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Witness for the Prosecution (1957)

Not Rated | | Crime, Drama, Mystery | 6 February 1958 (USA)
A veteran British barrister must defend his client in a murder trial that has surprise after surprise.

Director:

Writers:

(in Agatha Christie's international stage success), (screen play) | 2 more credits »
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Top Rated Movies #69 | Nominated for 6 Oscars. Another 3 wins & 9 nominations. See more awards »
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Cast

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Diana
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Storyline

It's Britain, 1953. Upon his return to work following a heart attack, irrepressible barrister Sir Wilfrid Robarts, known as a barrister for the hopeless, takes on a murder case, much to the exasperation of his medical team, led by his overly regulated private nurse, Miss Plimsoll, who tries her hardest to ensure that he not return to his hard living ways - including excessive cigar smoking and drinking - while he takes his medication and gets his much needed rest. That case is defending American war veteran Leonard Vole, a poor, out of work, struggling inventor who is accused of murdering his fifty-six year old lonely and wealthy widowed acquaintance, Emily French. The initial evidence is circumstantial but points to Leonard as the murderer. Despite being happily married to East German former beer hall performer Christine Vole, he fostered that friendship with Mrs. French in the hopes that she would finance one of his many inventions to the tune of a few hundred pounds. It thus does ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The most electrifying entertainment of our time! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Language:

|

Release Date:

6 February 1958 (USA)  »

Also Known As:

Testigo de cargo  »

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Box Office

Budget:

$3,000,000 (estimated)

Cumulative Worldwide Gross:

$9,000,000, 31 January 1960
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Elsa Lanchester used to delight in broadcasting Marlene Dietrich's secrets. Although Dietrich was never secretive about her famous "tape lifts," Lanchester detailed their use to anyone who would listen (One of the most avid listeners was Charles Laughton, who urged a make-up man to steal one so he could try it). The lifts were stuck to the side of Dietrich's head where she wanted skin to be lifted. Then the long threads hanging from them were woven into hair at the back of her head, forcing the tabs to pull the skin very tight. A wig then covered the network of tabs and threads. Lanchester joked that Dietrich wouldn't dare to pull or twist her face for fear of loosening a lift. In the film, one can see how Dietrich rarely breaks the cold passiveness of her expression and moves her whole body rather than her head. See more »

Goofs

(at around 9 mins), inside his chamber, Sir Wilfrid lights his cigar and Leonard Vole locks the door to make sure that Miss Plimsoll can't enter the room and catch him smoking. But at 14.56 minutes, Sir Wilfrid leaves his chamber without first unlocking the door. See more »

Quotes

Sir Wilfrid: I'd better take that thermos of cocoa with me. It helps me wash down down the pills.
Miss Plimsoll: Let me see. My learned patient is not above substituting brandy for cocoa.
[opens thermos and smells]
Miss Plimsoll: Sniff, sniff. It is cocoa. So sorry.
Sir Wilfrid: If you were a woman, Miss Plimsoll, I would strike you.
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Crazy Credits

As the end credits appear on screen, an announcer's voice is heard: "The management of this theater suggests that for the greater entertainment of your friends who have not yet seen the picture you will not divulge to anyone the secret of the ending of Witness for the Prosecution." See more »


Soundtracks

I May Never Go Home Anymore
Music by Ralph Arthur Roberts
Lyrics by Jack Brooks
Sung by Marlene Dietrich (uncredited)
Reprised a cappella by Tyrone Power (uncredited)
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Frequently Asked Questions

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User Reviews

 
Fun with Charles and Marlene
4 January 2008 | by See all my reviews

To see "Witness for the Prosecution" for the first time in 2008 is a jolting surprise. Nobody could do it better than Billy Wilder did in 1957. A man accused of murder, Tyrone Power, the weakest link in this terrific chain. Sir Wilfred is called to defend him, he is played by the extraordinary Charles Laughton, but he's just out of hospital - he wasn't dismissed he was expelled - and due to doctor's orders he's not to take any criminal cases. He finds Power charming and personable enough but he's not going to risk his life to save his until Marlene Dietrich makes her entrance - and what an entrance! How marvelous that what amounts to a bit of Agatha Christie's usual fare becomes such an entertaining and at times right down riveting piece of film-making.


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