| Photos (see all 13 | slideshow) |
| Robert Taylor | ... | Marcus Vinicius | |
| Deborah Kerr | ... | Lygia | |
| Leo Genn | ... | Petronius | |
| Peter Ustinov | ... | Nero | |
| Patricia Laffan | ... | Poppaea | |
| Finlay Currie | ... | Peter | |
| Abraham Sofaer | ... | Paul | |
| Marina Berti | ... | Eunice | |
| Buddy Baer | ... | Ursus | |
| Felix Aylmer | ... | Plautius | |
| Nora Swinburne | ... | Pomponia | |
| Ralph Truman | ... | Tigellinus | |
| Norman Wooland | ... | Nerva | |
| Peter Miles | ... | Nazarius | |
| Geoffrey Dunn | ... | Terpnos | |
| Nicholas Hannen | ... | Seneca | |
| D.A. Clarke-Smith | ... | Phaon | |
| Rosalie Crutchley | ... | Acte | |
| John Ruddock | ... | Chilo | |
| Arthur Walge | ... | Croton | |
| Elspeth March | ... | Miriam | |
| Strelsa Brown | ... | Rufia | |
| Alfredo Varelli | ... | Lucan | |
| Roberto Ottaviano | ... | Flavius | |
| William Tubbs | ... | Anaxander | |
| resto del cast in ordine alfabetico: | |||
| Marika Aba | ... | Dancer (Assyrian dance at Nero's banquet) (uncredited) | |
| Adriano Ambrogi | ... | Wine Bibber (uncredited) | |
| Anna Arena | ... | Bit part (uncredited) | |
| Alfred Baillou | ... | Christian prisoner in arena (uncredited) | |
| Giacomo Barnas | ... | Senator (uncredited) | |
| Scott R. Beal | ... | Fisherman (uncredited) | |
| Francesca Biondi | ... | Slave Girl (uncredited) | |
| Carlo Borelli | ... | Noble (uncredited) | |
| Leslie Bradley | ... | Hasta - 2nd Praetorian (uncredited) | |
| Alfred Brown | ... | Bit part (uncredited) | |
| Valentino Bruchi | ... | Mirmillon (uncredited) | |
| Dante Ciriaci | ... | Wine Bibber (uncredited) | |
| Frank Colson | ... | Bit part (uncredited) | |
| Adrienne Corri | ... | Young Christian Girl (uncredited) | |
| Luca Cortese | ... | Old Man (uncredited) | |
| Daniel De Jonghe | ... | Apostle (uncredited) | |
| Liana Del Balzo | ... | Bit part (uncredited) | |
| Jack del Rio | ... | Apostle (uncredited) | |
| Lia Di Leo | ... | Pedicurist (uncredited) | |
| Franco Fantasia | ... | Bit part (uncredited) | |
| Cesare Fasulo | ... | Noble (uncredited) | |
| Al Ferguson | ... | Apostle (uncredited) | |
| Enzo Fiermonte | ... | Mounted Captain (uncredited) | |
| Enrico Formichi | ... | Man with Wine Cup (uncredited) | |
| John Fostini | ... | Young Unbaptized Man (uncredited) | |
| Dino Galvani | ... | Senator (uncredited) | |
| Richard Garrick | ... | Slave (uncredited) | |
| Jack George | ... | Fisherman (uncredited) | |
| Carlo Ghisini | ... | Guard (uncredited) | |
| Trudy Glassford | ... | Bit Part (uncredited) | |
| Joan Griffiths | ... | Bit part (uncredited) | |
| Robin Hughes | ... | Christ (uncredited) | |
| Adam Jennette | ... | Bit part (uncredited) | |
| Philip Kieffer | ... | Apostle (uncredited) | |
| Gipsy Kiss | ... | Slave Girl (uncredited) | |
| Lee Kresel | ... | Bit part (uncredited) | |
| Richard Larke | ... | Guard (uncredited) | |
| Sophia Loren | ... | Lygia's slave (uncredited) | |
| Giovanni Lovatelli | ... | Banquet Man (uncredited) | |
| Helena Makowska | ... | Older Woman (uncredited) | |
| Anna Mancini | ... | Nubian Slave Girl (uncredited) | |
| Michael Mark | ... | Fisherman (uncredited) | |
| Clelia Matania | ... | Parmenida (uncredited) | |
| Richard McNamara | ... | Legionnaire (uncredited) | |
| Harriet Medin | ... | Bit part (uncredited) | |
| Dario Michaelis | ... | Lydia Guard (uncredited) | |
| Ernesto Morelli | ... | Fisherman (uncredited) | |
| John Myhers | ... | Guard (uncredited) | |
| Vincent Neptune | ... | Apostle (uncredited) | |
| Anna Maria Padoan | ... | Young Unbaptized Woman (uncredited) | |
| Louis Payne | ... | Apostle (uncredited) | |
| Walter Pidgeon | ... | Narrator (voice) (uncredited) | |
| Aldo Pini | ... | Headkeeper (uncredited) | |
| Alberto Plebani | ... | Steward (uncredited) | |
| Dino Raffaelli | ... | Bit part (uncredited) | |
| George Restive | ... | Apostle (uncredited) | |
| Leonardo Scavino | ... | Bit part (uncredited) | |
| Alessandro Serbaroli | ... | Officer (uncredited) | |
| Bud Spencer | ... | Imperial Guard (uncredited) | |
