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Strangers on a Train (1951)

A psychotic socialite confronts a pro tennis star with a theory on how two complete strangers can get away with murder - a theory that he plans to implement.

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(screen play), (screen play) | 2 more credits »
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Nominated for 1 Oscar. Another 2 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
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Miriam Joyce Haines (as Laura Elliott)
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Mr. Antony
Howard St. John ...
Police Capt. Turley
John Brown ...
Prof. Collins
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Robert Gist ...
Det. Leslie Hennessey
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Storyline

Bruno Anthony thinks he has the perfect plot to rid himself of his hated father and when he meets tennis player Guy Haines on a train, he thinks he's found the partner he needs to pull it off. His plan is relatively simple. Two strangers each agree to kill someone the other person wants disposed of. For example, Guy could kill his father and he could get rid of Guy's wife Miriam, freeing him to marry Anne Morton, the beautiful daughter of a U.S. Senator. Guy dismisses it all out of hand but Bruno goes ahead with his half of the 'bargain' and disposes of Miriam. When Guy balks, Bruno makes it quite clear that he will plant evidence to implicate Guy in her murder if he doesn't get rid of his father. Guy had also made some unfortunate statements about Miriam after she had refused him a divorce. It all leads the police to believe Guy is responsible for the murder, forcing him to deal with Bruno's mad ravings. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Now a very special Alfred Hitchcock event! A hundred and one breathless minutes of matchless suspense! See more »


Motion Picture Rating (MPAA)

Rated PG for some violence and tension | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

30 June 1951 (USA)  »

Also Known As:

Alfred Hitchcock's 'Strangers on a Train'  »

Box Office

Budget:

$1,200,000 (estimated)

Opening Weekend:

£23,764 (UK) (13 August 1999)
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Company Credits

Production Co:

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Technical Specs

Runtime:

| (cut) | (preview)

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

As Guy leaves the last match, part of a quotation clearly including the words "two impostors" is visible on the beam above his head. It is from Rudyard Kipling's poem "If." The line reads "If you can meet with triumph and disaster / And treat those two impostors just the same..." It appears above the players' entrance at Wimbledon's Centre Court See more »

Goofs

Bruno stops at a lunch stand when he returns to the amusement park for the climax. The young girl in the hat sips nonstop on her straw but the level of drink in the glass doesn't change. See more »

Quotes

[first lines]
Bruno Anthony: I beg your pardon, but aren't you Guy Haines?
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Connections

Referenced in Hail, Caesar! (2016) See more »

Soundtracks

Ain't We Got Fun
(1921) (uncredited)
Music by Richard A. Whiting
Played as Bruno gets in line during the last amusement park scene
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Frequently Asked Questions

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User Reviews

One of his best

This is a little known Hitchcock movie but I think it is one of his best. I like how he inserts humor into this crime drama. For example the small boy pointing a gun at the Bruno character at the carnival and the Bruno character popping his balloon with a lit cigarette. And there is the comic scene at the tennis courts where the audience in unison moves there heads back and forth following the ball except for Bruno who glances straight away at the tennis player.

Hitchcock plays suspense masterfully as in the tunnel of love sequence early in the film. We know that Bruno plans to murder the woman and we 'see' that is why he is following her into the tunnel. We hear a scream and think the deed is done when voila! the girl comes sailing out with her two admirers. Then there is one of the finest scenes in all movie history: the final scene on the carousel. Hitchcock manages suspense on many non-stop levels: the two protagonists fighting each other, a small boy who nearly falls from the ride as it whirls at tremendous speed, and the elderly man who crawls beneath the carousel to try and get at the brakes. Although I think the end of the scene was a bit over the top it was masterful to that point and I will never forget it.

I was surprised to see Ruth Roman in the lead. Usually Hitchcock has blondes for his leads, but the commentator on the TMC channel told us Hitch had to use her because she was under contract to the studio where he filmed it.

I highly recommend this obscure Hitchcock masterpiece and give 9.99 out of 10.


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