| John Weaver | ... | Cadet Harvey (1 episode, 1951) | |
| Geoffrey Bryant | ... | Caretaker (1 episode, 1955) | |
| Ralph Camargo | ... | Roy Cowan (1 episode, 1955) | |
| Bill Zuckert | ... | Brock (1 episode, 1955) |
Series Directed by | |||
| George Gould | (unknown episodes) | ||
| Ralph Ward | (unknown episodes) | ||
Series Writing credits | ||
| Albert Aley | (unknown episodes) | |
| Stu Byrnes | (unknown episodes) | |
| Willie Gilbert | (unknown episodes) | |
| Robert A. Heinlein | (unknown episodes) | |
| Richard Jessup | (unknown episodes) | |
| George Lowther | (unknown episodes) | |
| Ray Morse | (unknown episodes) | |
| Anne Siegel | (unknown episodes) | |
| Marc Siegel | (unknown episodes) | |
| Frankie Thomas | (unknown episodes) | |
| Palmer Thompson | (unknown episodes) | |
| Art Wallace | (unknown episodes) | |
| Jack Weinstock | (unknown episodes) | |
Series Produced by | |||
| Mort Abrahams | .... | producer (unknown episodes) | |
| Albert Aley | .... | producer (unknown episodes) | |
| Allen Duconvy | .... | producer (unknown episodes) | |
| Muriel Maron | .... | assistant producer (unknown episodes) | |
| Phillip Tantillo | .... | assistant producer (unknown episodes) | |
Series Costume Design by | |||
| Eddie Taliaferro | (unknown episodes) | ||
Series Production Management | |||
| Mort Abrahams | .... | production supervisor (unknown episodes) | |
Series Art Department | |||
| Michael Baronoff | .... | sets (unknown episodes) | |
| Tom Jewett | .... | scenic designer (unknown episodes) | |
Series Sound Department | |||
| John Giordano | .... | sound engineer (unknown episodes) | |
| John Goordano | .... | sound engineer (unknown episodes) | |
| Agnew Horine | .... | sound effects / sound effects editor (unknown episodes) | |
| Neal Smith | .... | sound engineer (unknown episodes) | |
| William Woglom | .... | sound engineer (unknown episodes) | |
Series Special Effects by | |||
| Burch Hayden | .... | senior technician (unknown episodes) | |
| Phillip Tantillo | .... | senior technician (unknown episodes) | |
Series Camera and Electrical Department | |||
| Carl Gaiti | .... | lighting technician (unknown episodes) | |
| Dick Schmidt | .... | lighting technician (unknown episodes) | |
Series Music Department | |||
| Hank Sylvern | .... | composer: theme music (unknown episodes) | |
Series Other crew | |||
| Fidelis Blunk | .... | technical director (unknown episodes) | |
| Hal Bowden | .... | production assistant (unknown episodes) | |
| Willy Ley | .... | technical advisor (unknown episodes) | |
| Muriel Maron | .... | production assistant (unknown episodes) | |
| Ib Melchior | .... | technical director (unknown episodes) | |
| Al Sielski | .... | video (unknown episodes) | |
| Phillip Tantillo | .... | production assistant (unknown episodes) | |
| Noel Warwick | .... | technical director (unknown episodes) | |
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Of the three classic 1950s space adventure TV programs, TOM CORBETT SPACE CADET was the most realistic, and SPACE PATROL the most fantastic, with CAPTAIN VIDEO AND HIS VIDEO RANGERS somewhere in the middle. The great appeal of the TCSC series to teenagers and pre-teenagers was that the main characters were students, just like us! Tom, Roger and Astro had problems we could all identify with. And when they weren't sweating out grades or exams, they could take off for a jaunt through the solar system, even hyperdrive voyages to nearby stars, in the mighty rocket cruiser Polaris, as long as academic advisor Captain Steve Strong was along!