Psycho (1960)

Voti degli utenti:

8.7/10   

Regista:

Alfred Hitchcock

Scrittori:

Joseph Stefano (screenplay)
Robert Bloch (novel)

Data di uscita:

25 agosto 1960 (Brazil)

Genere:

Horror | Thriller

Slogan:

A new- and altogether different- screen excitement!!!

Plot:

A young woman steals $40,000 from her employer's client, and subsequently encounters a young motel proprietor too long under the domination of his mother.

Plot Keywords:

Motel | Shower | Alimony | California | Phoenix Arizona

Premi:

Nominated for 4 Oscars. Another 5 wins & 3 nominations

Recensioni degli utenti:

Perkins Is Remarkable

US TV Schedule:

Mon. July 6

6:00 AM

TCM

Cast

Anthony Perkins	...	Norman Bates
Vera Miles	...	Lila Crane
John Gavin	...	Sam Loomis
Martin Balsam	...	Milton Arbogast
John McIntire	...	Deputy Sheriff Al Chambers
Simon Oakland	...	Dr. Fred Richmond
Vaughn Taylor	...	George Lowery
Frank Albertson	...	Tom Cassidy
Lurene Tuttle	...	Mrs. Chambers
Patricia Hitchcock	...	Caroline (as Pat Hitchcock)
John Anderson	...	California Charlie
Mort Mills	...	Highway Patrol Officer
Janet Leigh	...	Marion Crane

Alias:

Wimpy (USA) (fake working title)
Psyco (Italy) [it]

Durata:

109 min | Germany:108 min (cut)

Nazionalità:

USA

Lingua:

Inglese

Colore:

Bianco e nero

Aspect Ratio:

1.85 : 1

Sonoro:

Mono (Westrex Recording System)

Divieti:

Chile:14 (re-rating) | Chile:18 (original rating) | Germany:12 (re-rating) (2006) | Portugal:M/12 | West Germany:16 (original rating) | Netherlands:12 | Iceland:16 | Finland:K-16 (uncut) (1969) | Finland:K-16 (cut) (1960) | Finland:K-16 (cut) (1965) | South Korea:15 | Brazil:14 | Czech Republic:U | New Zealand:R16 | USA:TV-PG (TV rating) | Argentina:13 (re-rating) | Argentina:16 (original rating) | Australia:M | Canada:13+ (Quebec) | Canada:18 (Nova Scotia) | Canada:PG (Manitoba/Ontario) | France:-12 (re-release) | France:-16 | Israel:16 | Norway:15 | Norway:16 (1960) | Peru:14 | Spain:13 | Sweden:15 | Switzerland:16 (re-release) | UK:15 (video rating) (1986) | UK:X (original rating) | USA:Approved (certificate #19564) (original rating) | USA:M (re-rating) (1968) | USA:R (re-rating) (1984)

Luoghi riprese:

4270 Lankershim Boulevard, North Hollywood, Los Angeles, California, USA

Compagnia:

Shamley Productions

Curiosità:

The movie's line "A boy's best friend is his mother." was voted as the #56 movie quote by the American Film Institute (out of 100).

Errori:

Personale o equipaggiamento visibile: When Marion first gets out of her car and meets the salesman at the used car dealership, a crewmember is reflected in the car door. Part way through the shot, he suddenly crouches down.

Citazioni:

[first lines]
Sam Loomis: You never did eat your lunch, did you?
Marion Crane: I better get back to the office. These extended lunch hours give my boss excess acid.
Sam Loomis: Why don't you call your boss and tell him you're taking the rest of the afternoon off? Its Friday, anyway - and hot.
Marion Crane: What do I do with my free afternoon? Walk you to the airport?

Collegamenti:

Citato in The Ghoul (1975)

Perkins Is Remarkable

Most modern-day horror films make the killer to be an absolutely inhuman, grotesque, unimaginable monster in order to scare the audience out of its wits. Most of the time, however, these stereotypes create a generic murderer a raving, ranting, clearly demented psychopath. One of the few memorable cinematic killers that does not adhere to these restraints and cliches is, of course, Anthony Hopkins' Hannibal Lecter, whom manages to effectively cause the audience to recoil without such drek as the aforementioned devices.

Anthony Perkins' skillfully crafts his performance as Norman Bates, avoiding a ranting, raving, drooling, murder-happy, manic characterization; instead his performance as Norman is subtle, creepy, cool, and unsettling. He is brilliant; from his quiet conversations with Marion Crane amidst the stuffed birds, to his weasling wimpiness when confronted by Arbogast, his performance is so exact that it chills the viewer, all without the unnecessary disturbing images prevalent in more modern films (read The Cell, Henry: Portrait of A Serial Killer).

Perkin's fine performance, a tight script, and Bernstein's classic score make Psycho a film that is now and will always be remembered as one of the pinnacles of the horror genre.