During the First World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
At a café on a railway station, housewife Laura Jesson meets doctor Alec Harvey. Although they are both already married, they gradually fall in love with each other. They continue to meet every Thursday in the small café, although they know that their love is impossible. Written by
The cast and most of the crew were given May 8, 1945. off work--not so much because it was Victory In Europe Day but because the cameras at Denham Studios were needed to cover the celebrations in London. See more »
Carnforth Station has had its name board covered and replaced with a big sign reading Milford Junction, but the smaller platform notices (behind Laura when Alec tells her about the job in South Africa) still show the next train's destinations as Hellifield, Skipton, Bradford and Leeds. See more »
[smacks her on the backside]
Albert Godby, how dare you!
I couldn't resist it!
Oh, well, trouble you for keeping your hands to yourself!
Oh, you blushing - oh, you look wonderful when you're angry... just like an avenging angel.
I'll give you avenging angel!... Coming in here taking liberties!
I thought last Monday, you said you wouldn't object to a friendly little slap.
Never mind about last Monday... I'm on duty now. And I should think to what would happen if Mr. Saunders should be looking ...
[...] See more »
It really pleases me to see the very positive responses here to this gem of a movie. I recently read Kevin Brownlow's epic, detailed biography of David Lean, and I'm less mystified as to how Lean went from intimate character dramas such as this one, and even GREAT EXPECTATIONS and OLIVER TWIST, to the big-screen epics which placed far more emphasis on scenery and very little on character. Lean had great problems with intimacy, and much preferred grandeur (he virtually abandoned his son, and didn't meet one of his grandchildren until she was about 30). I'm not knocking the epics, because I've enjoyed them as well, but at the end of LAWRENCE OF ARABIA one knows about as much about Lawrence as one did about 3-1/2 hours earlier. ..unlike Alec and Laura in this film, whom we know very well after 1-1/2 hours, or Pip and Miss Havisham in EXPECTATIONS, characters who leapt off the screen and endeared themselves to us (it also helped that some really gifted actors & actresses played these roles).
I never tire of BRIEF ENCOUNTER - it's one of the screen's great romances, perhaps because it doesn't quite end "happily ever after". It remains simple, honest, and unforgettable.
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