| Photos (see all 6 | slideshow) |
| Fredric March | ... | Marcus Superbus | |
| Elissa Landi | ... | Mercia | |
| Claudette Colbert | ... | Empress Poppaea | |
| Charles Laughton | ... | Emperor Nero | |
| Ian Keith | ... | Tigellinus | |
| Arthur Hohl | ... | Titus | |
| Harry Beresford | ... | Favius | |
| Tommy Conlon | ... | Stephan | |
| Ferdinand Gottschalk | ... | Glabrio | |
| Vivian Tobin | ... | Dacia | |
| William V. Mong | ... | Licinius | |
| Joyzelle Joyner | ... | Ancaria (as Joyzelle) | |
| Richard Alexander | ... | Viturius | |
| Nat Pendleton | ... | Strabo | |
| Clarence Burton | ... | Servillius | |
| Harold Healy | ... | Tybul | |
| Robert Seiter | ... | Philodemus (as Robert Manning) | |
| Charles Middleton | ... | Tyros | |
| resto del cast in ordine alfabetico: | |||
| Joel Allen | ... | Bombadier - 1944 Re-Release Prologue (uncredited) | |
| Mischa Auer | ... | Christian in Dungeon (uncredited) | |
| Lionel Belmore | ... | Bettor of 300 Silver (uncredited) | |
| True Boardman | ... | Slave of Nero (uncredited) | |
| Marjorie Bonner | ... | Roman Woman (uncredited) | |
| Joe Bonomo | ... | Mute Giant (uncredited) | |
| Henry Brandon | ... | Spectator at Colosseum (uncredited) | |
| George Bruggeman | ... | Slave of Nero (uncredited) | |
| Horace B. Carpenter | ... | (uncredited) | |
| John Carradine | ... | Christian Martyr Saying "Victory" / Roman citizen outside of Colisseum / Gladiator saying 'We who are about to die.' (uncredited) | |
| Lane Chandler | ... | Christian in Chains (uncredited) | |
| Ruth Clifford | ... | Christian Mother at Meeting (uncredited) | |
| William Forrest | ... | Colonel Hugh Mason - 1944 Prologue (uncredited) | |
| Wynne Gibson | ... | Extra at Orgy (uncredited) | |
| Dorothy Granger | ... | Bit Part (uncredited) | |
| Carol Holloway | ... | (uncredited) | |
| John James | ... | Lieutenant Herb Hanson - 1944 Re-Release Prologue (uncredited) | |
| Otto Lederer | ... | (uncredited) | |
| Lillian Leighton | ... | Woman Getting Gold for Cup (uncredited) | |
| Edward LeSaint | ... | Enthusiastic Spectator (uncredited) | |
| Wilfred Lucas | ... | (uncredited) | |
| James Millican | ... | Captain Kevin Driscoll - 1944 Re-Release Prologue (uncredited) | |
| Gertrude Norman | ... | Christian (uncredited) | |
| Wedgwood Nowell | ... | Man Accepting 300 Silver Bet (uncredited) | |
| Dave O'Brien | ... | Christian on Stairway (uncredited) | |
| William H. O'Brien | ... | Man Who Heard Lions All Morning (uncredited) | |
| Hal Price | ... | Spectator (uncredited) | |
| Sally Rand | ... | Crocodiles' Victim (uncredited) | |
| Tom Ricketts | ... | Sleeping Spectator (uncredited) | |
| Stanley Ridges | ... | Chaplain Lloyd - 1944 Re-Release Prologue (uncredited) | |
| Angelo Rossitto | ... | Pygmy (uncredited) | |
| Ynez Seabury | ... | Little Girl (uncredited) | |
| Arthur Shields | ... | Chaplain Costello - 1944 Re-Release Prologue (uncredited) | |
| Jerome Storm | ... | (uncredited) | |
| Kent Taylor | ... | Romantic Spectator (uncredited) | |
| Oliver Thorndike | ... | Lieutenant Robert Hammond - 1944 Re-Release Prologue (uncredited) | |
| Tom Tully | ... | Hoboken - 1944 Re-Release Prologue (uncredited) | |
| Florence Turner | ... | Christian (uncredited) | |
| Ethel Wales | ... | Complaining Wife (uncredited) | |
Regia di | |||
| Cecil B. DeMille | (as Cecil B. De Mille) | ||
Scritto da | ||
| Wilson Barrett | (play) | |
| Waldemar Young | (screenplay) and | |
| Sidney Buchman | (screenplay) | |
| Dudley Nichols | 1944 prologue (uncredited) | |
| Henryk Sienkiewicz | novel "Quo Vadis" (uncredited source) | |
Prodotto da | |||
| Cecil B. DeMille | .... | producer (as Cecil B. De Mille) | |
Musiche originali di | |||
| Rudolph G. Kopp | |||
| Jay Chernis | (uncredited) | ||
| Paul Marquardt | (uncredited) | ||
| Milan Roder | (uncredited) | ||
Fotografia di | |||
| Karl Struss | (photographed by) | ||
Montaggio di | |||
| Anne Bauchens | (uncredited) | ||
Architetto-scenografo | |||
| Mitchell Leisen | (uncredited) | ||
Costumi di | |||
| Mitchell Leisen | |||
Aiuto regista | |||
| Mitchell Leisen | .... | assistant director (uncredited) | |
| Edward Salven | .... | assistant director (uncredited) | |
Art Department | |||
| Mitchell Leisen | .... | art director: 1944 prologue (uncredited) | |
Sonoro | |||
| Harry Lindgren | .... | sound engineer (uncredited) | |
Camera and Electrical Department | |||
| George T. Clemens | .... | camera operator (uncredited) | |
| Otto Dyar | .... | still photographer (uncredited) | |
| Cliff Shirpser | .... | assistant camera (uncredited) | |
| William E. Thomas | .... | still photographer (uncredited) | |
Music Department | |||
| Nat W. Finston | .... | music supervisor (uncredited) | |
Altro personale | |||
| Chester Seay | .... | archery instructor (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
This was a powerful and shocking movie, at least for people who see a lot of classic films, including movies from the '30s. I haven't seen this in quite a while but I never forgot seeing a nude Claudette Colbert taking a milk bath!
However, seeing Christians persecuted was not entertaining to me. Although there is no gore, it's pretty brutal to almost see lions eating people, elephants crushing them, alligators ripping them apart, gladiators being speared, stabbed, torn up, etc., etc. And some wonder why a morals' code was instituted several years later?! I'm sure there were some outcries after this was released.
The Christians, led by Elissa Landi, are inspiring in their bravery in the midst of all this persecution. One wonders how - in real life - they did it. In addition to the torture, violent scenes, this movie was shocking in its day for the nudity. For a classic film, to see all these bare breasts is indeed shocking.
Regarding other actors, Charles Laughton was convincing as the sick, sadistic "Nero" but Frederic March looked more like a silent film star with all the eye makeup.
Of a final note, it was interesting to see an "intermission" in this film, considering it's just two hours, but that was a long time for a film in 1932.