| Earl Holliman | ... | Sundance (31 episodes, 1959-1960) | |
| Jeanette Nolan | ... | Annette Deveraux (29 episodes, 1959-1960) | |
| Strother Martin | ... | Aaron Donager (29 episodes, 1959-1960) | |
| Judi Meredith | ... | Monique Deveraux (24 episodes, 1959-1960) |
Series Directed by | |||
| Andrew V. McLaglen | (3 episodes, 1960) | ||
| Ida Lupino | (2 episodes, 1959-1960) | ||
| Buzz Kulik | (2 episodes, 1960) | ||
Series Writing credits | ||
| Jack Laird | (3 episodes, 1959-1960) | |
Series Produced by | |||
| Del Reisman | .... | associate producer / producer (11 episodes, 1959-1960) | |
| Sam Rolfe | .... | producer (8 episodes, 1960) | |
| Stanley Rubin | .... | producer (2 episodes, 1959) | |
Series Original Music by | |||
| Dimitri Tiomkin | (6 episodes, 1959-1960) | ||
| Lucien Moraweck | (2 episodes, 1959-1960) | ||
| Fred Steiner | (2 episodes, 1960) | ||
Series Cinematography by | |||
| Frank V. Phillips | (11 episodes, 1959-1960) | ||
Series Film Editing by | |||
| Paul Weatherwax | (5 episodes, 1959-1960) | ||
| Fred Maguire | (4 episodes, 1960) | ||
Series Art Direction by | |||
| Walter E. Keller | (7 episodes, 1960) | ||
| Serge Krizman | (4 episodes, 1959-1960) | ||
Series Set Decoration by | |||
| Charles Vassar | (11 episodes, 1959-1960) | ||
| John MacNeil | (6 episodes, 1959-1960) | ||
| Herman N. Schoenbrun | (4 episodes, 1960) | ||
Series Costume Design by | |||
| Bernice Pontrelli | (8 episodes, 1959-1960) | ||
Series Makeup Department | |||
| Charles Gemora | .... | makeup artist (10 episodes, 1959-1960) | |
| Louise Miehle | .... | hair stylist (10 episodes, 1959-1960) | |
Series Production Management | |||
| John Pommer | .... | unit production manager (11 episodes, 1959-1960) | |
| Dewey Starkey | .... | production supervisor (11 episodes, 1959-1960) | |
Series Second Unit Director or Assistant Director | |||
| Gordon McLean | .... | assistant director (11 episodes, 1959-1960) | |
| Gary Nelson | .... | second assistant director (unknown episodes) | |
Series Art Department | |||
| Irving W. Sindler | .... | property master (11 episodes, 1959-1960) | |
Series Sound Department | |||
| Gene Eliot | .... | sound effects editor / sound editor (10 episodes, 1959-1960) | |
Series Costume and Wardrobe Department | |||
| Jerry Bos | .... | costumes: men / men's costumer (11 episodes, 1959-1960) | |
| Bernice Pontrelli | .... | costume design: women / costume designer: women (4 episodes, 1960) | |
Series Music Department | |||
| Gene Feldman | .... | music editor (11 episodes, 1959-1960) | |
Series Other crew | |||
| Maurice Binder | .... | title designer (11 episodes, 1959-1960) | |
| Frances Steens | .... | script supervisor (11 episodes, 1959-1960) | |
| Albert Ruben | .... | story editor (6 episodes, 1960) | |
| Recent Posts (updated daily) | User |
|---|---|
| Finally found it! | riverbrat |
| A Dim Glimpse of the late 1950s. | theowinthrop |
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| Episode guide | Full cast and crew | Company credits |
| IMDb TV section | IMDb Western section | IMDb USA section |
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I remember Hotel de Paree as having a little bit of everything. It ripped off "Gunsmoke" and "Have Gun Will Travel." It was the precursor of The Dick Van Dyke Show and The Andy Griffith Show. It was the coolest role that Earl Holiman ever played. His co-stars were his mirror rimmed hat and his pistol with the mirror on the hand-grip where Paladin's pistol had a knight chess piece. In so many of the other television westerns of the time such as Cheyenne, Sugarfoot, Bronco, and Maverick, the main character would drift into town, get unfairly accused of some crime the villian had done, expose the villian, kill the villian in a shoot out, and then mosey out of town despite the pleas of the townsfolk, including the pleas of the luscious daughter of the richest cattleman in town that he "stay on. We need you."
But in Hotel de Paree, Earl Holiman drifts into town without a cent to his name, and helped by his mirror rimmed hat, kills the bad guy in a high noon show down, and takes over ownership of athe twon hotel that is run by two French damsels. For the rest of the series he plays a character that is a cross between Matt Dillion and Rob Petrie.