A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
A shy ladies' companion, staying in Monte Carlo with her stuffy employer, meets the wealthy Maxim de Winter. She and Max fall in love, marry and return to Manderley, his large country estate in Cornwall. Max is still troubled by the death of his first wife, Rebecca, in a boating accident the year before. The second Mrs. de Winter clashes with the housekeeper, Mrs. Danvers, and discovers that Rebecca still has a strange hold on everyone at Manderley. Written by
Col Needham <firstname.lastname@example.org>
David O. Selznick insisted on personally supervising re-takes of the fire scene, which he thought had been indistinct as originally shot. The final shot of flames engulfing the title character's "R" monogram were redone because he thought the initial had not been as carefully framed as Mrs. Danvers would have placed it and the flames hadn't come up quickly enough or high enough. See more »
When Reginald Denny's character is in the study with Joan Fontaine's character he pulls out a file folder from a file cabinet and it's in the American format for 8.5 x 11 inches rather than the English A4 size. A4 is a bit narrower but longer than the US letter size standard and its paper would not fit the file folder Denny is holding. See more »
Well, let me tell you something, Favell: blackmail isn't so pure nor so simple, and it brings a great deal of trouble to a great many people before it's through, and we know how to deal with it in our part of the world. And, sometimes, the blackmailer finds *himself* in jail at the end of it!
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The original 1940 credits read "Selznick International presents its picturization of Daphne Du Maurier's 'Rebecca'". The credits on the re-issue version read "The Selznick Studio presents its production of Daphne Du Maurier's 'Rebecca'". See more »
This fine classic combines a great director, a great story, and a great cast. Any one of those would have made for a good movie, but all three make it an excellent one. Hitchcock's style and eye for detail combine very well with a story (from a novel that is extremely good in its own right) filled with psychological fear and settings that are interesting and suggestive.
Most of the time the story itself moves fairly slowly, allowing the focus to be on the characters, but there are also a couple of very good plot twists, which can be very surprising if you've not seen the movie or read the novel. So if you happen not to know the story, it's a good idea to see the film before reading a lot of comments about it. Laurence Olivier, Joan Fontaine, Judith Anderson, and George Sanders are all perfectly cast and do a wonderful job bringing their characters to life, and making you feel a part of the story.
"Rebecca" should be satisfying not only to any Hitchcock fan, but to anyone who likes classic movies. Whether you like romance, suspense, or drama, they're all here, and put together by a director and cast that are masters of their art.
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