6.0/10
3,453
42 user 42 critic

Cavalcade (1933)

Passed | | Drama, Romance, War | 15 April 1933 (USA)
A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »

Director:

Writers:

(screen play), (continuity)
Reviews

Watch Now

From $3.99 (SD) on Amazon Video

ON DISC
Won 3 Oscars. Another 1 win & 1 nomination. See more awards »
Learn more

People who liked this also liked... 

Cimarron (1931)
Certificate: Passed Drama | Western
    1 2 3 4 5 6 7 8 9 10 6/10 X  

A newspaper editor settles in an Oklahoma boom town with his reluctant wife at the end of the nineteenth century.

Director: Wesley Ruggles
Stars: Richard Dix, Irene Dunne, Estelle Taylor
Biography | Drama | Musical
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

The ups and downs of Florenz Ziegfeld Jr., famed producer of extravagant stage revues, are portrayed.

Director: Robert Z. Leonard
Stars: William Powell, Myrna Loy, Luise Rainer
Biography | Drama
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

The biopic of the famous French muckraking writer and his involvement in fighting the injustice of the Dreyfuss Affair.

Director: William Dieterle
Stars: Paul Muni, Gale Sondergaard, Joseph Schildkraut
Certificate: Passed Drama | Musical | Romance
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

A pair of sisters from the vaudeville circuit try to make it big time on Broadway, but matters of the heart complicate the attempt.

Director: Harry Beaumont
Stars: Bessie Love, Anita Page, Charles King
Going My Way (1944)
Certificate: Passed Comedy | Drama | Music
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Father Charles O'Mailey, a young priest at a financially failing Church in a tough neighborhood, gains support and inspires his superior.

Director: Leo McCarey
Stars: Bing Crosby, Barry Fitzgerald, Frank McHugh
Wings (1927)
Drama | Romance | War
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Two young men, one rich, one middle class, who are in love with the same woman, become fighter pilots in World War I.

Directors: William A. Wellman, Harry d'Abbadie d'Arrast
Stars: Clara Bow, Charles 'Buddy' Rogers, Richard Arlen
Grand Hotel I (1932)
Certificate: Passed Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A group of very different individuals staying at a luxurious hotel in Berlin deal with each of their respective dramas.

Director: Edmund Goulding
Stars: Greta Garbo, John Barrymore, Joan Crawford
Adventure | Biography | Drama
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Midshipman Roger Byam joins Captain Bligh and Fletcher Christian aboard HMS Bounty for a voyage to Tahiti. Bligh proves to be a brutal tyrant and, after six pleasant months on Tahiti, ... See full summary »

Director: Frank Lloyd
Stars: Charles Laughton, Clark Gable, Franchot Tone
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A man from a family of rich snobs becomes engaged to a woman from a good-natured but decidedly eccentric family.

Director: Frank Capra
Stars: Jean Arthur, James Stewart, Lionel Barrymore
Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

The rise and fall of a corrupt politician, who makes his friends richer and retains power by dint of a populist appeal.

Director: Robert Rossen
Stars: Broderick Crawford, John Ireland, Joanne Dru
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A reporter pretends to be Jewish in order to cover a story on anti-Semitism, and personally discovers the true depths of bigotry and hatred.

Director: Elia Kazan
Stars: Gregory Peck, Dorothy McGuire, John Garfield
Mrs. Miniver (1942)
Drama | Romance | War
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A British family struggles to survive the first months of World War II.

Director: William Wyler
Stars: Greer Garson, Walter Pidgeon, Teresa Wright
Edit

Cast

Cast overview, first billed only:
...
...
...
Ellen Bridges
...
Alfred Bridges
...
Cook
...
Margaret Harris
Tempe Pigott ...
Mrs. Snapper
...
Annie
...
...
Fanny Bridges
...
Edith Harris
...
Edward Marryot
...
George Grainger
Desmond Roberts ...
Ronnie James
Dickie Henderson ...
Master Edward (as Dick Henderson Jr.)
Edit

Storyline

A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War, the death of Queen Victoria, the sinking of the Titanic and the Great War. Written by Jeremy Perkins {J-26}

Plot Summary | Add Synopsis

Taglines:

THE PICTURE OF THE GENERATION! (original print ad-all caps) See more »

Genres:

Drama | Romance | War

Certificate:

Passed | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

15 April 1933 (USA)  »

Also Known As:

Cabalgata  »

