A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.
Robert De Niro,
A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A group of reporters are trying to decipher the last word ever spoken by Charles Foster Kane, the millionaire newspaper tycoon: "Rosebud." The film begins with a news reel detailing Kane's life for the masses, and then from there, we are shown flashbacks from Kane's life. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the top of the world. Written by
Kane knows plenty of magic tricks that amuse Susan. Orson Welles himself was an amateur magician. See more »
When Kane's second wife is recounting the moment she left him, the suitcase that is open on the bed has frills on the inside. When we hear the butler continue the story, Kane walks back towards the suitcase to close it, and the frills are gone. See more »
Okay. First of all, I DO like many old movies. 12 angry men, Casablanca, Where Eagles Dare, Psycho, The Treasure of Sierra Madre, The Great Dictator, Some Like it Hot and more. They're all brilliant and I enjoyed them throughout.
But Citizen Kane...I just can't see what's so great about it. It made no impression on me whatsoever. When it comes to plot, camera-angles, themes, characters, acting and such, it seems like few movies are as praised as this. Still, when I read reviews on other classics, for example Casablanca, it feels like they say many of the same things.
I'm not an expert on what makes some films objectively better than others, but if the other classics with most of the other "greatnesses" actually ARE interesting and fun to watch, then Citizen Kane should also be able to entertain as well as just being "great".
You can say what you want about movies, but no matter how well they're made, they should also entertain in some way or another to be classified as great. And I'm not one of those guys who only like action movies. An example of a great movie is Requiem for a Dream. It's disturbing, repulsive and scary as h*ll, but I couldn't keep my eyes from it, and it made a brutal impression. Other examples of movies that are deep, makes an impression AND are entertaining could be One flew over the Cuckoos Nest, The Visitor, American Beauty and Eternal Sunshine of a Spotless Mind.
But entertainment isn't all. I see that. If Citizen Kane had made an impression it wouldn't fail no matter how uninteresting. Taxi Driver is another movie I bored me through, and don't want to see again, but still I find it good because I couldn't stop thinking about it afterwards. It made an impression. Citizen Kane doesn't do that either.
And to all you die-hard-fans who hate me, wants to disgrace me, and finds it horrendous to call a classic "not entertaining" I'll just quote the great Ingmar Bergman: "Citizen Kane is a total bore!" To call me retarded or something like that would be to call one of the greatest directors of all time the same. In addition it's clear that many more agree as well. It's not long since the feature was in the top 3 on IMDb. Today it's number 29.
So all in all, I may not know how to judge objective qualities of movies, but I'm certain that movies that doesn't leave any impression whatsoever AND isn't entertaining at all aren't great no matter what. And that's why "the greatest movie ever made" fails for me. 3/10
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