From the time John J. Macreedy steps off the train in Black Rock, he feels a chill from the local residents. The town is only a speck on the map and few if any strangers ever come to the place. Macreedy himself is tight-lipped about the purpose of his trip and he finds that the hotel refuses him a room, the local garage refuses to rent him a car and the sheriff is a useless drunkard. It's apparent that the locals have something to hide but when he finally tells them that he is there to speak to a Japanese-American farmer named Kamoko, he touches a nerve so sensitive that he will spend the next 24 hours fighting for his life. Written by
According to director John Sturges' commentary track on the Criterion laserdisc, this film was also shot simultaneously in a standard 4:3 ratio version (as well as CinemaScope), because MGM executives were unsure of the wide-screen version. It was never released. See more »
McCreedy rents the U.S. Army quarter-ton truck (jeep) and drives it around with his one arm. That model truck only had a standard transmission. Yet you can hear the gears shift but McCreedy never engages the clutch or works the shifter. See more »
John J. MacReedy:
[picks up Cole's knife]
Wouldn't it have been easier to wait until I turned my back? Or are there too many witnesses present?
You're still in trouble.
John J. MacReedy:
You're in trouble. Whatever happens, you're sunk.
You got things a big twisted...
John J. MacReedy:
You killed Komoko, Smith, and sooner or later, you're gonna go up for it. Not because you killed him, because I think in a town like this you can get away with it, but because you didn't have guts enough to do it alone. You put your trust in guys like these and ...
[...] See more »
Bad Day at Black Rock turned out to be the final film that Spencer Tracy did on his MGM contract. The following year he was fired off the set of Tribute to a Bad Man and left MGM abruptly. Some reward for an actor who brought so much prestige to that studio.
Tracy gets off a train at a hole in the wall, whistlestop, speedtrap of a town called Black Rock located somewhere in the Mojave desert. He's looking for a Japanese farmer named Komoko who seems to have vanished. And the townspeople are downright unfriendly to the stranger.
It gradually dawns on Tracy that by probing about Komoko's whereabouts, he's stepped in one big festering pile and he's put himself in danger. What he does about it is the rest of the film.
John Sturges keeps the tension going here worthy of an Alfred Hitchcock film. In fact if Hitchcock had ever decided to do a western and was presented with Bad Day at Black Rock, I doubt he could do it any better. Certain arty Hitchcock touches are missing, but the suspense is there. Sturges was in fact nominated for Best Director.
As was Tracy nominated for Best Actor. He lost ironically to one of his fellow cast members Ernest Borgnine who copped the big prize for Marty. But in fact any one of the small cast could have been nominated. I'm not sure why chief villain Robert Ryan wasn't.
A fews years later John Sturges directed another film The Law and Jake Wade about Robert Taylor being held prisoner by Richard Widmark and his gang. There was a lot of suspense there as well, similar to Bad Day at Black Rock, as to whether Taylor would escape his predicament.
For a feature film in 1955 it is a rather short one, less than 90 minutes. But as Tracy said in another film, what there is is cherce.
44 of 57 people found this review helpful.
Was this review helpful to you?
| Report this