Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a ...
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An altruistic department-store owner hires ex-convicts in order to give them a second chance at life. Unfortunately, one of the convicts he hires recruits two of his fellow ex-convicts in a plan to rob the store.
British hunter Thorndike vacationing in Bavaria has Hitler in his gun sight. He is captured, beaten, left for dead, and escapes back to London where he is hounded by German agents and aided by a young woman.
During the 1960s Germany, criminal mastermind Dr. Mabuse is using hypnotized victims and the surveillance equipment of a Nazi-era bugged hotel to steal nuclear technology from a visiting American industrialist.
Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a young, innocent maid. The maid, Julie, loses her job after going out with Liliom; he's fired by his jealous employer for going out with Julie. The two lovers move in with Julie's aunt; unemployment emasculates him and a local weasel tempts him with crime. Julie, now wan, is true to Liliom even in his bad temper. Meanwhile, a stolid widower, a carpenter, wants to marry Julie. Is there any future on this earth for Julie and Liliom, whose love is passionate rather than ideal? Written by
Mother, did anyone ever hit you? I mean a real slap that you can hear ring, and you didn't feel a thing?
Yes, my child. There was a time when someone hit me, and I didn't feel a thing.
Then, it is possible for someone to hit you, and not hurt you at all?
Yes, my child. Someone can beat you, and beat you, without hurting you at all.
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The two angels who play such an important role in the film are completely unmentioned in the cast. See more »
I stumbled across this film on late-night French TV last night, having missed the opening credits, but I was immediately struck by the sophistication of the production. Within a few minutes I was convinced that it had to be a Friz Lang film that I'd never heard of, but it wasn't until I checked IMDb this morning that I was able to confirm that suspicion. I had no idea that the final section of the film, with the trains of the afterlife, was coming, and I was, as the Brits say, gob-smacked. Corny and theatrical, sure, but also strange, beautiful, well-acted, and filmed with an eye that was a generation ahead of its time.
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