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Laura (1944)

Approved | | Drama, Film-Noir, Mystery | November 1944 (USA)
A police detective falls in love with the woman whose murder he is investigating.

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(novel), (screen play) | 2 more credits »
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Won 1 Oscar. Another 2 wins & 4 nominations. See more awards »

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Cast

Complete credited cast:
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Rest of cast listed alphabetically:
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Lancaster Corey (scenes deleted)
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Storyline

Detective Mark McPherson investigates the killing of Laura, found dead on her apartment floor before the movie starts. McPherson builds a mental picture of the dead girl from the suspects whom he interviews. He is helped by the striking painting of the late lamented Laura hanging on her apartment wall. But who would have wanted to kill a girl with whom every man she met seemed to fall in love? To make matters worse, McPherson finds himself falling under her spell too. Then one night, halfway through his investigations, something seriously bizarre happens to make him re-think the whole case. Written by Steve Hosgood <iiitsh@pyr.swan.ac.uk>

Plot Summary | Plot Synopsis

Taglines:

The story of a love that became the most fearful thing that ever happened to a woman!


Certificate:

Approved | See all certifications »

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Details

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Language:

Release Date:

November 1944 (USA)  »

Also Known As:

Lora  »

Box Office

Budget:

$1,020,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film was begun by Rouben Mamoulian with Lucien Ballard as cinematographer, but Otto Preminger, who initiated the project as producer and took over the direction, brought on a new cameraman and scrapped all of Mamoulian's footage. See more »

Goofs

When Lydecker recognizes McPherson's name, one can see part of the waist-band of a bathing suit worn by Lydecker in the bath tub. See more »

Quotes

[first lines]
Waldo Lydecker: [narrating off screen] I shall never forget the weekend Laura died. A silver sun burned through the sky like a huge magnifying glass. It was the hottest Sunday in my recollection. I felt as if I were the only human being left in New York. For with Laura's horrible death, I was alone. I, Waldo Lydecker, was the only one who really knew her, and I had just begun to write Laura's story when another of those detectives came to see me. I had him wait. I could watch him through the ...
[...]
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Connections

Referenced in L.A. Noire (2011) See more »

Soundtracks

You Go to My Head
(uncredited)
Music by J. Fred Coots (1938)
Used instrumentally in dance scene
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Frequently Asked Questions

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User Reviews

 
A perfect Noir film
14 July 2004 | by (Milwaukee, WI) – See all my reviews

The first time I saw this film, about eight years ago I ended up almost losing a friend because I was hoarding the VHS copy he had lent me for about two months. After seeing it, I quite simply didn't want to give up the tape because in doing so, I wouldn't be able to watch it anytime I wanted to; and I did watch it anytime I wanted to, and often, until he threatened to call a Noir Intervention. I may have loved this film from the first viewing, but I wasn't prepared to deal with something like that, as entertaining as it may have been.

I fell in love with `Laura' because it is biting and evil, intelligent and surprising. The unfathomably gorgeous Gene Tierney plays the title character, an advertising executive whose best friend Waldo Lydecker (played by the always wonderful Clifton Webb) and fiancée Shelby, (a really young Vincent Price) are some of the prime suspects in her murder. The gruff detective leading the case (Dana Andrews) is Det. McPherson, and he quickly essentially falls in love with a ghost while he is trying to solve her murder.

`Laura' has one of the great Noir scripts in that just as the audience thinks they have the case solved, another curve ball is thrown at them which blows that theory out of the water. The acting is pure delightful melodrama, but Clifton Webb's performance is simply show-stopping. His character is a vicious snit of a writer who uses his column as a weapon against anyone he doesn't like or even tolerate. Even upon multiple viewings I can't help but howl at some of his lines and mannerisms.

If anyone was to request suggestions for good Film Noir movies, I would prescribe a heavy dose of `Laura' because it has something for everyone in that it is romantic, thrilling, mysterious, wickedly funny and above all, thoroughly entertaining.

--Shelly


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