the screenplay lacked credibility because it was too ambiguous and did not adequately explain Farr's involvement with Barrett, and skirted around the issue. See more »

Goofs

Camera shadow moves onto Madge's coat as it pushes in closer from behind after Eddy leaves the bar. See more »

Quotes

Detective Inspector Harris: Someone once called this law against homosexuality the blackmailer's charter.
Melville Farr: Is that how you feel about it?
Detective Inspector Harris: I'm a policeman, sir. I don't have feelings.
See more »

Connections

Featured in Strip Jack Naked: Nighthawks II (1991) See more »

Soundtracks

Long Stringy Baby
(uncredited)
Written by Trevor Peacock
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User Reviews

The gays' raven.
20 November 2001 | by See all my reviews

Henri-George Clouzot's "le corbeau" (the raven,1943) always comes to mind when it comes to slanderous mail.The principal differences between the French movie and Dearden's one is that in the former,the raven was not a blackmailer,he was not in it for the money ,but out of pure wickedness,and he would "punish" not the gay-it was too soon- but the adulterer,the abortion and other little sins.

Dearden's work is a bold move for the time.The movies dealing with homosexuality were very rare then.It was one of the first to fight against intolerance. Of course this topic was in Tennessee Williams' plays ,but it was not really militant .We can mention in the sixties the almost contemporary "children's hour" (Wyler,1963) "the fox "(Mark Rydell,1967) and "the staircase" (Donen,1969).

Dearden's work suffers from a certain inflation of secondary characters which weakens the drama.(Dennis Price's part does not seem much relevant.)Consequently,the best moments are to be found in the first twenty minutes:Peter MC Ennery (who would be Rasputin's assassin in "j'ai tué Raspoutine"(1967) ,and coincidence,this Yusupov was also a gay)'s escape ,recalling sometimes James Mason's in "odd man out" ,is breathtaking:alone in a world gone hostile and threatening,his phone calls remain unanswered,and everybody turns his back on him:his buddy's girlfriend's attitude is telling ,full of contempt and repulsion.The scenes between Dirk Bogarde -I do not need to add to the praise he has already received- and his wife are also great moments of true emotion.Had Dearden focused on the husband/wife/young man,his film would have gained in strength.Nevertheless,this courageous plea is still worth watching.


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