The Sign of the Cross (1932)

Regista:

Cecil B. DeMille

Writers:

Wilson Barrett (play)
Waldemar Young (screenplay) ...

Data di uscita:

10 febbraio 1933 (USA)

Genere:

Drama | History

Slogan:

A picture which will proudly lead all the entertainments the world has ever seen

Plot:

After burning Rome, Emperor Nero decides to blame the Christians, and issues the edict that they are all to be caught and sent to the arena...

Plot Keywords:

Death | Animal Attack | Rome | Arena | Persecution

Premi:

Nominated for Oscar.

Recensioni degli utenti:

DeMille At His Most Decadent

Cast

Fredric March	...	Marcus Superbus
Elissa Landi	...	Mercia
Claudette Colbert	...	Empress Poppaea
Charles Laughton	...	Emperor Nero
Ian Keith	...	Tigellinus
Arthur Hohl	...	Titus
Harry Beresford	...	Favius
Tommy Conlon	...	Stephan
Ferdinand Gottschalk	...	Glabrio
Vivian Tobin	...	Dacia
William V. Mong	...	Licinius
Joyzelle Joyner	...	Ancaria (as Joyzelle)
Richard Alexander	...	Viturius
Nat Pendleton	...	Strabo
Clarence Burton	...	Servillius

Alias:

Segno della croce, Il (Italy) [it]

Durata:

122 min (without intermission)

Nazionalità:

USA

Lingua:

Inglese

Colore:

Bianco e nero

Aspect Ratio:

1.37 : 1

Sonoro:

Mono (Western Electric Noiseless Recording)

Divieti:

Norway:16 (1947) | West Germany:16 (f) | USA:Approved (PCA #1581-R, 23 September 1935 for re-release) | USA:Passed (National Board of Review)

Luoghi delle riprese:

Fresno, California, USA

Company:

Paramount Pictures

Curiosità:

The prologue for the 1944 re-release was completed 25 March 1944 at a cost of $100,000 - $125,000.

Errori:

Continuity: When the boxers are fighting with the spiked gloves, the loser gets punched in the face. He is shown with scars on his face and spits blood onto his chest. In the next shot (from a slightly different angle) the scars are there but the blood on his chest is gone.

Citazioni:

[the Empress, soaking naked in a tub of ass's milk and calling to her handmaiden]
Poppaea: Dacia, you're a butterfly with the sting of a wasp. Take off your clothes. Get in here and tell me all about it.

Movie Connections:

Citato in The Best of Sex and Violence (1981)

Colonna sonora:

Christian Hymn No.1

DeMille At His Most Decadent

Rome - First Century A. D. Nero, the mad Emperor & Poppaea, his vile Empress, engage in every sort of vice & degradation. Wanton cruelty becomes a spectator sport and virtue & innocence are denigrated. Slowly, however, a new Power is growing. People calling themselves Christians are secretly spreading their Faith ever more widely. They are horribly persecuted, but they continue to multiply. Which will eventually triumph - the might of Imperial Rome, or the gentle ones who follow THE SIGN OF THE CROSS?

This Cecil B. DeMille epic is a vivid retelling of the struggles of the first Christians. Paramount gave the film a lavish production and DeMille wrings every drop of piety & puerile interest possible from the plot. Fredric March is stalwart as the Roman official who falls in love with a beautiful Christian girl. While his ultimate conversion wouldn't convince the average modern Baptist, he holds his own in scenes with other performers whom are allowed to behave outrageously. Elissa Landi is sweet as the virtuous Believer, effectively underplaying her role.

`Do you want to play the most wicked woman in the world?' DeMille asked Claudette Colbert one day on the studio lot. She did & she does memorably, from her eye-popping milk bath scene to her revenge on her would-be lover. Sniveling, whining and wearing a huge fake nose, Charles Laughton is pure effeminate evil as Nero (notice his catamite), a foul blot on the face of humanity & stealing all his scenes from everyone else. History tells us that Nero eventually murdered Poppaea by stomping her to death...

Ian Keith is enjoyable as an unpunished villain. Ferdinand Gottshalk & Vivian Tobin are effectively degraded as Roman bacchants. Film mavens will recognize the voice of John Carradine, calling `We who are about to die, salute you!' out of the arena to Nero; he can later be spotted in the role of a Christian martyr ascending the dungeon stairs to his death.

DeMille had just returned to Paramount from a 3-year, 3-picture stint at MGM, where he was remarkably subdued. Back at his home studio he was allowed more license. Wrapping a little sermon up in a lot of sin, he filled this pre-Production Code drama with plenty of the latter. When THE SIGN OF THE CROSS was re-released in 1944, many cuts had to be made. The film now having been restored, it's not difficult to guess which sections those were. The Dance of the Naked Moon & much of the antics in the final arena sequence are beyond the bounds of good taste, but certainly not beyond the bounds of Cecil B. DeMille.