Box Office

Budget:

$1,180,280 (estimated)

Gross:

$7,630,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric System)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

One of the few Noël Coward plays to never have been revived, probably due to the huge scale of the production. See more »

Goofs

The Titanic's port of registry was Liverpool, not Southampton. See more »

Quotes

Jane Marryot: There should never be any good reason for neglecting someone that you love.
See more »

Connections

Referenced in Remember Me (2010) See more »

Soundtracks

Cavalcade March Song
(1932) (uncredited)
Music by Louis De Francesco
Lyrics by Reginald Berkeley
Sung by a chorus during the opening credits
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
"Time changes many things"
12 June 2011 | by (Ruritania) – See all my reviews

Unlike the big Oscar winners of later decades, the Best Pictures of the 1930s have largely been neglected (the only notable exceptions being It Happened One Night and Gone with the Wind). Of them all, Cavalcade is perhaps the most rarely remembered, and if remembered at all frequently dismissed as a dated, stagy melodrama, a product of an embarrassing era in cinema's history that even film buffs tend to shy away from, without even the added attraction of some pre-code naughtiness. But are bare legs, innuendo and mean-faced gangsters the only things worth salvaging from this era? The accusations of staginess are not surprising, Cavalcade being adapted from a Noel Coward play. But while Coward may have been a bit of a theatre snob with a naively upper-class attitude, he is not as impenetrably British as he may appear at first glance. Although Cavalcade focuses ostensibly on the concerns of a typical well-to-do English family, Coward strings together his story from universally emotional events, many of which would have related to the lives of people all over the world, and most of which still bear a kick today. Granted, Cavalcade's social conservatism and stiff-upper-lipped fustiness can be a little alienating, but this is not a preachy movie and nothing is forced home or laid on too thickly. Besides, Coward's warm humanism pervades even the most clichéd of characters.

The director is Frank Lloyd, himself an unfairly forgotten man of old Hollywood. Many will not understand why Lloyd one an Oscar for his work on Cavalcade, because he does not use any overt camera tricks, but the truth is Lloyd is too much of a master to need any tricks. Many of the claims of stiltedness probably stem from the fact that Lloyd uses a lot of long and often static takes, but there is still subtle and clever technique at work here. Take that first scene of Diana Wynyard and Clive Brook making their preparations for New Years Eve. A large chunk is done without a single edit, yet with a few simple panning manoeuvres Lloyd's camera is smoothly changing the focus and keeping things feeling fresh, at one point having Brook's face appear in the mirror, then following her over to the table where the two of them stand with a garland of flowers framing the lower edge of the shot. Another director might have used a dozen cuts in the same scene, but Lloyd does it with just one or two. And the great thing is you don't notice. Often he will shift our attention from one place to another, but do it by having the camera follow a walking character to disguise the movement, such as the father carrying off a crying child on the beach. In spite of this unostentatious approach, the style is purely cinematic.

To be fair however, most of the accusations of theatricality fall upon the cast. I would however describe the performances here as being stereotyped rather than grandiosely hammy. Diana Wynyard was the only Oscar nominee for acting, although she does little here but emote rather wetly. In her favour she does put a lot of expression into her small gestures, and as the picture progresses she ages her character convincingly. More realistic turns however are given by Clive Brook and Irene Browne. The real surprise performance of the lot though is Herbert Mundin. In his many supporting roles Mundin typically played a bumbling yet lovable comedy character, but here he is forceful, passionate and rather moving. Had such a thing existed in 1933, he could have been in line for a Best Supporting Actor award.

But, aside from all these qualities, why did Cavalcade of all things appeal to the Academy, which was not exactly cosmopolitan in those days? The answer may be that the mood of the picture was very apt for the times. This was of course the height of the depression, and despite appearances Cavalcade is a rather downbeat affair. The gung ho optimism of the Boer war is replaced by the bitter folly of the World War; characters disappear from the narrative, everyday life becomes increasingly impersonal, until the final scenes are almost despairing. And yet this is not some tale of personal tragedy. Crowds are a constant presence in Cavalcade, with Lloyd using them as a backdrop to a teary farewell, the bookends to a scene or even just a noise heard through a window. In Coward's play characters are killed off in significant events making them symbolic of the losses of a nation. This is a story of great suffering, but it is a story of collective suffering, and this makes it comparable to the most poignant and affecting pictures of depression-era Hollywood.


4 of 4 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?