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Gone with the Wind (1939)

A manipulative woman and a roguish man conduct a turbulent romance during the American Civil War and Reconstruction periods.

Directors:

, (uncredited) | 1 more credit »

Writers:

(story of the old south "Gone with the Wind"), (screenplay)
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Popularity
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Top Rated Movies #157 | Won 8 Oscars. Another 10 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Ellen - His Wife (as Barbara O'Neill)
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John Wilkes (as Howard Hickman)
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India - His Daughter
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Storyline

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Plot Synopsis

Taglines:

The most magnificent picture ever! See more »

Genres:

Drama | History | Romance | War

Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 January 1940 (USA)  »

Also Known As:

Lo que el viento se llevó  »

Box Office

Budget:

$3,977,000 (estimated)

Opening Weekend:

$1,192,593 (USA) (28 June 1998)

Gross:

$198,676,459 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1969 re-release) | (1985 re-release) | (1994 re-release) | (1989 re-release) | (copyright length)

Sound Mix:

(Western Electric Sound System)| (1967 Reissue)| (1971 Reissue)| (1998 Reissue)| (1954 Reissue)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

After Scarlett returns to a vandalized Tara, digs up a radish in the garden, then retches and gives her famous "As God is my witness . . . " line, the vomiting sounds were actually looped by Olivia de Havilland. One version of the story is that Vivien Leigh "could not" produce a convincing enough retching sound. Another version is that Leigh "would not" make the retching sound because "it simply was not lady-like". See more »

Goofs

When Scarlett speaks to Frank Kennedy in the hospital, his facial wounds (makeup) do not match, appearing far more pronounced in the closeup than in the longer shot. See more »

Quotes

[first lines]
Brent Tarleton: What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
Stuart Tarleton: War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
Brent Tarleton: We'll show 'em!
Scarlett: Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Brent Tarleton: Not going to be any war?
Stuart Tarleton: Why, honey, of course there's gonna be a war.
Scarlett: If either ...
[...]
See more »

Crazy Credits

George Reeves is credited as playing the part of Brent Tarleton, and Fred Crane is billed as Stuart Tarleton. This is incorrect: Crane played Brent, and Reeves played Stuart. See more »

Connections

Spoofed in Robot Chicken: Maurice Was Caught (2009) See more »

Soundtracks

The Old Folks at Home (Swanee River)
(1851) (uncredited)
Written by Stephen Foster
In the score at the train depot and during the intermission
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Classic in the History of Movie-making.
13 December 2000 | by (Magarathea) – See all my reviews

Every time I watch this film, and I've seen it more times than I can remember, I'm always astonished by the freshness of the story, the power of the emotions it conveys and the beautiful, detailed images of a time long gone. That this film was made in the 1930's is almost incomprehensible to me. The challenges that had to be overcome in order to bring it to life must have been monumental. But come to life it did, and still does! A triumph of film-making ingenuity and genius, that will live on for many generations to come.


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