After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Fred C. Dobbs and Bob Curtin, both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled prospector named Howard and decide to join with him in search of gold in the wilds of central Mexico. Through enormous difficulties, they eventually succeed in finding gold, but bandits, the elements, and most especially greed threaten to turn their success into disaster. Written by
Jim Beaver <email@example.com>
Humphrey Bogart started losing his hair in 1947, round about the time he was making Dark Passage (1947), partly because of hormone shots he was taking to improve his chances of having a child with wife Lauren Bacall (although his excessive drinking and lack of vitamin B were probably also factors in his hair loss). He was completely bald by the time he arrived in Mexico. Once on location, Bogart started taking vitamin B shots, and some of his hair grew back. But he did sport a wig throughout the entire shoot, albeit one that was artfully muddied and matted to cover up the joins. See more »
As Dobbs mutters to himself, Curtin walks between Dobbs and the water race. When he gets to Howard and the water tank at the top of the race, Curtin comes in from the other side of the water race, despite there being no crossing point between Dobbs and the tank. See more »
Say buddy, will you stake a fellow Am...
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Although John Huston's directing is absolutely equal to the screenplay, winning Oscars for both, it is the performance level of the actors that makes "Treasure of The Sierra Madre" the classic film that it is. Beginning and ending with Walter Huston's award winning role of the worn-out old miner who is looking for one last big score, Humphrey Bogart and Tim Holt are equal to the task and draw us in to this tale of need and greed. So convincing is Walter's portrayal of the seasoned old prospector, we come to believe that he is a gold digger by trade who only acts in movies so that he can dig and pan for gold again and again. His knowledge of mining and the lifestyle it demands and forces upon those who partake, is so thorough that Bogart and Holt seem like school kids in awe of a new hero. Of course, we know that his son John, did much research in preparation for writing the screenplay; but we are nevertheless plunged into a sure belief that this old miner must surely have been there age upon age, mine upon mine, and has therefore, a thousand tales to tell.
When, in the course of the story, Walter is taken away, somewhat without choice, to work the magic of a healer for a Mexican village, we are again convinced that he is a medical doctor hiding out as a prospector. This is the acting craft in full bloom. Walter becomes whatever is called for in the story. However, if one views his other films, the effect is the same. He is one of Hollywood's most under rated actors of all time. Those who have not seen this film have a joyous experience awaiting them. Great story, great screenplay, great acting. This is why we love movies the way we do.
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