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Mr. Arkadin (1955)

Not Rated | | Crime, Drama, Film-Noir | 2 October 1962 (USA)
An American adventurer investigates the past of mysterious tycoon Arkadin...placing himself in grave danger.

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Writers:

(story), (screenplay)
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Cast

Cast overview, first billed only:
...
...
Burgomil Trebitsch
...
Mily
...
Jakob Zouk
...
The Professor
Paola Mori ...
Raina Arkadin
...
Sophie
...
Bracco
...
Thaddeus
...
Baroness Nagel
...
Guy Van Stratten
Jack Watling ...
Marquis of Rutleigh
Frédéric O'Brady ...
Oscar (as O'Brady)
Tamara Shayne ...
Woman in Apartment (as Tamara Shane)
Terence Longdon ...
Secretary (as Terence Langdon)
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Storyline

Guy Van Stratten, American smuggler, leaves an Italian prison term with one asset, a dying man's words about wealthy, mysterious Gregory Arkadin. Guy finds it most pleasant to investigate Arkadin though his lovely daughter Raina, her father's idol. To get rid of Guy, Arkadin claims amnesia about his own life prior to 1927, sending Guy off to investigate Arkadin's unknown past. Guy's quest spans many countries and eccentric characters who contribute clues. But the real purpose of Guy's mission proves deadly; can Guy himself survive it? Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

Two words whispered, two men dead... See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

| |

Language:

| | |

Release Date:

2 October 1962 (USA)  »

Also Known As:

Dossier secret  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| | (TCM print) | (2006 Restored Version)

Sound Mix:

(RCA Ultraviolet High Fidelity Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Mr. Arkadin" was created from three episodes of the 1951-52 radio program "The Lives of Harry Lime": "Man of Mystery" (AKA "Greek Meets Greek"), "Murder on the Riviera" and "Blackmail Is an Ugly Word". Arakdin is based mostly on the first of the three and centered on a character named Gregory Arkadian. Primary characters and set-ups are taken from the other two episodes. See more »

Goofs

When he meets Guy van Stratten, Jakob Zouk's beard is much heavier in close-ups. See more »

Quotes

Gregory Arkadin: I knew what I wanted. That's the difference between us. In this world there are those who give and those who ask. Those who do not care to give... those who do not dare to ask. You dared. But you were never quite sure what you were asking for.
See more »

Connections

Featured in Hollywood Remembers: Orson Welles See more »

Soundtracks

Stille Nacht, heilige Nacht
(uncredited)
Music by Franz Gruber
Played by the band outside Zouk's apartment building
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User Reviews

Welles struggling against the odds
6 September 2005 | by (United States) – See all my reviews

Did I ever mention that I watched Mr. Arkadin every day for three months once? And that I recently bought a version of it different from the one I bought years ago (supposedly the UK print), and enjoyed it like I was seeing it for the first time?

Welles is a childhood hero. There's nothing rational about my feelings about Welles. If there are Welles fan boys, I admit to being one. But I have entertained the notion that I like Mr. Arkadin (also called Confidential Report, sometimes) as much as I do because it so completely betrays Welles as a titanic artist having to deal with the small frustrations and vicissitudes of Everyman. The bones of the thing, the behind the scene life of the film, the fact that the whole thing at one point passed through the man's hands shows through more than on any film he ever made. You actually see the customs stamps at the end of reels! His stratagems are more obvious, his resources more threadbare here than even Othello, his most legendary prolonged/disjointed/truncated shoot. Parts of it look shot on Super8; as good as some of it looks, at other times, the lighting doesn't feel professional (I am thinking of the nightclub and penitent procession scenes). In the end, I think Arkadin is the one completed and released Welles film that humanizes the man, without exactly bringing him low.

Clinching my interest in the film is Welles' comment, reiterated for different interviewers through the years, that Arkadin contained the best story he ever thought up to film. (He made a radio script of it first, and when he refined it for film, he saw fit to keep perhaps 95% intact from the radio play.) I may not agree with Welles' own appraisal of Arkadin as a story, but again, his comments betray perhaps more than intended: Welles' deep, and possibly irrational, feeling of attachment to this film. He said he considered it the most 'destroyed' film (destroyed by outside interference) he ever made. --Worse even than The Ambersons! I really think he never had "closure" with the experience of making Arkadin, and it continued to haunt him the rest of his days.

I invite you to take a look at it (it is available in many cheap public domain DVD versions) and see if you, too, fall under its spell. If it leaves you totally cold, or you can't take it seriously, I understand. But remember, better and worse DVD versions exist. Supposedly, the Criterion Collection will release it sometime in the next couple of years. That may be the version to make your definitive move with.


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