Eve (Anne Baxter) is waiting backstage to meet her "idol" aging Broadway Star, Margo Channing (Bette Davis). It all seems innocent enough as Eve explains that she has seen Margo in EVERY performance of the current play she is in. Only Playright critic DeWitt (George Sanders) sees through Eve's evil plan, which is to take her parts and fiancé, Bill Simpson (Gary Merrill) When the fiancé shows no interest, she tries for playwright Hugh Marlowe (Lloyd Richards) but DeWitt stops her. After she accepts her award, she decides to skip the after-party and goes to her room, where we find a young woman named Phoebe, who snuck into her room and fell asleep. This is where the "Circle of Life" now comes to fruition as Eve is going to get played the way she did Margo.
After the first week of filming, the cast and crew gathered to view the rushes in San Francisco. From what everyone saw on screen, it was clear that was something special. People got excited, and that excitement fuelled what already seemed to be a charmed production into an even better picture. "None of us could wait to get to work," recalled Anne Baxter. See more »
When Addison and Eve are together in the Cub Room, he taps his cigarette holder to knock the ash off the cigarette, which falls out of the holder into the ashtray. He doesn't notice while he speaks, and keeps tapping the empty holder. See more »
What do you take me for?
I don't know that I'd take you for anything.
Is it possible, even conceivable, that you've confused me with that gang of backward children you play tricks on, that you have the same contempt for me as you have for them?
I'm sure you mean something by that, Addison, but I don't know what?
Look closely, Eve. It's time you did. I am Addison DeWitt. I am nobody's fool, least of all yours.
I never intended you to be.
Yes you did, and you still do.
I still don't know what ...
[...] See more »
Eddie Fisher is credited in the cast as 'Stage Manager,' although all of his scenes were cut from the released print. This is not the the singer Eddie Fisher, but another actor. See more »
You will see yourself in every character in this very intelligent, entrancing movie. Though set in "the theatre," the story could just as easily have been told in a small town, a corporation even a religious organization. Being set in the "glamorous" world of entertainment its seems all the more timely in these days of fame, fortune and the insufficiency (almost shame) of being ordinary. The theatre setting also underscores the reality that the world is a stage, and all its people, players.
So much to study in this movie: the genuine, trusting (and romantic) human; the streetwise, good, hardworking human, who's seen it all and doesn't embrace it; the jaded, heart-hardened, deceitful loser with power, who admires the same and disdains human goodness; the ambitious sociopath who fools so many; the unsuspecting onlookers who see only the façade of success; the inescapable fact that supreme achievement has been had by very low characters; the painful passage of an aging woman into the light of knowing she's loved for being beautiful beyond her appearance, for being HER; the touching portrayal of her lover who remembers his love for her as he passes on a much younger, beautiful, talented actress; the sorrow of a (betraying) friend who discovers the frightened and lonely heart of her successful friend The dialogue is sharp and clever, barked and growled, smarmy and tender A truly human movie about being human. Go find yourself in everyone!
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