6.8/10
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Der Tiger von Eschnapur (1959)

In Eschnapur, a local Maharajah and a German architect fall in-love with the same temple dancer.

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Moonfleet is set in Dorset, England. The Fleet refers to the land just west of Portland, Southern England.

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French version of the German movie Das Testament des Dr. Mabuse (1933). Both movies were directed simultaneously by Fritz Lang in Germany.

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An altruistic department-store owner hires ex-convicts in order to give them a second chance at life. Unfortunately, one of the convicts he hires recruits two of his fellow ex-convicts in a plan to rob the store.

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Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a ... See full summary »

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The mastermind behind a ubiquitous spy operation learns of a dangerous romance between a Russian lady in his employ and a dashing agent from the government's secret service.

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A deranged writer murders a maid after she resists his advances. The writer engages his brother's help in hiding the body, and then watches as the brother becomes the prime suspect.

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Cast

Complete credited cast:
...
...
Harald Berger / Henri Mercier in French version
...
...
Dr. Walter Rhode
...
Irene Rhode
...
Bharani - Seetha's servant
...
Prince Ramigani
...
Yama (as Inkijinoff)
Jochen Brockmann ...
Padhu - Ramigani's ally
Richard Lauffen ...
Bhowana
Jochen Blume ...
Asagara - the Engineer
Helmut Hildebrand ...
Ramigani's servant
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Storyline

An architect travels to the remote city of Eschnapur to oversee some work being done at the bequest of the local Maharajah. Along the way the architect meets and falls in love with a beautiful temple-dancer. The Maharajah also loves this dancer and plans to marry her despite fierce opposition from factions within his own court. The dancer responds to the architect's advances and they flee from Eschnapur but are captured by the Maharajah's soldiers. To save the architect's life, the dancer agrees to marry the Maharajah. This sparks a revolt which is eventually put down. The sadder but wiser Maharajah then allows the architect and the dancer to leave his domain. Written by RC

Plot Summary | Add Synopsis

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Der deutsche Millionen-Film!


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Details

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Release Date:

October 1960 (USA)  »

Also Known As:

Fritz Lang's The Tiger of Eschnapur  »

Box Office

Budget:

DEM 4,000,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)| (Eastmancolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the french-dubbed version, known as "Le tigre du Bengale" - released in July 1959, Debra Paget is dubbed by Michèle Montel, Paul Hubschmid by Michel Roux, Walter Reyer by Jean-Claude Michel, Claus Holm by Daniel Clérice, Sabine Bethmann by Nadine Alari, Rene Deltgen by Yves Brainville and Jochen Blume by Roger Rudel. See more »

Connections

Remake of The Tiger of Eschnapur (1938) See more »

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User Reviews

 
Fritz Lang's Indian Epic **1/2
23 February 2006 | by (Naxxar, Malta) – See all my reviews

I was wary of purchasing Fantoma's 2-Disc Set of "Fritz Lang's Indian Epic" after being somewhat let down by the 1921 Silent original (co-scripted by Lang himself) and also its less-than-stellar reputation. For this reason, when the second part of the saga turned up on Italian TV a couple of years ago, I decided to check it out just the same so as to get an inkling of what to expect! I recall thinking it pretty kitschy and unworthy of Lang's enormous talent, but Fantoma's sale (through their website) of their entire DVD catalog a few months back made it an irresistible acquisition! Well, having now watched the entire saga (with dialogue and in color, as opposed to the rather static Silent version directed by Joe May - although hearing the Indian-garbed characters talking in German took some getting used to), I was pleasantly surprised by how genuinely engaging and sheerly enjoyable it all was! Though it was sold as an epic production (to the point of concluding ESCHNAPUR with the promise that Part II would feature greater thrills and even more spectacle) at a time when such films were all the rage, the saga was actually a pretty modest undertaking by eclectic (and prolific) German producer Artur Brauner. Despite the two films' exotic, handsome look (not least in the provocative dances of Debra Paget), the budgetary constraints were painfully obvious in the special effects department, especially the hilarious appearance of a 'ropey' cobra which is intended to 'test' (the scantily-clad) Miss Paget's faithfulness to the Maharajah!! All in all, even if these films hardly constitute Lang's greatest work (though he harbored an evident affection throughout his life for this particular tale, which was originally conceived by his former wife Thea von Harbou), they have great - and enduring - appeal for aficionados of old-fashioned, serial-like adventure stories tinged with romance and mysticism.

Even so, while I don't subscribe to that school of thought myself, there are some film critics (Tom Gunning, Jean Douchet and Pierre Rissient among them) who think very highly of Lang's Indian diptych - the first considering it one of Lang's towering achievements and the last two numbering it among the ten greatest films of all time!!


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