| Jane Sprague | ... | Banquet Lady (uncredited) | |
| Raffaele Tana | ... | Bit part (uncredited) | |
| Elizabeth Taylor | ... | Christian prisoner in arena (uncredited) | |
| William Taylor | ... | Guard Captain / Marcus Guard (uncredited) | |
| Pietro Tordi | ... | Galba (uncredited) | |
| Michael Tor | ... | Centurian (uncredited) | |
| Giuseppe Tosi | ... | Wrestler (uncredited) | |
| Carlo Tricoli | ... | Apostle (uncredited) | |
| Renato Valente | ... | Guard (uncredited) | |
| Giuseppe Varni | ... | Hairdresser (uncredited) | |
| Dianora Veiga | ... | Slave Girl (uncredited) | |
| Harry J. Vejar | ... | Fisherman (uncredited) | |
| Maria Zanoli | ... | Bit part (uncredited) | |
Regia di | |||
| Mervyn LeRoy | |||
| Anthony Mann | (uncredited) | ||
Scritto da(in ordine alfabetico) | ||
| S.N. Behrman | screenplay | |
| Sonya Levien | screenplay | |
| John Lee Mahin | screenplay | |
| Henryk Sienkiewicz | novel | |
Prodotto da | |||
| Sam Zimbalist | .... | producer | |
Musiche originali di | |||
| Miklós Rózsa | (as Miklos Rozsa) | ||
Fotografia di | |||
| William V. Skall | (director of photography) | ||
| Robert Surtees | (director of photography) | ||
Montaggio di | |||
| Ralph E. Winters | |||
Responsabile casting | |||
| Irene Howard | (uncredited) | ||
Architetto-scenografo | |||
| Edward C. Carfagno | (as Edward Carfagno) | ||
| Cedric Gibbons | |||
| William A. Horning | |||
Arredatore | |||
| Hugh Hunt | |||
| Elso Valentini | (uncredited) | ||
Costumi di | |||
| Herschel McCoy | (costumes: recreated by) | ||
Trucco | |||
| Sydney Guilaroff | .... | hair stylist recreator | |
| Joan Johnstone | .... | hair stylist recreator | |
| Charles E. Parker | .... | makeup supervisor | |
Aiuto regista | |||
| Sergio Leone | .... | second unit director (uncredited) | |
Art Department | |||
| Mentor Huebner | .... | storyboard artist (uncredited) | |
| Italo Tomassi | .... | set designer (uncredited) | |
Sonoro | |||
| Douglas Shearer | .... | recording supervisor | |
Effetti speciali | |||
| A. Arnold Gillespie | .... | special effects | |
| Tom Howard | .... | special effects (as Thomas Howard) | |
| Donald Jahraus | .... | special effects | |
Visual Effects | |||
| Peter Ellenshaw | .... | matte artist (uncredited) | |
Camera and Electrical Department | |||
| George Pink | .... | camera operator (uncredited) | |
| John Schmitz | .... | camera operator (uncredited) | |
Editorial Department | |||
| Henri Jaffa | .... | color consultant: Technicolor | |
Music Department | |||
| Eugene Zador | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Eddie Frewin | .... | unit driver (uncredited) | |
Altro personale | |||
| Hugh Gray | .... | historical advisor | |
| Auriel Millos | .... | choreographer | |
| Marta Obolensky | .... | choreographer | |
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Ancient Rome never looked so good--especially in the gorgeous MGM technicolor of 1951. Costumes, sets, photography and music are all of a high order--and all of the performances are competent with two outstanding ones by Leo Genn (Petronius) and Peter Ustinov (Nero). Ustinov reminds me of an overbaked Charles Laughton in some of his mad scenes, but he is a convincing weakling as Nero. Leo Genn has some of the wittiest dialogue and handles his lines with professional ease, his eyes flashing with humor as he pretends to agree with Nero on certain points. Robert Taylor is stalwart in the lead giving his usual dependable performance and Deborah Kerr is lovely (if a bit British in manner) as Lygia.
All the action and excitement you want from a spectacle--the burning of Rome, Christians in the arena thrown to the lions, the triumphal marches accompanied by Miklos Rozsa's mighty score--and scenes with sentimental and religious overtones (sometimes too extended and talky) --all combine to make the kind of lush spectacle MGM knew would be popular at the box-office. Although discriminating critics found fault with certain factors, it won eight Academy Award nominations with Ustinov and Genn both nominated for supporting roles.
Grand scale spectacle--but don't expect anything deep.