After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Fred C. Dobbs and Bob Curtin, both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled prospector named Howard and decide to join with him in search of gold in the wilds of central Mexico. Through enormous difficulties, they eventually succeed in finding gold, but bandits, the elements, and most especially greed threaten to turn their success into disaster. Written by
Jim Beaver <firstname.lastname@example.org>
Although the quotation is universally well known, police officers find most popular and relevant the now famous "Badges! We ain't got no badges. We don't need no badges. I don't have to show you any stinking badges."; spoken by bandit leader Gold Sombrero (Alfonso Bedoya). There is probably no police station in the English speaking world which hasn't been the scene of something like the following. During a busy time, when there are many police units in the local station, either on investigation or processing arrestees, yet another car will arrive with an indignant, youthful criminal offender. The "suspect" will shout something like; "You didn't even show me your badges!"; which is the queue for every cop in earshot to join in in what looks like a previously rehearsed chorus of "Badges? We ain't got no badges! .......etc.". See more »
During the gunfight with the bandits, Howard refers to the newcomer as Cody. But at the end of the gunfight, he asks "Wonder who he is?" and uses the newcomer's wallet to identify him as James Cody. However, Cody gives his name to Curtin at the General Store. Curtin briefed the boys when he got back. Howard wondering who he is really means Howard wanting to know more about Cody. See more »
Say buddy, will you stake a fellow Am...
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Having had his day as an idolized star and romantic leading man, it was now time for Bogart to get down to the serious business of acting For eighteen years it had usually been Bogart playing Bogart in various shadings Now that Bogart was gone and in his place was an older and far less romantic figure, one who found new challenges and was able to meet most of them successfully This new phase of his continued growth began with a story of three men in search of gold
Although "The Treasure of the Sierra Madre" is indisputably one of Bogart's best films, it was co-star Walter Huston who won an Academy Award as did the movie's director and scenarist, John Huston
Based on a novel by the mysterious B. Traven, the film told a riveting tale which explored the degenerative effects of encroaching greed, distrust, and hatred on three prospectors who team up to search for gold in Mexico
Bogart's Fred C. Dobbs was an amazingly complex creation whose slow disintegration into paranoia was brilliant1y managed on camera He is a born loser with no potential for change in sight Suspicious, unfeeling, savage, and easily corruptible, he seems clearly destined for a tragic fate almost from our first meeting with him
Tim Holt was also excellent as Bob Curtin, a man who, like Bogart, is tempted but whose conscience will not permit him to exercise his baser desires. (He could have let Bogart die in a cave-in, but saved him instead.) Young, impressionable, and unprepared, he has never seen the likes of a Fred C. Dobbs and he finds himself overwhelmed and uncertain as to how he will cope with Dobbs's rage and greed
However, it is the director's father, Walter Huston, who literally stole the picture from both Bogart and Holt as he played Howard, a wise old toothless codger who knew all along what would happen and took it all in stride, kicking up his heels and having a marvelous time Life can't surprise him any more He's already had successes and failures enough for one lifetime Like a faithful dog, he's along for the thrill of the hunt, and should there be another pot of gold at the end of this rainbow, well, that's just a bonus
It is mainly the interaction of these three men from their first meeting and uneasy partnership through their final confrontation that made "The Treasure of the Sierra Madre" one of Warner Brothers' triumphs of the forties
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